Showing posts with label Al Jolson. Show all posts
Showing posts with label Al Jolson. Show all posts

September 11, 2023

20,000 vinyl LPs 334: The Byrds ~ Turn! Turn! Turn, Oh, Susana

 ~  
vinyl LP front cover 
cover photo by Guy Webster 
cover design by Bob Cato 
photo of album cover by Styrous®


September 11 is a day with many historical references, the most infamous being the disastrous incident in New York City, in 2001. But another event happened over a hundred and fifty years earlier in 1847. The  Stephen Foster song, Oh! Susannah, was performed in public for the first time by a local quintet in PittsburghPennsylvania.          

I have always been intrigued by this song as a lot of the lyrics make no sense whatsoever! Samples: "It rain'd all night the day I left, The weather it was dry, The sun so hot I froze to death..." and so on. I remember as a kid thinking this was, "The cat's pajamas!" a phrase still in use at the time.   
 
And the name, Susana, has always been a fascination for me. The rhythmic syllables, the bouncy feeling of the consonants and vowels dancing around each other and, of course, when pronouncing it in the Castilian/Catalan tounge, the sensuous pursing of the lips to produce the sound "Su" (link below). VERY erotic! From my childhood, the name has always had a middle-eastern sound to my ears; then in 2000 when I was on Cyprus, the distant call of the Iman electrified me to the core when I heard it clearly ringing out above the raucous cacophony of the busy city streets. This totally cemented it in my mind as a mysterious, sensual, powerful and wonderful name!     

Anyway, I digress, back to the song itself! Foster was only 21 years old when he composed it in 1848. He later wrote, “the two fifty-dollar bills I received (for "Oh! Susanna") had the effect of starting me on my present vocation as a songwriter.” He wrote over two hundred songs, a lot of them dealing with the South although he only visited it once (link below). Oh! Susannah was a favorite of the ‘49ers during the California Gold Rush and others heading west during the mid-nineteenth century.    
 
The first version of it I knew was featured in the film, The Jazz Singer, with Al Jolson singing in black face. In 1942, Looney Tunes had Elmer Fudd singing a totally wacked-out version of it for the war effortConnie Francis covered it in 1961 on her Connie Sings Folksong Favorites album. The version The Byrds did in 1965 on their album, Turn! Turn! Turn!, is one of my all-time favorites. James Taylor did a really wonderful duet for guitar & vocal on his Sweet Baby James 1970 album (links below).           
 
The cover design was by Bob Cato who also did a cover for Blood, Sweat & Tears, Simon & Garfunkel and the graphics for the sound track recording of the 1933 film, King Kong which starred Fay Wray.          
 
 
vinyl LP back cover 
photo of album cover by Styrous® 
 
 
In 1940 the United States Postal Service issued a 1¢ commemorative stamp in Foster's honor for the Famous American Composers series.   
 
 
Stephen Foster 1¢ stamp - 1940
photo: Gwillhickers
 
 
There has been opposition to honors for him because of the racist aspect of the lyrics of his songs; but it was another era with different values.

 
Lyrics
 
 I came from Alabama,
⁠ Wid my banjo on my knee,
 
I'm gwyne to Louisiana, 
⁠My true love for to see; 

It rain'd all night the day I left, 
⁠The weather it was dry, 

The sun so hot I froze to death, 
⁠Susanna, don't you cry.

CHORUS.
⁠Oh! Susanna, 
⁠Oh don't you cry for me,
⁠ 
I've come from Alabama
⁠ Wid my banjo on my knee.

2
I jumped aboard de telegraph, 
⁠And trabbled down de riber, 

De lectric fluid magnified, 
⁠And killed five hundred nigger. 

De bullgine bust, de horse run off,
⁠ I realy thought I'd die;
 
I shut my eyes to hold my breath, 
⁠Susanna, don't you cry.
⁠ 
 
Cho: Oh! Susanna &c.

3
I had a dream de odder night
⁠ When ebery ting was still,
 
I thought I saw Susanna 
⁠A coming down de hill; 

The buck-wheat cake was in her mouth, 
⁠The tear was in her eye; 

Says I, "I'm coming from de south, 
⁠Susanna, don't you cry.
 
