Showing posts with label John Zorn. Show all posts
Showing posts with label John Zorn. Show all posts
June 8, 2020
June 7, 2020
20,000 vinyl LPs 227: The Violent Femmes ~ Hallowed Ground
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Today, June 7, is the birthday of Gordon Gano a member of the hard to pigeon-hole group, The Violent Femmes. He was born in 1963 in Connecticut to actor parents Norman and Faye Gano.
Gano joined Violent Femmes in Milwaukee in 1981 with bassist Brian Ritchie and drummer Victor DeLorenzo. They developed a following thanks to songs such as Blister in the Sun, Kiss Off and Add It Up (all included on their self-titled debut album). The band has experimented with a variety of sounds over the course of its career, such as country and western (Hallowed Ground) and pop-rock (The Blind Leading the Naked). Gano plays guitar, sings and writes most of the band's songs.
I was first snagged by the album front cover artwork which is a photo of a sculpture created by Mary Nohl, the daughter of a Milwaukee attorney, and his wife Emma. After the death of her parents, a sizable inheritance left Nohl the chance to create artworks. She used concrete and found objects such as driftwood, wire and glass to build sculptures, one of which was used for the cover of the album.
Side 1:
A1 - Country Death Song - 5:02
A2 - I Hear The Rain - 1:30
A3 - Never Tell - 7:06
A4 - Jesus Walking On The Water, Vocals – Cynthia Gano Lewis, Peter Balestrieri - 3:04
A5 - I Know It's True But I'm Sorry To Say - 5:05
Side 2:
B1 - Hallowed Ground - 4:12
B2 - Sweet Misery Blues - 2:43
B3 - Black Girls - 5:38
B4 - It's Gonna Rain - 4:12
Companies, etc.
Copyright (c) – Slash Records
Phonographic Copyright (p) – Slash Records
Manufactured By – Warner Bros. Records Inc.
Distributed By – Warner Bros. Records Inc.
Published By – Gorno Music
Recorded At – Secret Sound
Mastered At – Sheffield Lab Matrix
Pressed By – Allied Record Company
Credits:
Alto Saxophone, Woodwind [Game Calls] – John Zorn
Art Direction – Jeff Price (2)
Autoharp – Christina Houghton
Banjo – Tony Trischka
Bass [Mariachi], Electric Bass, Bass [Slide], Celesta, Marimba, Jew's Harp, Vocals – Brian Ritchie
Clarinet – John Tanner
Cornett [Cornetto], Sackbut – Drake Scott
Drums, Electronic Drums, Percussion [Tranceaphone, Stompatron], Percussion, Vocals – Victor De Lorenzo*
Engineer – John Tanner, Warren Bruleigh
Lead Vocals, Electric Guitar, Acoustic Guitar, Fiddle – Gordon Gano
Photography By [Band Photo] – John C. Nate
Photography By [Front Cover Photo] – Mark Trilling
Piano, Organ – Mark Van Hecke
Producer, Alto Saxophone – Mark Van Hecke
Songwriter – Gordon Gano
Tenor Saxophone, Harmonica – Peter Balestrieri
Notes:
Recorded at Secret Sound Studio, New York City, January 1984.
The [a] in the runouts symbolizes the lowercase "a" stamp for Allied Record Company.
Made and printed in U.S.A.
Barcode and Other Identifiers
Barcode: 0 7599-25094-1
Matrix / Runout (Side A, etched): 1-25094-ASH-3 [a] B-19197-SH3 ∙ SLM △ 6449 1-3
Matrix / Runout (Side B, etched): 1-25094-B-SH-2 [a] B-19198-SH2 ∙ SLM △ 6449-X SP OASM 1-2
Rights Society: ASCAP
Violent Femmes – Hallowed Ground
Label: Slash – 1-25094, Slash – 9 25094-1
Format: Vinyl, LP, Album
Country: US
Released: 1984
Genre: Rock
Style: Country Rock, Indie Rock
Pitchfork ~ Violent Femmes review
Sputnik Music ~ Violent Femmes: Hallowed Ground review
The Vinyl District ~ Graded on a Curve: Hallowed Ground review
Au Pairs - Tongue in cheek
Golden Earring ~ Radar Love
The Violent Femmes ~
Country Death Song
I Hear the Rain
Hallowed Ground
Jesus Walking On The Water
It's Gonna Rain
Styrous® ~ Sunday, June 7, 2020
Gano joined Violent Femmes in Milwaukee in 1981 with bassist Brian Ritchie and drummer Victor DeLorenzo. They developed a following thanks to songs such as Blister in the Sun, Kiss Off and Add It Up (all included on their self-titled debut album). The band has experimented with a variety of sounds over the course of its career, such as country and western (Hallowed Ground) and pop-rock (The Blind Leading the Naked). Gano plays guitar, sings and writes most of the band's songs.
