Showing posts with label Jimmy Johnson. Show all posts
Showing posts with label Jimmy Johnson. Show all posts

January 7, 2018

Rick Hall, FAME & Muscle Shoals

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"I wanted so badly for all of us in Muscle Shoals to wake up one day and be much better than we ever thought we could possibly be.”   
~ Rick Hall





Rick Hall  - 2015
photo by Shane Rice


       
Rick Hall died a few days ago, January 2, 2018. He was born, Roe Erister "Rick" Hall on January 31, 1932. He was an American record producer, songwriter, music publisher, and musician best known as the owner and proprietor of FAME Studios in Muscle Shoals, Alabama. As the "Father of Muscle Shoals Music", he was influential in recording and promoting both country and soul music, and in helping develop the careers of such musicians as Aretha Franklin, Otis Redding, Duane Allman, Etta James, Candi Staton, Bobbie Gentry and The Osmonds among many others.             


  Rick Hall, FAME Studios - 1962 
photo by Hollis Bennett


Fame Recording Studios opened in Muscle Shoals, Alabama, in 1961 as a spin-off of a publishing company that worked with future studio legends Dan Penn, Billy Sherrill and Hall.   

The FAME Studios became one of the the most popular places for soul, R&B, and pop musicians to cut records in the '60s and '70s. While the studio was well run and equipped with the latest recording gear, the reason FAME was popular had less to do with the facilities and more to do with the in-house band, The Fame Gang.     

The Gang were the secret heroes of dozens of hit records, creating a sound that earned fans even if listeners rarely knew the names of the people who provided the backing for those hits. The first Fame house band featured David Briggs and Spooner Oldham on keyboards, Norbert Putnam on bass, Earl "Peanut" Montgomery and Terry Thompson on guitars, and Jerry Carrigan on drums.          


 
Picture: Courtesy Fame Records


While the group's primary responsibility was backing the clients of FAME Studios, unlike the studio's other rhythm sections, the third band released records on its own, under the name the Fame Gang; Hall had launched a Fame Records label, and the Fame Gang became one of the label's artists.        



FAME Studios - 1967


FAME Studios is where Otis Redding recorded You Left the Water Running. The song was later released as a bootleg single, and did not appear legitimately until 1987 on the compilation album The Otis Redding Story.            


L to R: Junior Lowe, Jimmy Johnson
Otis Redding and Rick Hall - 1966 
Picture: Courtesy Fame Records
       
      
When the members of the second Fame house band struck out on their own to form The Muscle Shoals Sound Studio, Hall organized a new combo, the largest to date. The third Fame studio crew featured Junior Lowe on guitar, Jesse Boyce on bass, Clayton Ivey on keyboards and guitar, Freeman Brown on drums, Harrison Calloway on trumpet, Aaron Varnell on tenor and alto sax, Ronnie Eades on baritone sax, and Harvey Thompson on tenor sax and flute, with Mickey Buckins handling arrangements and production.       

  

Wilson Pickett, FAME Studios - 1966 
Picture: Courtesy Fame Records


The Muscle Shoals Sound Studio located at 3614 Jackson Highway, which the Swampers set up after their falling out with Rick Hall.      

photo by Hollis Bennett



FAME Studios - 1970



Hall was inducted into the Alabama Music Hall of Fame in 1985 and also received the John Herbert Orr Pioneer Award. In 2014, he won the Grammy Trustees Award in recognition of his lengthy career.
In early 2018, Rolling Stone published a retrospective of Hall's career and included this evaluation.
"Hall's Grammy-winning production touched nearly every genre of popular music from country to R&B, and his Fame Studio and publishing company were a breeding ground for future legends in the worlds of songwriting and session work, as well as a recording home to some of the greatest musicians and recording artists of all time."     

Rick Hall died Tuesday, January 2, 2018, after a bout with cancer. He was 85 years old.   



Viewfinder links:      
      
Duane Allman      
Aretha Franklin      
Etta James       
Little Richard       
Otis Redding    
        
Net links:      
      
No Depression ~ "The Man from Muscle Shoals" interview
Rockingodshouse ~ The Man Who Produced Aretha Franklin interview     
Smashing Interviews ~ Genius Behind the Muscle Shoals Sound    
NPR obit       
             
        
        

photo - House Of Fame LLC/Michael Ochs Archives / Getty



Styrous® ~ Sunday, January 7, 2018   








July 3, 2014

101 Reel-to-Reel Tapes 71: Arif Mardin ~ Glass Onion

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 Arif Mardin ~  
Glass Onion








In addition to my vinyl LP record collection I'm selling, I have hundreds of reel-to-reel, pre-recorded tapes as well. This is an entry about one of them that is for sale on eBay (see link below). Interested? Contact me by email, please, not by a comment.

