~
Art Direction ~ Michael Hodgson
The album's original
cover art was based on the
Robert Williams painting,
Appetite for Destruction.
It depicts a robotic rapist about to be punished by a metal avenger. The band stated the artwork is "a symbolic social statement, with the
robot representing the industrial system that's raping and polluting our
environment.
After several music retailers refused to stock the album, the label
compromised and used the
controversial art inside as the record sleeve.
Art Direction ~ Michael Hodgson
The cover art was replaced with an image depicting a Celtic cross and skulls
of the five band members with (designed by Billy White Jr., originally
as a tattoo), each skull representing one member of the band:
Izzy Stradlin, top skull;
Steven Adler, left skull;
Axl Rose, center skull;
Duff McKagan, right skull; and
Slash, bottom skull. My collection includes both versions of the album.
The photographs used for the back of the album and liner notes were taken by
Robert John, Marc Canter, Jack Lue, Leonard McCardie, and Greg Freeman.
"Uncensored"
vinyl LP record album back cover
Guns N' Roses ~
"Uncensored"
vinyl LP record sleeve front
photos by Marc Canter, Jack Lue,
Leonard McCardie & Greg Freeman
photo of record sleeve by Styrous®
The original group was comprised of
Axl Rose, lead guitarist
Slash, rhythm guitarist
Izzy Stradlin, bassist
Duff McKagan, and drummer
Steven Adler. The story goes the group was so out of control that the making of the debut album turned into a lengthy and expensive saga. In 1986 the brief tenure of
Arnold Stiefel as GN’R manager ended after the band’s pre-recording sessions at a rented house on the former estate of
Hollywood producer
Cecil B DeMille resulted in a $22,000 bill for damage to the property.
Two producers failed to get the record made:
Nazareth guitarist
Manny Charlton (who couldn’t even get the band into the studio at the same time) and
Paul Stanley of
Kiss (who fell out with Rose after he suggested that one song,
Nightrain, required an extra hook: Rose never spoke to him again).
Alan Niven, who also managed
Great White, and record producer
Mike Clink, who had engineered
Strangers in the Night by
UFO, and
Eye Of The Tiger, by
Survivor, worked with
Mötley Crüe,
Megadeth,
Jefferson Starship,
The Babys,
Heart,
Eddie Money and many others came to the rescue.
With Clink working 18-hour shifts,
Appetite For Destruction was
recorded in one month over January and February 1987 at
Rumbo Recorders
studio in the
LA suburb of
Canoga Park. The total budget was $370,000.
The success of
Appetite astonished everyone. It was the antithesis
of corporate rock – raw and obnoxious, full of bad attitude and
uncensored swearing. In the
PC climate of the mid-80s, this was
precisely the kind of record that ‘
parental advisory’ stickers were made
for, with nine out of 12 songs making explicit reference to sex, four
to drugs, four to drinking (
link to lyrics below).
In the hard rock world, few bands ever reached as great a height in as short a time as
Guns N' Roses.
Appetite for Destruction has sold over 30 million copies and is the best-selling debut album ever in any genre.
Art Direction ~ Michael Hodgson
This is one of the few albums whose big hit from it,
Paradise City, was also a favorite of mine. It is the only song on the album to feature a
synthesizer; perhaps that's why I like it
Rocket Queen
is my favorite from this album. It does everything I like quite nicely.
At the time I didn't know the story behind the song; According to
frontman
Axl Rose:
"I wrote this song for this girl who
was gonna have a band and she was gonna call it Rocket Queen. She kinda
kept me alive for a while. The last part of the song is my message to
this person, or anybody else who can get something out of it. It's like
there's hope and a friendship note at the end of the song. For that song
there was also something I tried to work out with various people—a
recorded sex act. It was somewhat spontaneous but premeditated;
something I wanted to put on the record."