"
⁠Cho: Oh! Susanna &c.

4
I soon will be in New Orleans, 
⁠And den I'll look all round, 

And when I find Susanna,
⁠ I will fall upon de ground.

And if I do not find her, 
⁠Dis darkie'l surely die, 

And when I'm dead and buried, 
⁠Susanna, don't you cry.
⁠
 
Cho: Oh! Susanna &c.


 
 
 
 
 
         
   
Tracklist:
       
Side 1:
        
A1 - Turn! Turn! Turn! (To Everything There Is A Season),Adapted By, Music By – Pete Seeger - 3:34
A2 - It Won't Be Wrong, written by Gerst* - 1:58
A3 - Set You Free This Time - 2:49
A4 - Lay Down Your Weary Tune - 3:30
A5 - He Was A Friend Of Mine - 2:30
       
Side 2:
       
B1 - The World Turns All Around Her - 2:12
B2 - Satisfied Mind, written by J. Rhodes*, R. Hayes* - 2:21
B3 - If You're Gone - 2:45
B4 - The Times They Are A-Changin' - 2:17
B5 - Wait And See, written by D. Crosby* - 2:19
B6 - Oh! Susannah, arranged by J. McGuinn* - 3:00
       
Companies, etc.
       
    Printed By – Modern Album, Terre Haute, Indiana
    Published By – Melody Trails, Inc.
    Published By – Tickson Music Co.
    Published By – M. Witmark & Sons
    Published By – Peer International Corp.
       
Credits:
       
    Art Direction [Uncredited] – Bob Cato, John Berg
    Bass – Chris Hillman
    Drums – Mike Clark*
    Guitar, Leader – Jim McGuinn
    Liner Notes – Derek Taylor (2)
    Photography By [Cover Photo] – Guy Webster
    Producer – Terry Melcher
    Rhythm Guitar – Dave Crosby*
    Tambourine – Gene Clark
    Written-By – B. Dylan* (tracks: A4, B4), G. Clark* (tracks: A3, B1, B3), J. McGuinn* (tracks: A2, B5)
       
Notes:
       
Columbia Two-Eye Red label, "360 Sound Stereo" in white text.
NONBREAKABLE printed on labels.
Columbia Masterworks on label rim.
       
Barcode and Other Identifiers
        
    Matrix / Runout (Label matrix, side A): XSM 112091
    Matrix / Runout (Label matrix, side B): XSM 112092
    Matrix / Runout (Runout, side A, etched): XSM 112091 1D
    Matrix / Runout (Runout, side B, etched): XSM 112092 1C
    Matrix / Runout (Runout var 1, side A, etched): XSM 112091 1A O C
    Matrix / Runout (Runout var 1, side B, etched): XSM 112091 1B D O
    Rights Society (Tracks A1 to A3, A5 to B3, B5 and B6): BMI
    Rights Society (Tracks A4 and B4): ASCAP
    Other (Rear jacket fabricator identification): 3
 
The Byrds – Turn! Turn! Turn!
Label: Columbia – CS 9254
Format:    Vinyl, LP, Album, Stereo
Country: US
Released: Dec 6, 1965
Genre: Rock
Style: Folk Rock, Psychedelic Rock

         
Viewfinder links:        
         
Blood, Sweat & Tears               
The Byrds         
Bob Cato          
King Kong & Fay Wray           
Postal stamps        
Simon & Garfunkel          
        
Net links:        
Digital Music News ~ 
     The Original Lyrics to ‘Oh Susanna’ Are Brutally Racist       
        
        
YouTube links:        
         
2nd South Carolina String Band ~ Oh! Susanna                   
The Byrds ~ Oh, Susana         
Connie Francis ~ Oh, Susana        
Elmer Fudd - Oh, Susana               
Al Jolson ~ Oh, Susana         
PronounceNames.com ~ Susana        
Stephen Foster ~ OH! SUSANNA - Original 1848 Lyrics         
James Taylor ~ Oh, Susana          
         
        
        
        
Styrous® ~ September, 11, 2023       
       
 
 


























December 2, 2021

20,000 Vinyl LPs 320: The Temperance Seven ~ A Christmas Baby

 ~  
 
The Temperance Seven ~ Those Popular Gentlemen
vinyl LP front cover detail 
cover photographer unknown 
detail photo of album cover by Styrous®

The Temperance Seven was a British group that specialized in 1920s-style jazz music. It was founded at Christmas in 1955 by students at the Chelsea School of Art: so, it seemed appropriate to feature their album at this time of year. They were also known for their surreal performances and this album is on my "Deseert Island" list (link below).          

