Showing posts with label NASA. Show all posts
Showing posts with label NASA. Show all posts

December 21, 2020

Winter Solstice 2020 ~ ‘Great’ Conjunction of Jupiter & Saturn

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 Jupiter & Saturn - 21 December 2020 
photo by Eleonore Hockabout
 
 
 


 
 
 
 
The planets orbit the Sun in approximately the same plane. Conjunctions occur when two or more of them line up across our line of sight. Not to scale. 
 
 
JPL Horizons with NASA image     


 




      
Viewfinder links:      
       
Eleonore Hockabout         
Styrous®             
       
Net links:    
       
The Atlantic ~ Jupiter and Saturn Are Just Showing Off         
CBS News ~ Jupiter and Saturn will come together        
CNN ~ Watch for the 'Christmas Star'            
NASA ~ The ‘Great’ Conjunction of Jupiter and Saturn      
       
       
      
      
       
       
      
       
       
      
Styrous® ~ Solstice, Monday, December 21, 2020













March 27, 2020

Pink Floyd ~ Dark Side of the Moon minutiae

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The Dark Side of the Moon is the eighth studio album by English rock band Pink Floyd, released on March 1, 1973 by Harvest Records. Primarily developed during live performances, the band premiered an early version of the record several months before recording began. New material was recorded in two sessions in 1972 and 1973 at Abbey Road Studios in London.            

It is a concept album with themes that explore conflict, greed, time, death, and mental illness, the latter partly inspired by the deteriorating health of founding member Syd Barrett, who departed the group in 1968. The group used recording techniques such as multitrack recording, tape loops, and analogue synthesisers. Snippets from interviews with the band's road crew, as well as philosophical quotations, were also used. Engineer Alan Parsons was responsible for many sonic aspects and the recruitment of singer Clare Torry, who appears on The Great Gig in the Sky. The sleeve, which depicts a prism spectrum, was designed by Storm Thorgerson, following a request by keyboardist Richard Wright for a "simple and bold" design, representing the band's lighting and the record's themes.         
      
It has been hailed by critics as one of the greatest albums of all time. The record reached number one on the US Billboard Top LPs & Tape chart (now known as the Billboard 200), and has charted for over 900 weeks in total. With estimated sales of over 45 million copies, it is the best seller by Pink Floyd, and one of the best-selling albums worldwide.         
       
Following Meddle in 1971, Pink Floyd assembled for a tour of Britain, Japan and the United States in December of that year. In a band meeting at the home of drummer Nick Mason in Camden, bassist Roger Waters proposed that a new album could form part of the tour. Waters' idea was for an album that dealt with things that "make people mad", focusing on the pressures faced by the band during their arduous lifestyle, and dealing with the apparent mental problems suffered by former band member Syd Barrett. The band had explored a similar idea with 1969's The Man and The Journey.  
    
Parts of the new album were taken from previously unused material; the opening line of Breathe came from an earlier work by Waters and Ron Geesin, written for the soundtrack of The Body, and the basic structure of Us and Them borrowed from an original composition by Wright for Zabriskie Point. The band rehearsed at a warehouse in London owned by the Rolling Stones, and then at the Rainbow Theatre in Finsbury Park, London.         
      
Dark Side of the Moon: A Piece for Assorted Lunatics, as it was then known, was performed at the at the Rainbow Theatre in the presence of an assembled press on February 17, 1972 – more than a year before its release. Michael Wale of The Times described the piece as "bringing tears to the eyes. Derek Jewell of The Sunday Times wrote "The ambition of the Floyd's artistic intention is now vast." Melody Maker was less enthusiastic: "Musically, there were some great ideas, but the sound effects often left me wondering if I was in a bird-cage at London zoo."         
        
Work on the album was interrupted in late February when the band travelled to France and recorded music for the film La Vallée by French director Barbet Schroede. The band flew to London to begin recording, from the 24th of May to the 25th of June. More concerts in Europe and North America followed before the band returned on January 9, 1973 to complete the album.      
        