A woman named Adriana Smith had been with drummer Steven Adler for
around a year. Smith later claimed in a TV interview that, after Adler
insisted that she was not his girlfriend, she went to the mixing
sessions at Mediasound Studios in NYC. Rose and Slash were there. Rose
propositioned Smith that they have
sex
in a vocal booth so that the sounds that Smith made could be recorded
and put over the bridge of the song. Smith replied that she would do it,
"For the band, and a bottle of
Jack Daniel's." Hooray for Jack!
Steve Thompson, an engineer of the album, said:
"Axl wanted some pornographic sounds
on Rocket Queen, so he brought a girl in and they had sex in the
studio. We wound up recording about 30 minutes of sex noises. If you
listen to the break on Rocket Queen it's in there."
On the casually misogynistic
It’s So Easy, Axl sneered, ‘Turn around bitch, I got a use for you…’ On
Rocket Queen the singer was taped having sex with stripper Adriana Smith – the then-girlfriend of drummer Steven Adler!
"Uncensored"
vinyl LP record album back cover detail
detail photo of album back cover by Styrous®
The two sides of the record were not conventionally labeled "A" and
"B" or "1" and "2", but "G" and "R". Tracks 1–6 which compose side "G" all deal with
drugs and hard life in the big city ("Guns" side). The remaining tracks,
which compose side "R", all deal with love, sex and relationships
("Roses" side).
The songs I love
Welcome to the Jungle, the second
single released from the album, has a great, echoey but fast guitar intro
that is joined by a howling Axel Rose. It goes into a hard driving dance
beat that steamrolls over your senses. Axel declares, "I wanna hear you
scream!" And you do! In 2009
Jungle was named the greatest hard rock song of all time by
VH1.
The first
single released from the album,
It's So Easy, not to be confused with the
Buddy Holly song of the same name, goes full-throttle with momentary breaks to let you catch your breath.
Nightrain picks up where
Easy has let you off.
I love
Mr. Brownstone for its
Bo Diddly, "
hambone" beat. Its a fun, energetic song that bounces along with exuberant joy. Group guitarists
Slash and
Izzy Stradlin
wrote the tune while they were sitting around Stradlin's apartment
complaining about being heroin addicts. They began by improvising
lyrics and music ("Brownstone" is a slang term for heroin).
They wrote the lyrics on the back of a grocery bag. In the US, it was used as the B-Side of
Welcome to the Jungle.
Paradise City is, well,
Paradise City; it was a giant hit, so, not much to say about it that hasn't been said already other than I like it a bunch.
Sweet Child O' Mine is a terrific
rock 'n roll song. It is the album's third
single. The guitar intro is sublime, the beat is sensual and driving with some great guitar work. It may be my favorite song on the album. It was the band's only number 1 US
single.
According to
Billboard in 2008, it is also the best-selling debut album of all time in the US. That year,
Sky News reported the album's worldwide sales to be approximately 28 million copies, making it one of the
best-selling albums of all time.
On June 29, Guns N' Roses commemorated the 30th anniversary edition of the group's landmark album,
Appetite for Destruction – and it will cost a whopping $999 (
link below). The
Locked N' Loaded,
$999 edition, is a box set that comes in a faux leather and wood
cabinet. It contains everything in the "Super Deluxe Edition" and lots
more: The package will include numerous mementos such as logo patches,
guitar picks, never-before-seen band photos and posters.
Guns N' Roses ~
Originally there was an oval
sticker that came with the album but my version has a rectangle, not sure why that is.
Guns N' Roses ~
Appetite for Destruction sticker
photo by Styrous®
Tracklist:
Side 1:
G
A1 - Welcome To The Jungle - 4:31
A2 - It's So Easy, written by [Co-Written With] – West Arkeen - 3:21
A3 - Nightrain - 4:26
A4 - Out Ta Get Me - 4:20
A5 - Mr. Brownstone - 3:46
A6 - Paradise City - 6:46
Side 2:
R
B1 - My Michelle - 3:39
B2 - Think About You - 3:50
B3 - Sweet Child O' Mine - 5:55
B4 - You're Crazy - 3:25
B5 - Anything Goes, written by [Co-Written With] – Chris Weber - 3:25
B6 - Rocket Queen - 6:13
Companies, etc.