I was first snagged by the album front cover artwork which is a photo of a sculpture created by Mary Nohl, the daughter of a Milwaukee attorney, and his wife Emma. After the death of her parents, a sizable inheritance left Nohl the chance to create artworks. She used concrete and found objects such as driftwood, wire and glass to build sculptures, one of which was used for the cover of the album.
vinyl LP front cover
front cover sculpture by Mary Nohl
cover photo by Mark Trilling
photo of album cover by Styrous®
Musician John Zorn plays Alto Saxophone and Woodwind on the album. He incorporates diverse styles in his compositions, which he identifies as avant-garde or experimental. Zorn was described by Down Beat as "one of our most important composers".
vinyl LP back cover
photo of album cover by Styrous®
Country Death Song is a real shit-kickin' country western song that is bouncy, happy and just made for dancing (YouTube link below).
I Hear the Rain starts with an a-cappella duet; is short, only one and a half minutes but it moves like a banshee; with the use of what sounds like a xylophone puts me in mind of a faster version of the British post-punk, Au Pairs song, Tongue in cheek (link below).
I Hear the Rain starts with an a-cappella duet; is short, only one and a half minutes but it moves like a banshee; with the use of what sounds like a xylophone puts me in mind of a faster version of the British post-punk, Au Pairs song, Tongue in cheek (link below).
vinyl LP back cover detail
detail photo by Styrous®
My favorite song from the album has to be Jesus Walking on the Water. It's a fast, Appalachia gospel sounding tune that moves with great lyrics and it's lots of fun (link below).
vinyl LP back cover detail
detail photo by Styrous®
I really love I Know It's True But I'm Sorry To Say. It's a slow ballad that is truly beautiful with insightful lyrics (link below).
Black Girls, my second favorite song (link below), starts out with a very hesitant snare drum then goes into a fast Radar Love by Golden Earring type of beat. John Zorn wails on sax in this song then is joined by a Jew's harp. The song is a great study in dissonance and improvisation with fantastic drumming by Victor DeLorenzo.
It's Gonna Rain is another shit-kicker with a great beat that makes you want to move whether you want to or not, it's irresistible (link below).
During a Violent Femmes hiatus in the late 1980s, Gano formed a
gospel-punk group called The Mercy Seat with vocalist Zena Von
Heppinstall, bassist Patrice Moran, and drummer Fernando Menendez.
vinyl LP record, side 1
photo by Styrous®
vinyl LP record label, side 1
photo by Styrous®
vinyl LP record, side 2
photo by Styrous®
vinyl LP record label, side 2
photo by Styrous®
Tracklist:
Side 1:
A1 - Country Death Song - 5:02
A2 - I Hear The Rain - 1:30
A3 - Never Tell - 7:06
A4 - Jesus Walking On The Water, Vocals – Cynthia Gano Lewis, Peter Balestrieri - 3:04
A5 - I Know It's True But I'm Sorry To Say - 5:05
Side 2:
B1 - Hallowed Ground - 4:12
B2 - Sweet Misery Blues - 2:43
B3 - Black Girls - 5:38
B4 - It's Gonna Rain - 4:12
Companies, etc.
Copyright (c) – Slash Records
Phonographic Copyright (p) – Slash Records
Manufactured By – Warner Bros. Records Inc.
Distributed By – Warner Bros. Records Inc.
Published By – Gorno Music
Recorded At – Secret Sound
Mastered At – Sheffield Lab Matrix
Pressed By – Allied Record Company
Credits:
Alto Saxophone, Woodwind [Game Calls] – John Zorn
Art Direction – Jeff Price (2)
Autoharp – Christina Houghton
Banjo – Tony Trischka
Bass [Mariachi], Electric Bass, Bass [Slide], Celesta, Marimba, Jew's Harp, Vocals – Brian Ritchie
Clarinet – John Tanner
Cornett [Cornetto], Sackbut – Drake Scott
Drums, Electronic Drums, Percussion [Tranceaphone, Stompatron], Percussion, Vocals – Victor De Lorenzo*
Engineer – John Tanner, Warren Bruleigh
Lead Vocals, Electric Guitar, Acoustic Guitar, Fiddle – Gordon Gano
Photography By [Band Photo] – John C. Nate
Photography By [Front Cover Photo] – Mark Trilling
Piano, Organ – Mark Van Hecke
Producer, Alto Saxophone – Mark Van Hecke
Songwriter – Gordon Gano
Tenor Saxophone, Harmonica – Peter Balestrieri
Notes:
Recorded at Secret Sound Studio, New York City, January 1984.
The [a] in the runouts symbolizes the lowercase "a" stamp for Allied Record Company.
Made and printed in U.S.A.
