The Night of the Hunter is a 1955 American
film noir directed by
Charles Laughton; it was the only film he ever directed (
link below). It stared
Robert Mitchum,
Shelley Winters,
Lillian Gish,
Billy Chapin,
Gloria Castillo and
Sally Jane Bruce. The screenplay by
James Agee was based on the 1953
novel of the same name by
Davis Grubb. The plot focuses on a corrupt
reverend-turned-
serial killer who attempts to charm an unsuspecting widow and steal $10,000 hidden by her executed husband.
There was nothing creepier than
Robert Mitchum singing the
spiritual,
Leaning on the Everlasting Arms, nor the unearthly scream he utters in the river boat scene (
links below). It makes my skin raise up in
goose bumps.
The novel and film draw on the true story of
Harry Powers, hanged in 1932 for the murder of two widows and three children in
Clarksburg, West Virginia. The film's lyrical and
expressionistic style with its leaning on the
silent era sets it apart from other
Hollywood films of the 1940s and 1950s, and it has influenced later directors such as
David Lynch,
Martin Scorsese,
Rainer Werner Fassbinder,
Terrence Malick,
Jim Jarmusch,
Spike Lee, and the
Coen brothers.
An illustration of the unorthodox lighting in
The Night of the Hunter (1955) remniscent of German Expressionist cinema. Note the placement of
the key light (main light) off the protagonist, played by
Lillian Gish,
to illuminate the villain Robert Mitchum. This lighting arrangement
plays off the conventional association of light with good and darkness
with evil.
The scene of
Shelley Winters dead in the car submerged in the river with her hair floating around her face while the music is a beautiful, gentle and dreamy watlz is one of the most
terrifying scenes of all time.
The film was
scored by
Walter Schumann, (October 8, 1913 – August 21, 1958) who was an
American composer for
film,
television, and the
theater. His notable works include the
Dragnet Theme. His themes for the film are dead on target: the song,
Once Upon a Time There Was a Pretty Fly and
Hush, Little One, Hush, sung by
Kitty White, are hauntingly beautiful. Both are exquisite counter points to the creepy, sinister score.
In 1992,
The Night of the Hunter was deemed "culturally, historically, or aesthetically significant" by the United States
Library of Congress and was selected for preservation in the
National Film Registry. The influential film magazine
Cahiers du cinéma selected
The Night of the Hunter in 2008 as the second-best film of all time, behind
Citizen Kane.