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mentions:
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Showing posts with label David Clayton-Thomas. Show all posts
Showing posts with label David Clayton-Thomas. Show all posts
September 17, 2023
August 15, 2017
Judy Collins articles/mentions
In My Life
mentions:
Joan Baez ~ Joan
Blood, Sweat & Tears
David Clayton-Thomas
Marat/Sade
Like "Picasso at the Lapin Agile"
vinyl LP album cover detail
photo by
Francesco Scavullo
detail photo by Styrous®
February 27, 2014
101 Reel-to-Reel Tapes 48: David Clayton-Thomas
reel-to-reel tape label detail
detail photo by Styrous®
I have hundreds of reel-to-reel, pre-recorded tapes in addition to my 20,000 Vinyl LP collection I'm selling (see link below). Interested? Contact me by email please, not by a comment.
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Hernando's Hideaway
So, right to the point. My favorite song on this album is Hernandos Hideaway; don't expect to hear the standard version you've heard before. This is a delightful romp down the street with a bouncy, jazz-funky, rocky rendition backed up by a bunch a horns, plenty of guitars and, of course, the unmistakable voice of Clayton-Thomas that is just plain FUN! All the traditional elements of the song are present; just spiced up a little with a subtle samba beat. It's brassy, loud, bold and a whole lotta fun.
His rendition of Midnight Train To Georgia has nothing to do with this album but I just had to mention as it is one of my favorite versions of this song. Links to both songs on YouTube below.
David Clayton-Thomas was born David Henry Thomsett on September 13, 1941, in Kingston upon Thames, Surrey, England. When he was fourteen, he left home, sleeping in parked cars and abandoned buildings, stealing food and clothing to survive. He was arrested several times for vagrancy, petty theft and street brawls and spent his teen years bouncing in and out of various jails and reformatories.
During 1966, Clayton-Thomas survived by playing “basket houses” - performers were given a few minutes of stage time and then passed the basket. Folk singer Judy Collins heard David one night at a club uptown and told her friend, drummer Bobby Colomby and Steve Katz about him. Al Kooper, singer for Blood, Sweat & Tears, had just left the group; Colomby and Katz were looking for a replacement.
Clayton-Thomas is a Grammy Award-winning Canadian musician, singer and songwriter, best known as the lead vocalist for the American band Blood, Sweat & Tears. He has been inducted into the Canadian Music Hall of Fame and in 2007 his jazz/rock composition Spinning Wheel was enshrined in the Canadian Songwriter's Hall Of Fame. In 2010 He received his star on Canada's Walk Of Fame.
Track list:
Side 1:
- Harmony Junction (3:13) (Clayton-Thomas/Smith)
- Workin’ on the Railroad (2:34) (Trad. Adapt. Clayton-Thomas)
- Alimony (3:25) (Tommy Tucker)
- Harbour Lady (3:25) (Martin – Meskell)
- When Something Is Wrong With My Baby (4:26) (Isaac Hayes – David Porter)
- Hernandos Hideaway (3:49) (Alder – Ross)
- Sweet Fantasty (3:22) (Hoyt Axton)
- Small Family (2:37) (Clayton-Thomas – Smith)
- Can’t Buy Me Love (2:33) (Lennon – McCartney)
- Professor Longhair (2:47) (Clayton-Thomas – Smith)
Personnel:
David Clayton-Thomas: Vocals
Tom Bahler Quartet: Backing Vocals
Neil LeVang: Banjo
Chuck Rainey, Paul Stallworth: Bass
King Errison: Congas, Timbales
Kenneth “Spider Webb” Rice, Mouse Johnson – Drums
Domenic Troiano, Ken Marco: Guitar
William D. Smith: Keyboards
Gabriel Mekler: Piano
Tom Bahler Quartet: Backing Vocals
Neil LeVang: Banjo
Chuck Rainey, Paul Stallworth: Bass
King Errison: Congas, Timbales
Kenneth “Spider Webb” Rice, Mouse Johnson – Drums
Domenic Troiano, Ken Marco: Guitar
William D. Smith: Keyboards
Gabriel Mekler: Piano
Credits:
Producer – Gabriel Mekler
Engineer – Steve Waldman
Engineer [Assistant] – John Arrias
Arranged By – David Clayton-Thomas
Horns Arranged By Trevor Lawrence
Strings Arranged By Gabriel Mekler
Engineer – Steve Waldman
Engineer [Assistant] – John Arrias
Arranged By – David Clayton-Thomas
Horns Arranged By Trevor Lawrence
Strings Arranged By Gabriel Mekler
Internet links:
Music:
Hernandos Hideaway on YouTube
Midnight Train To Georgia on YouTube
reel-to-reel listings on eBay
February 26, 2014
101 Reel-to-Reel Tapes 47: Blood, Sweat & Tears
Cover art: Timothy Quay, Bob Cato
Design: John Berg
Photography: Harrie George
detail photo by Styrous®
Design: John Berg
Photography: Harrie George
detail photo by Styrous®
I have hundreds of reel-to-reel, pre-recorded tapes in addition to my 20,000 Vinyl LP collection I'm selling (see link below). Interested? Contact me by email please, not by a comment.