  
The Temperance Seven ~ Those Popular Gentlemen
vinyl LP front cover
cover photographer unknown 
photo of album cover by Styrous®


The group was in the 1962 British musical comedy film, It's Trad, Dad!, with performances by a variety of dixieland jazz bands and rock-and-roll singers; some of the singers were Del Shannon of Runaway fame, Gary U.S. Bonds, Gene Vincent (Be-Bop-a-Lula), Gene McDaniels, The Paris Sisters of San Francisco and many others. Links to complete cast and plot below.      


It's Trad, Dad! movie poster


Those Popular Gentlemen album, by The Temperance Seven, is a delight with songs from the twenties with their whimsical, wacky and carefree abandon!            


The Temperance Seven ~ Those Popular Gentlemen
vinyl LP back cover
back cover photographer unknown 
photo of album cover by Styrous®


Home In Pasadena is my favorite song from the album. It charted at #4 on the UK Singles chart in 1961. The vocal by Paul MacDonald is flawless! This was the follow-up to You're Driving Me Crazy which was a #1 hit. The song was originally recorded in 1924 by Al Jolson and also Billy Murray and Ed Smalle.           
 
Another favorite of mine, á la the 20's, is Vo-Do-Do-De-O Blues, written by Adrian Rollini who is also known for introducing the goofus in jazz music. The song was also recorded by The California Ramblers (which I used in one of the fashion shows I produced for Obiko link below). Some of the members of the Ramblers included Red Nichols, Jimmy Dorsey and Tommy Dorsey.       


The Temperance Seven ~ Those Popular Gentlemen
vinyl LP front cover detail 
cover photographer unknown 
detail photo of album cover by Styrous®


The Temperance Seven is listed as the band for the Spike Milligan and John Antrobus stage play The Bed-Sitting Room, which opened at the Mermaid Theatre on 31 January 1963, with a subsequent production opening on 3 May 1967 at the Saville Theatre.         

A film based on the play was released in 1969. The film was directed by Richard Lester and the cast included Ralph Richardson, Arthur Lowe, Rita Tushingham, Peter Cook, Dudley Moore, Michael Hordern, Marty Feldman, Harry Secombe and Milligan; I remember seeing this film, it's a doozey!               
        

















  














Tracklist:

Side 1:

A1     That Certain Party    
A2     Hard-Hearted Hannah    
A3     Dinah    
A4     Sugar    
A5     Black Bottom    
A6     Chili Bom Bom    

Side 2:

B1     Everybody Loves My Baby    
B2     Home In Pasadena    
B3     Vo-Do-Do-De-O Blues    
B4     Falling In Love Again    
B5     The Charleston    
B6     Tiger Rag    

Credits:

    Arranged By – Josef Kronk
    Producer – George Martin

The Temperance Seven ‎– Those Popular Gentlemen
Label: Kapp Records ‎– KL-1287
Format: Vinyl, LP, Compilation, Stereo
Country: US
Released: 1961
Genre: Jazz, Pop


     
     
          
Viewfinder links:          
Jimmy Dorsey     
Tommy Dorsey      
Red Nichols     
Obiko      
Adrian Rollini          
The Viewfinder 'desert island' vinyl LP list              
    
Net links:          
      
It's Trad, Dad! ~        
      Cast 
      Plot          
Smart ~ The Temperance Seven              
     
YouTube links:            
        