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Glass Onion, 1970, was the first of only two solo albums by Mardin. His other album was Journey, 1975, in which he was the composer and arranger, but he also played electric piano and percussion, and was accompanied by many stars of jazz (Randy and Michael Brecker, Joe Farrell, Gary Burton, Ron Carter, Steve Gadd, Billy Cobham and many others). Mardin composed, arranged, conducted and produced The Prophet, an interpretation of The Prophet by Kahlil Gibran, in 1974, featuring Richard Harris.


Arif Mardin ~ Glass Onion reel-to-reel tape
Cover illustration & design: Stanislaw Zagorski
photo by Styrous®






Arif Mardin ~ Glass Onion reel-to-reel tape detail
Cover illustration & design: Stanislaw Zagorski
detail photo by Styrous®

Arif Mardin, born on March 15, 1932, in Istanbul, was a Turkish-American music producer, who worked with hundreds of artists across many different styles of music, including jazz, rock, soul, disco, and country. He worked at Atlantic Records for over 30 years, as both an assistant, producer, arranger, studio manager, and vice president, before moving to EMI and serving as vice president and general manager of Manhattan Records. His collaborations include working with Queen, The Bee Gees, Anita Baker, Aretha Franklin, Roberta Flack, Bette Midler, Laura Branigan, Chaka Khan, Scritti Politti, Phil Collins, Daniel Rodriguez, Norah Jones, Richard Marx, Culture Club and Howard Jones. Mardin was awarded 11 Grammy Awards.





Arif Mardin ~ Glass Onion 
reel-to-reel tape box back
photo by Styrous®



Mardin began his career at Atlantic Records in 1963 as an assistant to Nesuhi Ertegün. A fellow Turkish émigré, Nesuhi was the brother of Ahmet Ertegün, Atlantic's co-founder and a jazz enthusiast when they met at the Newport Jazz Festival. Mardin rose through the ranks quickly, becoming studio manager, label house producer and arranger. In 1969, he became the Vice President and later served as Senior Vice President until 2001. He worked closely on many projects with co-founders Ertegün and Jerry Wexler, as well as noted recording engineer Tom Dowd; the three legends (Dowd, Mardin, and Wexler) were responsible for establishing the "Atlantic Sound". Arif Mardin retired from Atlantic Records in May 2001 and re-activated his label Manhattan Records. He maintained ties to the Turkish music industry.



Arif Mardin ~ Glass Onion 
reel-to-reel tape back detail
detail photo by Styrous®



When Mardin was producing the Bee Gees' 1975 Main Course album track, Nights on Broadway, he discovered the distinctive falsetto of Barry Gibb, which became a familiar trademark of the band throughout the disco era.



Arif Mardin ~ Glass Onion 
reel-to-reel tape back detail
detail photo by Styrous®
 
the music
With the exception of Midnight Walk, all the songs are instrumental covers of music by other artists. Walk is a bluesy, slow tune with lots of brass, (trumpets, saxes, etc.) backing his piano. There's a nice harmonica at one point. Jazz drummer Elvin Jones covered this song in 1966; it was released on the Atlantic label.

Arif Mardin ~ Glass Onion 
reel-to-reel tape
photo by Styrous®


Mardin's cover of  Sympathy for the Devil, by Mick Jagger and Keith Richards of The Rolling Stones, is a very strange version of the song. It also is an instrumental but it almost doesn't even sound like the same tune. You can hear it on Spotify (link below).