Cover art: Timothy Quay, Bob Cato
Design: John Berg
Photography: Harrie George
photo of album cover by Styrous®
Originally formed in 1967 in New York City, Blood, Sweat & Tears is most known for the fusing of rock, blues, pop music, horn arrangements and jazz improvisation into a hybrid that came to be known as "jazz-rock".
Al Kooper, the group's initial bandleader, named the band "Blood, Sweat & Tears" after Johnny Cash's 1963 album Blood, Sweat and Tears. Kooper's fame as a contributor to various historic sessions of Bob Dylan, Jimi Hendrix, and others was a catalyst for the prominent debut of Blood, Sweat & Tears in the musical counterculture of the mid-sixties. Kooper was forced out of the group in April 1968 and became a record producer for the Columbia label, but not before arranging some songs that would be on the second BS&T album.
The group replaced Kooper with David Clayton-Thomas, a Canadian singer, born in Surrey, England. Reportedly, folk singer Judy Collins
had seen him perform at a New York City club and was so taken and moved
by his performance that she told her friends Bobby Colomby and Steve Katz about him (knowing that they were looking for a new lead singer to
front the band).
With her prodding, they came to see him perform and were so impressed
that Clayton-Thomas was offered the role of lead singer in a
re-constituted Blood Sweat & Tears.
The band went on a United States Department of State-sponsored
tour of Eastern Europe in May/June 1970 but any voluntary association
with the government was highly unpopular at the time and the band was
ridiculed for it.
In retrospect, it is now known that the State Department
requested the tour in exchange for more amicability on the issuance of a
visa to Clayton-Thomas.
Blood, Sweat and Tears was a daring, innovative, fiery fusion of jazz and rock, blues and the classics. The band defied all boundaries, performing with consummate artistry in front of a symphony one night and thousands of rock fans the next. BS&T played the Metropolitan Opera, the Fillmore West and East, the Newport jazz Festival, and Caesar's Palace, all in the same year. It was the first contemporary band to break through the iron curtain with the historic 1970 tour of Eastern Europe, and headline at Woodstock, Madison Square Garden, Carnegie Hall and the Hollywood Bowl.
Cover art: Timothy Quay, Bob Cato
Design: John Berg
Photography: Harrie George
photo of album cover by Styrous®
BS&T's first album with David sold an amazing ten million copies and launched three gold singles, You've Made Me So Very Happy, And When I Die and Spinning Wheel.
The album won an unprecedented five Grammy awards, including album of
the year and best performance by a male vocalist. David's rendition of
Billie Holiday's God Bless The Child became a classic. Five successive gold albums and three more gold singles, Hi De Ho, Lucrative MacEvil and Go Down Gamblin' followed, and by 1972 BS&T's was at the very top of the music industry.
Blood, Sweat and Tears was a daring, innovative, fiery fusion of jazz and rock, blues and the classics. The band defied all boundaries, performing with consummate artistry in front of a symphony one night and thousands of rock fans the next. BS&T played the Metropolitan Opera, the Fillmore West and East, the Newport jazz Festival, and Caesar's Palace, all in the same year. It was the first contemporary band to break through the iron curtain with the historic 1970 tour of Eastern Europe, and headline at Woodstock, Madison Square Garden, Carnegie Hall and the Hollywood Bowl.
BS&T was a strange hybrid. The Julliard graduates, with their classical training, felt the band should aspire to loftier musical goals, and Bartók and Satie
became a part of the repertoire. The Berkeley grads were jazz purists,
and long improvised solos became a part of the show. Others were pure
rockers whose experience included The Blues Project and Frank Zappa's Mother's of Invention.
Cover art: Timothy Quay, Bob Cato
Design: John Berg
Photography: Harrie George
detail photo by Styrous®
The group recorded songs by rock/folk songwriters such as Laura Nyro, James Taylor, The Band, the Rolling Stones, Billie Holiday and Erik Satie. Music from Thelonious Monk and Sergei Prokofiev was assimilated into their arrangements.
In great contrast to the mostly frenetic tone of the
album, Variations on a Theme By Erik Satie (1st Movement) is a languid, relaxing, and lovely tune recorded on October 9,
1968. It serves as both the introduction and finale to this, the second album, released December 11,
1968 on Columbia records. Titled "Variations on a Theme by Erik Satie"
(1st and 2nd Movements), it was adapted from Satie's Trois Gymnopédies
and arranged by Dick Halligan, who played the flute.