The Temperance Seven ~    
        Charleston & Black Bottom        
        Chili Bom Bom          
        Dinah         
        Everybody Loves My Baby (1962)      
        Falling In Love Again          
        Hard-Hearted Hannah     
        Pasadena (1961)        
        Sugar       
        That Certain Party            
        Tiger Rag      
        Vo-Do-Do-De-O Blues        
Al Jolson - Home in Pasadena (1926)           
The California Ramblers ~ Vo-Do-Do-De-O Blues      
     
     
      
 
 

The Temperance Seven ~ Those Popular Gentlemen
vinyl LP back cover
back cover photographer unknown 
photo of album cover by Styrous®
 
     
      
Styrous® ~ Thursday, December 2, 2021                 














November 29, 2021

Al Jolson articles/mentions

 ~        
      
 
Al Jarreau ~ Breakin' Away & scat     
Peggy Lee ~ Is That All There Is?     
     
      
     

     
     
     
      
date & photographer unknown
     
      
     
      
     
      
     
      
     
 
 
 
 
 
 
 
 
 
 
 
 

January 21, 2020

20,000 vinyl LPs 202: Peggy Lee ~ Is That All There Is?

~
Peggy Lee ~ Is That All There Is? 
vinyl LP album cover
cover Illustration by William George  
photo of album cover by Styrous®


Eight years ago, on January 21, 2002, one of my favorite singers, Peggy Lee died. On this anniversary of her death, for some reason, I have been wondering if she may have said the words or felt the sentiments of the song she immortalized fifty years ago . . .

           

Peggy Lee ~ Is That All There Is? 
vinyl LP album back cover
cover Illustration by William George  
photo of album cover by Styrous®
 

This may be one of the most depressing songs ever written, however, somehow, there is a quiet, logical beauty to the lyrics (link below) and the cabaret style music á la Kurt Weill with banjo gives it a lightness that perhaps tones it down. The song opens the album, which is very strange as it has always seemed to me it should have come somewhere in the course of it, even, perhaps at the end.     
        

Peggy Lee ~ Is That All There Is? 
vinyl LP album back cover detail
detail photo of album back cover by Styrous®


Is That All There Is? was written by the songwriting team, Jerry Leiber/Mike Stoller and is totally out of the character of what they have done. The song was supposedly inspired by the 1896 short story Disillusionment (link below) written by the German novelist, Thomas Mann. It was first offered to and refused by Barbra Streisand and Marlene Dietrich (considering the mood and styling of the song, an obvious choice). After researching Lee's life, which was not the ideal one would hope for, it makes total sense for her to have accepted it and make it her very own.   

It has been covered by many singers with varying interpretations: Chaka Khan, Giant Sand, Sandra Bernhard, John Parish and PJ Harvey who phone it in with an organ dirge, Alan Price, an A cappella version by The Bobs, Firewater with a bouncy New Wave sound, Amanda Lear (German accent and all), The New Standards with a male vocal accompanied by vibraphone, piano and bass. There is an almost comedic New Wave/punk version by Christina and a VERY scary version by The Tiger Lillies. It has even been interpreted into Japanese by Pink Martini and Saori Yuki (links below).   


Peggy Lee ~ Is That All There Is? 
vinyl LP album back cover detail
detail photo of album back cover by Styrous®


The entire album is excellent with interpretations of "regular songs" in the style one had come to expect from Peggy Lee, gentle, sophisticated and always beautiful. Me & My Shadow is the one exception; arranged by Mundell Lowe, it is a charming interpretation of the song written by Billy Rose and Dave Dreyer and made famous by Al Jolson in 1927. It is performed with what sounds like only one-finger playing the keys of a piano to harmonize with her vocal and a bass and brushed snare backup for both. I love her cover of the song.     
          


