Showing posts with label Sid Avery. Show all posts
Showing posts with label Sid Avery. Show all posts

August 3, 2018

20,000 Vinyl LPs 143: Allan Sherman ~ Hello Muddah, Hello Fadduh!

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The whacky song, Hello Muddah, Hello Fadduh! (A Letter from Camp) was released on August 3, 1963.    





vinyl LP front cover detail
album cover photo by Sid Avery
detail photo of album cover by Styrous®
 


Hello Muddah was based on the ballet music, Dance of the Hours (link below) from the opera La Gioconda composed by Amilcare Ponchielli; it was Sherman's biggest hit single and the song propelled him to international success.    
   
The novelty song is from the album, My Son, the Nut by Allan Sherman. Although it was his third album released by Warner Bros. Records, he was not known outside of "Nuts" (pun intended) who were into comedy albums; that would've been me.      
    
vinyl LP front cover 
album cover photo by Sid Avery
photo of album cover by Styrous®


The words to the song, written by Sherman, are based on letters of complaint he received from his son Robert who was attending summer camp at Camp Champlain in Westport, New York.       


vinyl LP back cover
album back cover photo by Sid Avery
photo of album cover by Styrous®


The lyrics describe unpleasant, dangerous, and tragic developments, such as fellow campers going missing or contracting deadly illnesses.        

Hello Muddah, hello Faddah
Here I am at Camp Grenada
Camp is very entertaining
And they say we'll have some fun if it stops raining

I went hiking with Joe Spivey
He developed poison ivy
You remember Leonard Skinner
He got Ptomaine poisoning last night after dinner

All the counsellors hate the waiters
And the lake has alligators
And the head coach wants no sissies
So he reads to us from something called Ulysses

Now I don't want this should scare ya'
But my bunkmate has Malaria
You remember Jeffery Hardy
They're about to organize a searching party

Take me home, oh Muddah, Faddah
Take me home, I hate Grenada
Don't leave me out in the forest where
I might get eaten by a bear

Take me home, I promise I will
Not make noise, or mess the house with
Other boys, oh please don't make me stay
I've been here one whole day

Dearest Fadduh, Darling Muddah
How's my precious little bruddah
Let me come home if you miss me
I would even let Aunt Bertha hug and kiss me

Wait a minute, it's stopped hailing
Guys are swimming, guys are sailing
Playing baseball, gee that's bettah
Muddah, Faddah kindly disregard this letter

Writer/s: Allan Sherman, Lou Busch
Publisher: Warner/Chappell Music, Inc.


Lou Busch was the arranger and conductor for Sherman's albums. He was an American record producer, musician and songwriter, who was best known for performing as a pianist under the nickname Joe "Fingers" Carr. In 1955 he had an internationsl hit, Zambezi, which was written by Nico Carstens. In 1982 the British ska-influenced punk band, The Piranhas did a great cover of the song (links below).


Allan Sherman ~ My Son, the Nut
Lou Busch - arranger/conductor
vinyl LP back cover detail
detail photo by Styrous®
 
 
Variations of the song include adaptations in Swedish ("Brev från kolonien" by Cornelis Vreeswijk), Finnish ("Terve mutsi, terve fatsi, tässä teidän ihmelapsi") and Norwegian ("Brev fra leier'n" by Birgit Strøm). The Finnish version is included in the Finnish Boy Scouts' songbook. The Swedish version notably does not revolve around the camper hating the camp, but is about the kids running roughshod over it and having run off all the counselors, one of whom has committed suicide after they let a snake into the mess hall, and the organizer of the camp being arrested by police after the kids start a forest fire. The song begins with the boy writing the letter asking his parents to send more money, because he has lost all his pocket money playing dice with the other campers. The song then ends with the boy having to wrap up the letter as he is about to join the others in burning down the neighboring camp lodge.


vinyl LP back cover detail
detail photo by Styrous®


The delightful album cover photo was by Sid Avery whose photos were also used on the albums, My Son the Celebrity, My Son the Folk Singer, and Allan In Wonderland, also by Sherman.          


 
vinyl LP back cover detail
detail photo of album cover by Styrous®


Hello Muddah, Hello Fadduh! has been an inspiration for many projects a couple of which are:

A 1965–66 sitcom, Camp Runamuck, was loosely inspired by the song. It starred Alice Nunn, whose big break was in New Faces of 1956, the follow up to New Faces of 1952 and who was in the Tim Burton 1985 film, Pee-wee's Big Adventure. Dave Madden, of The Partridge Family, also appeared in it. 