Barcode: 0 7599-25094-1
Matrix / Runout (Side A, etched): 1-25094-ASH-3 [a] B-19197-SH3 ∙ SLM △ 6449 1-3
Matrix / Runout (Side B, etched): 1-25094-B-SH-2 [a] B-19198-SH2 ∙ SLM △ 6449-X SP OASM 1-2
Rights Society: ASCAP
Violent Femmes – Hallowed Ground
Label: Slash – 1-25094, Slash – 9 25094-1
Format: Vinyl, LP, Album
Country: US
Released: 1984
Genre: Rock
Style: Country Rock, Indie Rock
Viewfinder links:
Net links:
Pitchfork ~ Violent Femmes review
Sputnik Music ~ Violent Femmes: Hallowed Ground review
The Vinyl District ~ Graded on a Curve: Hallowed Ground review
YouTube links:
Au Pairs - Tongue in cheek
Golden Earring ~ Radar Love
The Violent Femmes ~
Country Death Song
I Hear the Rain
Hallowed Ground
Jesus Walking On The Water
Styrous® ~ Sunday, June 7, 2020
June 23, 2018
GroWiser @ the Farmer's Market in Old Oakland
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GroWiser ~ Ball & Chain
CD pamphlet back
photo by Styrous®
One of the perks of living in a major metropoitan area is the chance operation that puts one in touch with amazing things, events, people, art and, of course, music.
GroWiser ~ Ball & Chain
CD pamphlet back
photo by Styrous®
One of the perks of living in a major metropoitan area is the chance operation that puts one in touch with amazing things, events, people, art and, of course, music.
I experienced one of those perks yesterday at the Old Oakland Farmer's Market where I met three members of the group GroWiser performing.
I had a fantastic time listening to their music and talking to the keybordist and leader, Hubert Emerson, saxophonist, Sahar Imani Miller and Ralph Eutsey on congas.
Man! Can Miller wail out a tune on that sax! They also did some
mellow tunes in which she "crooned" her way into my heart. Like Sugar, I've always been a sucker for the saxophone; Woody Herman in the forties, Earl Bostic, Charlie Parker & Sonny Rollins in the fifties, Ornette Coleman, John Coltrane & Dexter Gordon in the sixties, Stan Getz, Grover Washington, Jr. in the seventies and of course, in the eighties, John Zorn.
GroWiser - Old Oakland - 2018
photo by Styrous®
I had a fantastic time listening to their music and talking to the keybordist and leader, Hubert Emerson, saxophonist, Sahar Imani Miller and Ralph Eutsey on congas.
GroWiser - Old Oakland - 2018
photo byStyrous®
Emerson told me his group had been performing at the market for decades but for some reason I had missed him and this was my first encounter with them.
I bought several of their CDs, a couple of which they autographed for me. I'll write about the albums as I listen to them.
GroWiser ~ Ball & Chain
CD pamphlet cover
photographers unknown
photo of cover by Styrous®
GroWiser ~ Ball & Chain
CD case
photo by Styrous®
GroWiser ~ Ball & Chain
CD
photo by Styrous®
CD pamphlet cover
photographers unknown
photo of cover by Styrous®
The group's music is a fusion of jazz, blues, funk and maybe a hint of soul. They played a beautiful song, Hungry Eyes, (not to be confused with the song of the same name by Eric Carmen) that is a knockout (link below)! I could easily imagine moving in ecstacy to it when I was younger and in a dance club. The song is on the Tears of God album, which I bought and will write about at a later date after I've listened to it.
GroWiser ~ Ball & Chain
CD case
photo by Styrous®
There is a video of them during a recording session of Middle of the Night, from the Don't Look Back album, and Out On the Town from at the Jingletown Studios in Oakland on YouTube (link below). Miller totally wails out on sax as well as sings in it.
The Jingletown Studios was the next block down from my studio. It was founded by the members of Green Day. There were many rock groups who recorded there, the heavy metal band from Oakland, Machine Head, the rock band from San Jose, Smash Mouth, Iggy Pop, as well as Green Day. There are a couple of videos by audio engineer, videographer, and musician Chris Dugan about the studios (link below).
The last I heard, the studios were up for sale. Before it was turned into a recording studio, the building had been gutted in a massive fire in 2006.
The Jingletown Studios was the next block down from my studio. It was founded by the members of Green Day. There were many rock groups who recorded there, the heavy metal band from Oakland, Machine Head, the rock band from San Jose, Smash Mouth, Iggy Pop, as well as Green Day. There are a couple of videos by audio engineer, videographer, and musician Chris Dugan about the studios (link below).
photo by Niall David
The last I heard, the studios were up for sale. Before it was turned into a recording studio, the building had been gutted in a massive fire in 2006.
Jingletown Studios fire - 2006
photo by Styrous®
I haven't had time to listen to the GroWiser albums I bought yesterday but judging from the fantastic time I had listening to them perform, I look forward to many hours of blissful listening.
GroWiser ~ Ball & Chain
CD
photo by Styrous®
YouTube links:
Styrous® ~ Saturday, June 23, 2018
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Labels:
Bennie Murry,
Chris Dugan,
Dexter Gordon,
Earl Bostic,
Eric Carmen,
Green Day,
GroWiser,
Hubert Emerson,
Iggy Pop,
John Zorn,
Machine Head,
Sahar Imani Miller,
Smash Mouth,
Stan Getz,
Styrous,
Woody Herman
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