Peggy Lee ~ Is That All There Is? 
vinyl LP labels, side 1 & 2
photos by Styrous®


Tracklist:

Side 1:

A1 - Is That All There Is?, arranged By, Conductor – Randy Newman, written by Jerry Leiber, Mike Stoller - 4:19

A2 - Love Story, arranged By, Conductor – Mundell Lowe, written by Randy Newman - 3:27

A3 - Me And My Shadow, arranged By, Conductor – Mundell Lowe, written by A. Jolson*, B. Rose*, D. Dreyer* - 3:04

A4 - My Old Flame, arranged By, Conductor – Bobby Bryant, written by Arthur Johnston, Sam Coslow - 4:24

A5 - I’m A Woman, arranged By, Conductor – Benny Carter, written by Jerry Leiber, Mike Stoller - 2:07

Side 2:

B1 - Brother Love's Travelling Salvation Show, arranged By, Conductor – Mike Melvoin, written by Neil Diamond - 3:00

B2 - Something, arranged By, Conductor – Mike Melvoin, written by George Harrison - 3:14

B3 - Whistle For Happiness, arranged By, Conductor – George Tipton, written by Jerry Leiber, Mike Stoller - 2:25

B4 - Johnny (Linda), arranged By, Conductor – Mundell Lowe, written by Randy Newman - 2:47

B5 - Don't Smoke In Bed, arranged By, Conductor – Mike Melvoin, written by Willare Robinson* - 3:31

Companies, etc.

    Manufactured By – Capitol Records, Inc.
    Record Company – Capitol Industries, Inc.
    Pressed By – Capitol Records Pressing Plant, Scranton

Credits:

    Illustration – William George (3)
    Producer – David Cavanaugh (tracks: A5), Lieber & Stoller* (tracks: A1, A3), Phil Wright (tracks: A2, A4, B1-B5)

Notes:

Green target labels
Barcode and Other Identifiers

    Matrix / Runout (Side 1 etched): ST1-386-B2
    Matrix / Runout (Side 2 etched): ST2-386-A1
    Matrix / Runout (Side 1 & Side 2 stamped): IAM [in a triangle]

Peggy Lee ‎– Is That All There Is?
Label: Capitol Records ‎– ST-386
Format: Vinyl, LP, Album, Stereo
Country: US
Released: August, 1969
Genre: Jazz, Pop
         
       
         
        
       
Viewfinder links:         
       
Peggy Lee     
Pink Martini        
Is That All There Is? lyrics          
         
Net links:         
   
A number of Young Lovers ~ Disillusionment by Thomas Mann        
Broadway World ~ Is That All There Is? Celebrates 50th Anniversary           
Medium ~ Trump’s Favorite Song         
NY Journal of Books ~ The Strange Life of Peggy Lee          
NY Times ~ Is That All There Is?, a Peggy Lee Biography         
Peggy Lee website              
Simon & Schuster ~ Is That All There Is? The Strange Life of Peggy Lee   
Songfacts ~ Is That All There Is?           
Undiscovered Music ~ The Peggy Lee Classic That’s More Than Enough
Vulture ~ The Story Behind Is That All There Is?           

YouTube links:         
     
Peggy Lee ~     
         Me & My Shadow         
         Is That All There Is?     
         Is That All There Is? (live) 1969    
The Bobs ~ Is That All There Is?
Christina ~ Is That All There Is? 1980           
Firewater ~ Is That All There Is?       
Giant Sand ~ Is That All There is?       
PJ Harvey & John Parish ~ Is That All There Is?               
Chaka Khan ~ Is That All There is?
Amanda Lear ~ Is That All There is?           
Bette Midler ~ Is That All There Is? (live with tears)
The New Standards ~ Is That All There Is?    
Pink Martini & Saori Yuki ~ Is That All There Is?    
The Tiger Lillies ~ Is That All There Is?          
       
     
    
   
       
      Peggy Lee - 1950 
publicity photo
                 
     
            
So, did she say it? 
Will I say it?
I hope not 
   
      
          
         
Styrous® ~ Tuesday, January 21, 2020          









March 12, 2017

20,000 Vinyl LPs 82: Al Jarreau ~ Breakin' Away & scat


Al Jarreau ~ Breakin' Away
vinyl LP, front cover
cover photo by Susan Jarreau
art design by Christine Sauers
photo of cover by Styrous®


Al Jarreau was born on this day, March 12, in 1940. He died last month on Sunday, February 12, 2017, exactly one month short of his birthday. He would have been 77 years old.     