The album was originally released in a gatefold LP sleeve designed by Hipgnosis and George Hardie. Hipgnosis had designed several of the band's previous albums, with controversial results; EMI had reacted with confusion when faced with the cover designs for Atom Heart Mother and Obscured by Clouds, as they had expected to see traditional designs which included lettering and words. Designers Storm Thorgerson and Aubrey Powell were able to ignore such criticism as they were employed by the band. For Dark Side of the Moon, Wright instructed them to come up with something "smarter, neater – more classy". The design was inspired by a photograph of a prism with a colour beam projected through it that Thorgerson had found in a photography book.                 
       
Hipgnosis offered the band a choice of seven designs, but all four members agreed that the prism was by far the best. The final design depicts a glass prism dispersing light into colour. The design represents three elements: the band's stage lighting, the album lyrics, and Wright's request for a "simple and bold" design. The spectrum of light continues through to the gatefold – an idea that Waters came up with. Added shortly afterwards, the gatefold design also includes a visual representation of the heartbeat sound used throughout the album, and the back of the album cover contains Thorgerson's suggestion of another prism recombining the spectrum of light, facilitating interesting layouts of the sleeve in record shops.          
 
   
   
 
Tracklist:

Side 1:

A1 - Speak To Me, written by Mason* - 1:30
A2 - Breathe, written by Gilmour*, Wright*, Waters* - 2:43
A3 - On The Run, written by Gilmour*, Waters* - 3:30
A4 - Time, written by Gilmour*, Mason*, Wright*, Waters* - 6:53
A5 - The Great Gig In The Sky, Vocals – Clare Torry, written by Wright* - 4:15

Side 2:

B1 - Money, Saxophone – Dick Parry, written by Waters* - 6:30
B2 - Us And Them, Saxophone – Dick Parry, written by Wright*, Waters* - 7:34
B3 - Any Colour You Like, written by Gilmour*, Mason*, Wright* - 3:24
B4 - Brain Damage, written by Waters* - 3:50
B5 - Eclipse, written by Waters* - 1:45

Companies, etc.

    Recorded At – Abbey Road Studios
    Manufactured By – Capitol Records, Inc.
    Phonographic Copyright (p) – The Gramophone Co. Ltd.
    Mastered At – Capitol Mastering
    Pressed By – Capitol Records Pressing Plant, Winchester

Credits:

    Backing Vocals – Barry St John*, Doris Troy, Leslie Duncan*, Liza Strike
    Design [Sleeve & Stickers Art N.t.a.] – George Hardie
    Design [Sleeve Design], Photography By – Hipgnosis (2)
    Engineer – Alan Parsons
    Engineer [Assistant] – Peter Jones*
    Keyboards, Vocals, Synthesizer [Vcs3] – Richard Wright
    Lyrics By, Bass Guitar, Vocals, Synthesizer [Vcs3], Effects [Tape Effects] – Roger Waters
    Mastered By – Wly*
    Mixed By [Mixing Supervised By] – Chris Thomas
    Percussion, Effects [Tape Effects] – Nick Mason
    Producer – Pink Floyd
    Vocals, Electric Guitar, Synthesizer [Vcs3] – David Gilmour

Notes:

"–––◁" in runouts denotes a Capitol Records Pressing Plant, Winchester pressing.
"Wly" in runouts denotes that it was mastered by Wally Traugott.
The Dark Side Of The Moon is another Winchester pressing, but has "KP" in runouts, denoting it was mastered by Ken Perry.

Recorded at Abbey Road Studios, London between June 1972 and January 1973.
Manufactured by Capitol Records Inc., a subsidiary of Capitol Industries, Inc., U.S.A.

Original release included two posters and two stickers, each sticker with their own catalog number (11163-1 and 11163-2),
This is the 1st issue with "INTERPAK™ Pats. Pending" in the bottom right corner inside the gatefold.

Some copies of gatefold covers have a round black DSOTM sticker on the shrink wrap (see pic).

℗ 1973 The Gramophone Company Ltd.