Arif Mardin ~ Glass Onion 
reel-to-reel tape label detail
detail photo by Styrous®

Track List:

Side 1:

1 - How Can I Be Sure - Written by Eddie Brigati, Felix Cavaliere - 3:35
2 - (Sittin' On) The Dock Of The Bay - Written by Otis Redding, Steve Cropper - 3:20
3 - Listen Here - Written by Eddie Harris - 3:10
4 - Mary Ann - Written by Ray Charles - 2:06
5 - Ain't No Way - Written by Carolyn Franklin - 3:08
6 - Midnight Walk - Written by Arif Mardin - 4:28

Side 2:

1 - Glass Onion - Written by John Lennon, Paul McCartney - 2:42
2 - Proud Mary - Written by John Fogerty - 3:32
3 - Sympathy For The Devil - Written by Keith Richards, Mick Jagger - 3:56
4 - Walk On By - Written by Burt Bacharach, Hal David - 3:19
5 - Strange Brew - Written by Eric Clapton, Felix Pappalardi, Gail Collins - 4:18


    Arranged By – Arif Mardin
    Drums – Roger Hawkins
    Electric Bass – David Hood
    Electric Piano – Barry Beckett
    Harmonica – Eddie Hinton
    Lead Guitar – Eddie Hinton
    Organ – Barry Beckett
    Percussion – Roger Hawkins
    Piano – Barry Beckett
    Rhythm Guitar – Jimmy Johnson (4)

Arif Mardin, Glass Onion, 3¾ ips reel-to-reel tape
Atlantic - X 9333
Released 1969






Sittin' On the Dock of the Bay on YouTube
Midnight Walk on YouTube
Strange Brew on YouTube 
Sympathy for the Devil on Spotify



Arif Mardin ~ Glass Onion reel-to-reel tape is for sale on eBay 

reel-to-reel tapes on eBay



October 25, 2013

101 Reel-To-Reel Tapes 9: Bobby Womack ~ Understanding

cover photo by Norman Seeff
reel-to-reel box detail
photo of box detail by Styrous®

In addition to my vinyl collection I'm selling, I have hundreds of reel-to-reel, pre-recorded tapes I'm selling. This is an entry about one of them that was for sale on eBay (see link below for others). I have the vinyl LP version as well. Interested? Contact me by email, please, not by a comment. 


Bobby Womack ~ Understanding
cover photo by Norman Seeff
reel-to-reel box front
photo of box front by Styrous®

Understanding was released in 1972; it featured the song, I Can Understand It, a great, at the time, dance song; although, it does sound dated now, it was pre-disco, what we later called funk. I remember dancing to it's infectious beat in dark smokey bars (no mirrored disco balls yet). The song was 6 1/2  minutes, long by the standards of those days and seemed to go on forever.

His cover of the John Lennon, Paul McCartney song, And I Love Her, is a beautiful soul version of the tune.

Near the bottom of this post there are links to the songs mentioned on YouTube so you can hear them for yourself, if you'd like. 

In 2009, Bobby Womack was inducted into the Rock and Roll Hall of Fame.


reel-to-reel box back
photo by Styrous®


reel-to-reel box back detail
detail photos by Styrous®


reel-to-reel
photo by Styrous®


reel-to-reel label detail
detail photo by Styrous®


Track listing:

Side 1:

1. I Can Understand It (Womack) - 6:36
2. Woman's Gotta Have It (Womack, Linda Womack, Darryl Carter) - 3:35
3. And I Love Her (John Lennon, Paul McCartney) - 2:46
4. Got To Get You Back (Chris Green, Jerry Lynn Williams) - 2:53

Side 2:

1. Simple Man (Womack, Joe Hicks) - 5:58
2. Ruby Dean (Womack, Joe Hicks) - 3:27
3. Thing Called Love (Joe Hicks) - 3:57
4. Sweet Caroline (Neil Diamond) - 3:13
5. Harry Hippie (Jim Ford) - 3:40

Personnel:

Bobby Womack - vocals, guitar
Jimmy Johnson, Reggie Young, Tippy Armstrong - guitar
David Hood, Mike Leech - bass
Barry Beckett, Bobby Wood, Bobby Emmons - keyboards
Hayward Bishop, Roger Hawkins - drums, percussion
Ronnie Eades, Harvey Thompson - saxophone
Harrison Calloway, Jr. - trumpet
Dale Quillen - trombone
Friendly Womack, Jr., Curtis Womack, Harry Womack, Cecil Womack, Janice Singleton, Pam Grier, Patrice Holloway - background vocals


Music links:

I Can Understand It on YouTube
And I Love Her on YouTube


reel-to-reel listings on eBay

more reel-to-reel tapes on the Styrous® Viewfinder:
                                             reel-to-reel tape archive



Styrous® ~ October 25, 2013

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