Al Jarreau ~ Breakin' Away
vinyl LP, back cover
back cover photo by Susan Jarreau
art design by Christine Sauers 
photo of back cover by Styrous®



My favorite song from his album, Breakin' Away, is his translation of the 1959 jazz classic by Dave Brubeck, Blue Rondo à la Turk. I don't call it a cover or a rendition as the song is originally an instrumental piece of music to which Jarreau wrote lyrics.  

Blue Rondo à la Turk is a jazz standard composition which appeared on the album by Brubeck, Time Out. It is written in 9
8
time, with one side theme in 4
4
, and the choice of rhythm was inspired by the Turkish aksak time signatures. It was originally recorded by the Dave Brubeck Quartet with Brubeck on piano, Paul Desmond playing alto saxophone, Eugene Wright on bass, and Joe Morello doing some really cool drum work.  

Jarreau's version is as fast and syncopated but more erratic, jerky and not as smooth as the original version by Brubeck. However, his incorporation of scat with his lyrics is astounding.   



Al Jarreau ~ Breakin' Away
vinyl LP, record sleeve front
art design by Christine Sauers
photo by Styrous®


A little scat

The 1926 recording by Louis Armstrong of Heebie Jeebies is often cited as the first song to employ scatting but there are earlier examples. One early master of ragtime scat singing was Gene Greene who recorded scat choruses in his song King of the Bungaloos and several others between 1911 and 1917. Al Jolson scatted through a few bars in the middle of his 1911 recording of That Haunting Melody. The 1917, From Here to Shanghai, by Gene Green featured faux-Chinese scatting, and in 1924, Scissor Grinder Joe and Some of These Days by Gene Rodemich pre-date Armstrong. Cliff "Ukulele Ike" Edwards scatted an interlude on his 1923, Old Fashioned Love, in lieu of using an instrumental soloist. Harry Barris, one of Paul Whiteman's "The Rhythm Boys", along with Bing Crosby, scatted on several songs, including Mississippi Mud, which Barris wrote in 1927. One of the early female singers to use scat was Aileen Stanley, who included it at the end of a duet with Billy Murray in their hit 1924 recording of It Had To Be You (Victor 19373).   

Jelly Roll Morton credited Joe Sims of Vicksburg, Mississippi, as the creator of scat around the turn of the 20th century.     



Al Jarreau ~ Breakin' Away
vinyl LP, record sleeve back
art design by Christine Sauers
photo by Styrous®


However, my very most favorite scat song EVER is the incredible, How High the Moon, by the Queen of Jazz, none other than Lady Ella, Ella Fitzgerald from her 1960 live concert album, Ella in Berlin: Mack the Knife. Oh, my lord! It is an amazing feat of 7 minutes of vocal gymnastics!  

Ella starts out with a traditional jazz vocal in a fast tempo that is truly beautiful and graceful, as only she could do, with improvisation that is marvelous. Suddenly she breaks into scat then swoops and soars like a humming bird at breakneck speed! It is astonishing!   

The performance was on February 13, 1960, at the Deutschlandhalle in Berlin, Germany. To have been there to hear it live must have been a fantasy ride to heaven. Those lucky people!   

Ella in Berlin was inducted into the Grammy Hall of Fame in 1999, which is a special Grammy award established in 1973 to honor recordings that are at least twenty-five years old, and that have "qualitative or historical significance." And significance this album has a-plenty. There has never been an album like this one and I doubt there ever will.    



Al Jarreau ~ Breakin' Away
vinyl LP, back cover detail
art design by Christine Sauers
detail photo by Styrous®










Jarreau was born in Milwaukee, Wisconsin. Jarreau attended Ripon College, where he also sang with a group called the Indigos. He graduated in 1962 with a Bachelor of Science in psychology. Two years later, in 1964, he earned a master's degree in vocational rehabilitation from the University of Iowa. Jarreau also worked as a rehabilitation counselor in San Francisco, and moonlighted with a jazz trio headed by George Duke. In 1967, he joined forces with acoustic guitarist Julio Martinez. The duo became the star attraction at a small Sausalito night club called Gatsby's.   