Blues – Part II has a very long organ intro (4:30) by Dick Halligan. It goes into a jazzy instrumental with drums and percussion by Bobby Colomby and alto saxophone by Fred Lipsius that is right up there with the best of them. Eventually, about 9 minutes into the piece, David Clayton-Thomas enters with a slow, blusey feeling ballad reminisent of Janice Joplin.
The commercial and critical acclaim enjoyed by the band in 1969 culminated in an appearance at the Woodstock Festival, in which the band enjoyed headliner status. The Woodstock Movie camera crew caught the band's opening number, More and More, as they took to the stage but the band's manager at the time, Bennett Glotzer, ordered the movie crew to turn off the cameras and leave the stage since the band had not agreed or been paid to be filmed.
The commercial and critical acclaim enjoyed by the band in 1969 culminated in an appearance at the Woodstock Festival, in which the band enjoyed headliner status. The Woodstock Movie camera crew caught the band's opening number, More and More, as they took to the stage but the band's manager at the time, Bennett Glotzer, ordered the movie crew to turn off the cameras and leave the stage since the band had not agreed or been paid to be filmed.
photo by Styrous®
The album, Blood, Sweat & Tears, hit the top of the charts, winning Album of the Year at the Grammy Awards over The Beatles' Abbey Road, among other nominees. Blood, Sweat & Tears spawned three major hit singles: a cover of Berry Gordy and Brenda Holloway's You've Made Me So Very Happy, Clayton-Thomas' Spinning Wheel, and a version of Laura Nyro's And When I Die. All three singles reached #2 on Billboard magazine's Hot 100 chart.
Three of the songs charted on the Billboard 100.
| Year | Single | Chart | Peak |
|---|---|---|---|
| 1969 | And When I Die | Adult Contemporary | 4 |
| 1969 | And When I Die | The Billboard Hot 100 | 2 |
| 1969 | Spinning Wheel | Adult Contemporary | 1 |
| 1969 | Spinning Wheel | R&B Singles | 45 |
| 1969 | Spinning Wheel | The Billboard Hot 100 | 2 |
| 1969 | You've Made Me So Very Happy | R&B Singles | 46 |
| 1969 | You've Made Me So Very Happy | The Billboard Hot 100 | 2 |
detail photo by Styrous®
Track list:
Side 1
- "Variations on a Theme By Erik Satie" (1st and 2nd Movements) – 2:35
- Adapted from "Trois Gymnopédies"; arr. by Dick Halligan
- Recorded October 9, 1968
- "Smiling Phases" (Steve Winwood, Jim Capaldi, Chris Wood) – 5:11
- Recorded October 15, 1968
- "Sometimes in Winter" (Steve Katz) – 3:09
- Recorded October 8, 1968
- "More and More" (Vee Pee Smith, Don Juan) – 3:04
- Recorded October 15, 1968
- "And When I Die" (Laura Nyro) – 4:06
- Recorded October 22, 1968
- "God Bless the Child" (Billie Holiday, Arthur Herzog Jr.) – 5:55
- Recorded October 7, 1968
Side 2
- "Spinning Wheel" (David Clayton-Thomas) – 4:08
- Recorded October 9, 1968
- "You've Made Me So Very Happy" (Berry Gordy Jr., Brenda Holloway, Patrice Holloway, Frank Wilson) – 4:19
- Recorded October 16, 1968
- "Blues – Part II" (Blood, Sweat & Tears) – 11:44
- Recorded October 22, 1968
- Interpolating "Sunshine of Your Love" (Jack Bruce, Pete Brown, Eric Clapton) and "Spoonful" (Willie Dixon)
- "Variations on a Theme By Erik Satie" (1st Movement) – 1:49
- Recorded October 9, 1968
- The footsteps and door slam heard at the end of the track are those of model Lucy Angle
Personnel:
- David Clayton-Thomas – lead vocals except as noted
- Lew Soloff – trumpet, flugelhorn
- Bobby Colomby – drums, percussion, vocals
- Jim Fielder – bass
- Dick Halligan – organ, piano, flute, trombone, vocals
- Steve Katz – guitar, harmonica, vocals, lead vocals on "Sometimes In Winter"
- Fred Lipsius – alto saxophone, piano
- Chuck Winfield – trumpet, flugelhorn
- Jerry Hyman – trombone, recorder
Credits:
- Producer: James William Guercio
- Engineers: Fred Catero, Roy Halee, Robert Honablue
- Arrangers: Dick Halligan, Fred Lipsius, Al Kooper
- Cover art: Timothy Quay, Bob Cato
- Photography: Harrie George
- Design: John Berg
Music links:
Blood, Sweat & Tears (full album) on YouTube
Variations on a Theme By Erik Satie (1st Movement) on YouTube
Spinning Wheel (live) on YouTube
And When I Die on YouTube
Sometimes in Winter on YouTube
More and More on YouTube
Blues – Part II on YouTube
on YouTube
reel-to-reel listings on eBay
Styrous® ~ Tuesday, February 25, 2014
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