Mastered At – Sterling Sound
Manufactured By – Warner Bros. Records Inc.
Copyright (c) – The David Geffen Company
Phonographic Copyright (p) – The David Geffen Company
Recorded At – Rumbo Recorders
Recorded At – Take One Studio
Recorded At – Can-Am Recorders
Mixed At – Mediasound
Published By – Guns N' Roses Music
Pressed By – Allied Record Company – B-27799
Mastered At – Sheffield Lab Matrix – Δ16875-X
Credits:
A&R [Coordination] – Teresa Ensenat, Tom Zutaut
Art Direction, Design – Michael Hodgson (2)
Artwork [Cross Concept] – W. Axl Rose*
Artwork [Cross Tattoo] – Bill White Jr.
Artwork [Tattoo Redrawn By] – Andy Engel
Artwork [Tattoos At Sunset Strip Tattoo] – Robert Benedetti (2)
Band [Guns N' Roses Is:], Bass Guitar, Backing Vocals – Duff "Rose" McKagan*
Band [Guns N' Roses Is:], Drums – Steven Adler
Band [Guns N' Roses Is:], Lead Guitar, Rhythm Guitar, Acoustic Guitar – Slash (3)
Band [Guns N' Roses Is:], Lead Vocals [All], Backing Vocals, Synth, Percussion – W. Axl Rose*
Band [Guns N' Roses Is:], Rhythm Guitar, Lead Guitar, Backing Vocals, Percussion – Izzy Stradlin'*
Engineer – Mike Clink
Engineer [2nd] – Andy Udoff, Dave Reitzas*, Jeff Poe, Julian Stoll, Micajah Ryan, Victor "The Fuckin' Engineer" Deyglio*
Management [Business Affairs] – Boulevard Management
Management [Career Affairs] – Alan Niven, Stravinski Brothers
Mastered By [Album & Cassette] – George Marino
Mastered By [CD] – Barry Diament
Mixed By – Michael Barbiero, Steve Thompson
Painting [Front Cover] – Robert Williams (15)
Photography By [Back Cover Photograph] – Robert John (4)
Photography By [Inner Sleeve Photos] – Jack Lue, Leonard McCardie, Marc Canter, Robert John (4)
Producer – Mike Clink
Written-By, Arranged By, Performer – Guns N' Roses
Notes:
© ℗ 1987
Recorded at: Rumbo Studios, Canoga Park, CA. Take One Studio, Burbank, CA. Can Am Studio, Tarzana, CA.
Mixed At: Media Sound, NYC.
Album and Cassette Originally Mastered at Sterling Sound, NYC.
All songs © 1987 Guns N' Roses Music BMI.
First catalog number on label; second on spine.
The initial pressing came with an oval sticker.
The original sticker from 1987 is the oval one only.
Copies with the square "The Dead Pool" hype sticker have been issued a year later (1988) because "The Dead Pool" is a 1988 American action film (in which the song "Welcome to the Jungle" was used).
Some copies have a promotional gold print on the bottom left of front jacket reading "Lent For Promotional Use Only Any Sale or Unauthorized Transfer is Prohibited and Void Subject to Return Upon Demand by Owner Acceptance of This Record Constitutes Agreement to the Above" (see detailed pic).
Some copies with this promotional gold print on jacket have vinyl that are translucent, if looked in backlight with a heavy light on back.
Barcode and Other Identifiers
Barcode: 0 7599-24148-1 4
Matrix / Runout (Side "G" runout, etched): GHS-24148-A-SRI-DMM SP1-2 SP-AR B-27798-SRI-DMM Sterling 0- Δ16875
Matrix / Runout (Side "R" runout, etched): GHS-24148-B-DMM-SRI SP1-2 SP-AR Sterling 0- Δ16875-X B-27799-SRI-DMM
Rights Society: BMI
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