In 1969, Jarreau and Martinez went to Los Angeles and Jarreau appeared at Dino's, The Troubadour, and Bitter End West. He made television appearances with Johnny Carson, Mike Douglas, Merv Griffin, Dinah Shore and David Frost. He performed at The Improv between the acts of rising-star comics as Bette Midler, Jimmie Walker, and John Belushi. During this period, he became involved with the United Church of Religious Science and the Church of Scientology, but he later dissociated from Scientology. Also, roughly at the same time, he began writing his own lyrics, finding that his Christian spirituality began to influence his work.   



Al Jarreau ~ Breakin' Away
vinyl LP, back cover detail
art design by Christine Sauers
detail photo by Styrous®


Al Jarreau received a total of seven Grammy Awards and was also nominated for over a dozen others. 





Al Jarreau ~ Breakin' Away
vinyl LP label, side 1
photo by Styrous®




Al Jarreau ~ Breakin' Away
vinyl LP label, side 2
photo by Styrous®


On February 8, 2017, in Los Angeles, Jarreau cancelled his remaining 2017 tour dates. He died of respiratory failure, at the age of 76, just two days after announcing his retirement.    


Tracklist:
 
Side 1:

1 - Closer To Your Love - written by Al Jarreau, Jay Graydon, Tom Canning - 3:54

2 - My Old Friend - written by John Lang (2), Richard Page, Steve George - 4:26

3 - We're In This Love Together - written by Keith Stegall, Roger Murrah - 3:44

4 - Easy - written by Al Jarreau, Jay Graydon, Tom Canning - 5:23

5 - Our Love - written by Al Jarreau, Jay Graydon, Tom Canning - 3:53

Side 2:

1 - Breakin' Away - written by Al Jarreau, Jay Graydon, Tom Canning - 4:12

2 - Roof Garden - written by Al Jarreau, Jay Graydon, Tom Canning - 6:19

3 - (Round, Round, Round) Blue Rondo à la Turk, Lyrics By Al Jarreau, Music By Dave Brubeck - 4:44

4 - Teach Me Tonight - written by Gene De Paul*, Sammy Cahn - 4:13

Al Jarreau ~ Breakin' Away       
Label: Warner Bros. Records ‎– BSK 3576
Format: Vinyl, LP, Album, Jacksonville Pressing
Country: US
Released: 1981
Genre: Jazz, Funk
Style: Soul

Companies, etc.

    Pressed By – Capitol Records Pressing Plant, Jacksonville
    Recorded At – Dawnbreaker Studios
    Recorded At – Sunset Sound
    Recorded At – The Pasha Music House
    Overdubbed At – Garden Rake Studio
    Mixed At – Garden Rake Studio
    Mastered At – A&M Studios
    Phonographic Copyright (p) – Warner Bros. Records Inc.
    Copyright (c) – Warner Bros. Records Inc.
    Published By – Aljarreau Music
    Published By – Desperate Music
    Published By – Garden Rake Music, Inc.
    Published By – Warner-Tamerlane Publishing Corp.
    Published By – Entente Music
    Published By – Blackwood Music Inc.
    Published By – Magic Castle Music, Inc.
    Published By – Derry Music
    Published By – MCA Music
    Published By – Cahn Music Co.
    Published By – Hub Music Co.

Credits:

    Alto Saxophone – Lon Price (tracks: A3, B4)
    Arranged By [Horns] – Jerry Hey (tracks: B1, B2)
    Arranged By [Rhythm] – Al Jarreau (tracks: A1 to B2, B4), Jay Graydon (tracks: A1 to B2, B4), Tom Canning (tracks: A1 to B2, B4)
    Arranged By [Rhythm], Piano – Milchio Leviev* (tracks: B3)
    Arranged By [Strings] – Billy Byers (tracks: B4), David Foster (tracks: A5)
    Arranged By [Vocals] – Al Jarreau (tracks: B3), Jay Graydon (tracks: B3), Tom Canning (tracks: B3)
    Art Direction, Design – Christine Sauers
    Backing Vocals – Al Jarreau (tracks: A1, A3 to B2, B4), Bill Champlin (tracks: B2), Richard Page (tracks: A2, A5, B2), Steve George (tracks: A2, A5, B2)
    Bass – Abe Laboriel* (tracks: A1 to A5, B2 to B4), Neil Steubenhaus* (tracks: B1)
    Contractor – Frank De Caro*
    Drums – Jeff Porcaro (tracks: B1), Steve Gadd (tracks: A1 to A5, B2 to B4)
    Electric Guitar – Dean Parks (tracks: B4), Jay Graydon (tracks: A1 to B2, B4), Steve Lukather (tracks: A2, A3)
    Electric Piano [Fender Rhodes] – David Foster (tracks: A2,), David Foster (tracks: A5, B1), George Duke (tracks: B2), Michael Omartian (tracks: A3), Tom Canning (tracks: A1, A4, B4)
    Engineer – Joe Bogan
    Engineer [Second On "breakin' Away"] – Csaba Petocz, Mikey Davis
    Engineer [Second] – Debbie Thompson
    Flugelhorn – Jerry Hey (tracks: A2)
    Horns – Tom Scott (tracks: A1)
    Mastered By – Bernie Grundman
    Mixed By – Jay Graydon
    Percussion – Bob Zimmitti (tracks: A4)
    Photography By – Susan Jarreau
    Piano – David Foster (tracks: A2), David Foster (tracks: A5, B1), Tom Canning (tracks: A1)
    Producer – Jay Graydon
    Producer [Associate] – Tom Canning
    Programmed By – Jay Graydon (tracks: A1, A2), Michael Boddicker (tracks: A2, B3)
    Recorded By [Basic Track] – Larry Brown (tracks: B1)
    Recorded By [Strings] – Humberto Garcia*
    Synthesizer – David Foster (tracks: A2, A5, B1), Larry Williams (tracks: A4), Michael Boddicker (tracks: A3 to B1, B3), Michael Omartian (tracks: A3), Peter Robinson (tracks: A4), Tom Canning (tracks: A1, A2, A4, B3)
    Trombone – Bill Reichenbach (2) (tracks: B1, B2)
    Trumpet – Chuck Findley (tracks: B1, B2), Jerry Hey (tracks: B1, B2)
    Vocals [Uncredited] – Al Jarreau

Notes:

Lyrics and credits on inner sleeve.
Basic tracks recorded at Dawnbreaker Studios, San Fernando, Calif. Overdubs and mixing at Garden Rake Studios, Studio City, Calif. Strings Recorded at Sunset Sound, Hollywood, Calif. Basic track for Breakin' Away recorded at Pasha Music, Hollywood, Calif. Mastered at A&M Studios, Hollywood, Calif.

© & ℗ Warner Bros. Records Inc.
All songs published by Aljarreau Music/Desperate Music/Garden Rake Music BMI except
A2 published by Warner-Tamerlane Publishing Corp/Entente Music BMI
A3 published by Blackwood Music, Inc/Magic Castle Music, Inc. BMI
B3 published by Derry Music Co/Aljarreau Music BMI
B4 published by MCA Music/Cahn Music Co./Hub Music Co. ASCAP
Barcode and Other Identifiers

    Barcode (Text): 0 7599-23576-1
    Barcode (Scanned): 075992357616
    Matrix / Runout (Etched Side One 0 Stamped, Variant 1): BSK-1-3576-JW5 0
    Matrix / Runout (Etched Side Two 0 Stamped, Variant 1): BSK-2-3576-JW3 0
    Matrix / Runout (Etched Side One 0 Stamped, Variant 2): BSK-1-3576-JW6 #2
    Matrix / Runout (Etched Side Two 0 Stamped, Variant 2): BSK-2-3576-JW3 #3


Net links:          
             
Al Jarreau Discography 
Blue Rondo A La Turk (Round, Round, Round) lyrics           
Grammy Awards          
      
YouTube links:    
Al Jarreau - Blue Rondo à la Turk      
Dave Brubeck - Blue Rondo à la Turk on      
Louis Armstrong ~ Heebie Jeebies 1926     
Gene Greene ~ King of the Bungaloos       
Al Jolson ~ That Haunting Melody        
Billy Murray & Aileen Stanley ~  It Had To Be You       
Ella Fitzgerald ~ How High the Moon