A musical revue (link below), Hello Muddah, Hello Fadduh!, was inspired by the song. The production included the title song, as well as ditties from other Sherman albums, Harvey and Sheila (to the tune of Hava Nagila), and Glory, Glory Harry Lewis (aka Battle Hymn of the Republic).     


vinyl LP back cover detail
detail photo by Styrous®



vinyl LP side 1
photo by Styrous®
 





vinyl LP back cover detail
detail photo by Styrous®




vinyl LP side 2
photo by Styrous®



Tracklist:

Side 1:   

A1 - You Went The Wrong Way, Old King Louie, music by Russell*, Brooks* - 3:26

A2 - Automation, music by Sherman*, Busch* - 3:20

A3 - I See Bones, music by Hornez*, Betti*, Seelen* - 3:14

A4 - Hungarian Goulash Number 5, music by Sherman*, Busch* - 2:32

A5 - Headaches, music by Hoffman*, Klenner*Vocals [Childish Remark By] – Tom Greenleigh - 2:50

A6 - Here's To The Crabgrass, music by Sherman*, Busch*Vocals [With] – Jacqueline Ward - 3:19





Side 2:    

B1 - Hello Muddah, Hello Fadduh!, music by Sherman*, Busch* - 2:48

B2 - One Hippopotami, music by Sherman*, Busch* - 3:29

B3 - Ratfink, music by Anderson*, Wills* - 2:16

B4 - You're Getting To Be A Rabbit With Me, music by Dubin*, Warren* - 1:50

B5 - Eight Foot Two, Solid Blue, music by Young*, Henderson*, Lewis* - 2:23

B6 - Hail To Thee, Fat Person, music by Sherman*, Busch* - 1:42

Credits:

    Arranged By – Lou Busch
    Conductor – Lou Busch
    Engineer – Lowell Frank
    Lyrics By – Allan Sherman, Lou Busch
    Photography By – Sid Avery
    Producer – Jimmy Hilliard
    Songwriter – Allan Sherman

Notes:

Subtitle: "Sings Nutty Things, This Time With Strings"

Silver label
Barcode and Other Identifiers

    Matrix / Runout (Side 1 Matrix Stamped): 8787-1L
    Matrix / Runout (Side 2 Matrix Stamped): 8788-1A

Allan Sherman ‎– My Son, The Nut
Label: Warner Bros. Records ‎– W 1501
Format: Vinyl, Mono, LP
Country: US
Released: 1963
Genre: Non-Music
Style: Comedy, Parody

         
      
Net links:            
NPR ~ Beyond Hello Muddah, Hello Fadduh     
The Hollywood Reporter ~
     How Allan Sherman Became the Unlikeliest Pop Star   
Daily Doo Wop ~ Hello Muddah, Hello Fadduh! review    
Forward ~  
     Hello Muddah, Hello Fadduh, Hello Grandkids of My Original Fans
Tablet ~ Allan Sherman’s Last Laugh
Shiny New Wrinkle ~ No Laughing Matter
NY Times ~ From Birth to Death, Via Allan Sherman theater review  
Variety ~ Hello Muddah, Hello Fadduh! theater review
      
YouTube links:     
      
Allan Sherman ~       
        Hello Muddah, Hello Fadduh! (A Letter from Camp)
        songs from My Son the Nut       
Amilcare Ponchielli ~ Dance of the Hours      
Amilcare Ponchielli ~ Dance of the Hours "nude" version      
Lou Busch and his Orchestra ~ Zambezi 78 RPM       
Nico Carstens ~ Zambezi - live       
The Piranhas ~ Zambezi       
     
     
     
      
         
      
     
Styrous® ~ August 3, 2018        
         
          






February 26, 2015

101 Reel-to-Reel Tapes 97: Electric Prunes ~ Release of an Oath

reel-to-reel tape box cover detail
cover photo by Sid Avery
detail photo of cover by Styrous®


In addition to my 20,000 Vinyl LP collection I'm selling, I have reel-to-reel, pre-recorded tapes for sale. If interested, contact me by email please, not by a comment. 

The Electric Prunes ~ Release of An Oath , reel-to-reel tape, was for sale on eBay. I have others for sale on eBay now (see links below).    

~ ~ ~

The Electric Prunes is an American rock band that achieved international attention as an experimental psychedelic group in the late 1960s. Its big hit was the 1966 song, I Had Too Much to Dream (Last Night. The band is also recognized for the song Kyrie Eleison from the Mass in f minor.  

The founding members were Ken Williams (guitar), James Lowe (lead vocal, autoharp), Michael Weakley, Joe Dooley (drums) and Mark Tulin (bass). At first they called themselves The Sanctions, and later, Jim and the Lords.



reel-to-reel tape box cover
cover photo by Sid Avery
photo of cover by Styrous®



photographer unknown

Japanese magazine



Prunes Manager, Lenny Poncher, and Prunes producer, Dave Hassinger, struck upon the idea of an orchestral rock version of a mass in Latin. Release of An Oath is the fourth studio album by The Electric Prunes, released in 1968. Following the musical pattern of their Mass in F Minor, it is a rock music setting of a service intended to release a penitent from an oath "made under duress and in violation of his principles" (liner notes). 