Note on Credits:
Though credited for the entire album, Barry St. John, Doris Troy, Lesley Duncan, and Liza Strike perform backing vocals only on tracks A4, B2, B4, and B5.

Barcode and Other Identifiers

    Matrix / Runout (Center label A-side): (SMAS-1-11163)
    Matrix / Runout (Center label B-side): (SMAS-2-11163)
    Matrix / Runout (Runout A-side, etching): SMAS-1-11163-F4 –––◁
    Matrix / Runout (Runout B-side, etching): SMAS-2-11163-F4 –––◁ Wly                

Pink Floyd ‎– The Dark Side Of The Moon
Label: Harvest ‎– SMAS-11163
Format: Vinyl, LP, Album, Winchester Pressing, Wly Mastering, Gatefold
Country: US
Released: 1973
Genre: Rock
Style: Prog Rock
        
         
Viewfinder links:       
          
Dark Side of the Moon        
      
Net links:      
               
Pink Floyd ~ Dark Side of the Moon       
      Packaging      
      Personnel     
      Recording   
Far side of the moon                     
      
YouTube links:       
          
Pink Floyd ~  
Dark Side of the Moon               
      Dark Side of the Moon (complete album)             
      Speak To Me        
      Breathe (In The Air)       
      On the Run          
      Time            
      The Great Gig In The Sky         
      Money         
      Us and Them      
      Any Colour You Like          
      Brain Damage       
      Eclipse      
Dark Side of The Moon PULSE Concert (44 mins.)                 
Making The Dark Side of The Moon in the studio (25 mins., 32 secs.)    

Misc.:     
‘Dark side’ of moon seen from surface (9 mins.)       
First ever video of dark side of the Moon released by Nasa     
NASA ~ odd sound recorded in 1969 on dark side of the moon    
The Secret of the Dark Side of the Moon (4 mins., 18 secs.)        
         
       
       
Styrous® ~ Friday, March, 27, 2020           










December 8, 2019

Seneca @ the Gray Loft Gallery

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image by Styrous®










In addition to my work, The Man In the Moon Is a Lady (link below), showing in the exhibition Exquisite Little Things at the Gray Loft Gallery, my image entitled, Seneca, will also be on display.   

As with Man in the Moon, Seneca is an experiment in abstraction which is based on a moon subject, a lunar impact crater, but also a Roman Stoic.    
     
The impact crater, Seneca is located towards the east-northeastern limb, less than one crater diameter to the north of the Plutarch crater. To the northwest is the crater Hahn, and due north lies the large walled plain Gauss.       


Seneca ~ lunar crater
James Stuby original work for NASA 


Lucius Annaeus Seneca, also known as Seneca the Younger or simply, Seneca, was a Roman Stoic who was Tutor and Advisor to Emperor Nero, philosopher, statesman, dramatist and satirist during the Silver Age of Latin literature. Today is a time for satirists to wax strong. My image references the question asked by the Daily Stoic, Who is Seneca? Inside the mind of the Stoic (link below).
     
Bust of Seneca, marble - 17th century 
anonymous sculptor

     
The influence of Seneca reverberated through the centuries as Erasmus, Francis Bacon, Pascal and Montaigne felt the impact of his philosophy.   

He was the subject of the famous painting, The Death of Seneca, by the French artist, Jacques-Louis David, in 1773.     


painting by Jacques-Louis David 
     
 
               
Viewfinder links:      
   
Exquisite Little Things 2       
The Man in the Moon Is a Lady             
Quo Vadis, Nero & Peter Ustinov     
Styrous®       
     
Net links:       
   
Daily Stoic ~ Who Is Seneca? Inside The Mind of The Stoic    
PBS.org ~ Seneca        
Spartacus Educational ~ Seneca the Younger 
       
YouTube links:       
     
Seneca the Stoic            
moon craters       
        
     
    
"Life, If Well Lived, Is Long Enough."
                ~ Lucius Annaeus Seneca
     
       
         
Styrous® ~ Sunday, December 8, 2019