The album is subtitled The Kol Nidre - a prayer of antiquity, and is often referred to simply as The Kol Nidre. The Jewish Kol Nidre prayer, on which the first track is based, remains in current use as a central part of Jewish worship.  

Despite the subtitle and popular name, the remaining tracks of the album are based on a mix of Christian and Jewish liturgies.



reel-to-reel tape box cover back
art direction by Ed Thrasher 
photo by Styrous®


Liner notes:

"Through the centuries and out of the travail of the past, man has many times, in his search for a better life, been forced by powers beyond his control to foreswear the principles of his fathers and to accept the yoke of a conqueror who might vanquish his body, but not his soul. But no man of principle can live with himself having foresworn the ideals that he lives by. In yearning to free his spirit of the conqueror's yoke, he has conjured up a psychological release that enables him to break the chains that bind him to any oath made under duress and in violation of his principles. Such a lament is the Kol Nidre - a prayer of antiquity which cleanses the spirit and enables man to start anew, with his eyes again on the stars.  

This, then, is the music of the Kol Nidre, which is as modern and meaningful today as when it was first written. David Axelrod has brought the music into a contemporary stance by blending the melodies of the centuries with today's contemporary sounds. David Hassinger has taken the efforts of David Axelrod and, with his provocative talents, has in turn blended them into this artful presentation by The Electric Prunes." 
(Jules B. Newman - cover of 'Release Of An Oath')
  



All the songs are predominantly instrumentals with very little vocal. Kol Nidre starts with a slow, mysterious and dramatic orchestra with a male chorus, 1 minute intro which goes into a moderate rock beat with orchestra then slows down with the male chorus again. This goes back and forth a couple of times; there is a very dramatic and liturgical feeling to the song as there is with most of the other ones on this album. 





Holy Are You has a slow, very quite piano start that goes into a duet with a male vocal intro. It has a very slow and dreamy feeling with some GREAT guitar work by either Howard Roberts or Lou Morrell



reel-to-reel tape box cover back detail 
art direction by Ed Thrasher 
detail photo by Styrous®

General Confessional has an organ start with an hesitant bass guitar intro that sounds very church-like, reverent feeling. This goes into a slow rock instrumental with a full orchestral backup with lots of guitar work. Three and a half minutes into the melody there is a five second male chorus, no more.



reel-to-reel tape box cover back detail 
art direction by Ed Thrasher 
detail photo by Styrous®


Individual Confessional starts suddenly with organ and drums. "For all our sins Oh, God sustain us . .  .". It is mostly instrumental with a full orchestral backup again on this one. It is faster than the General Confessional.


reel-to-reel tape box cover back detail 
art direction by Ed Thrasher 
detail photo by Styrous®


Our Father, Our King starts with a piano and bass guitar intro. It has a moderate speed rock tempo, again with the full strings backing it.


reel-to-reel tape box cover back detail 
art direction by Ed Thrasher 
detail photo by Styrous®



The Adoration opens with organ, guitar and orchestra. It is a moderate speed, gently syncopated piece with great organ, drums and guitar work. 





Closing Hymn starts suddenly with organ, drum, bass guitar. A slow march beat with full orchestral backup. This song has the most vocal to it. 


reel-to-reel tape label detail
detail photo by Styrous®


Track listing

All tracks composed by David Axelrod

Side 1: 
  1. "Kol Nidre" 4.14
  2. "Holy Are You" 4.05
  3. "General Confessional" 4.15
Side 2: 
  1. "Individual Confessional" 2.10
  2. "Our Father, Our King" 3.10
  3. "The Adoration" 3.48
  4. "Closing Hymn" 2.53

Personnel:

According to Wikipedia, although credited to the Electric Prunes, the album is largely the work of composer and producer David Axelrod and a group of session musicians. Personnel included:
Only the vocals appear to have been recorded by the band members.  

More info about the Electric Prunes on Classic Bands   
  
Great photos of & more info on the Electric Prunes here
  
More info about Release of an Oath on the Jewish Quarterly   
 

Electric Prunes songs on YouTube:        

I Had Too Much To Dream (Last Night) on the Dick Clark show   
links to Mass in f minor  

Release of an Oath music on YouTube:    

Kol Nidre    
Holy Are You     
Closing Hymn   




The Electric Prunes ~ Release of an Oath, reel-to-reel tape, was for sale on eBay 
  

Other reel-to-reel tapes now for sale on eBay