Showing posts with label Meat Loaf. Show all posts
Showing posts with label Meat Loaf. Show all posts

July 29, 2025

The 1500s ~ June brides, cats, dogs & dead ringers

 ~      

 
  Most people got married in June because they took their yearly  
bath in May and still smelled pretty good by June. However, they WERE
starting to smell, so brides carried a bouquet of flowers to hide the 
body odor. Hence the custom today of carrying a bouquet when getting married.  

  Baths consisted of a big tub filled with hot water. The man of  the 
house had the privilege of the clean water, then the sons, then all the other
men, then the women and finally the children. Last of all the babies.  By
then the water was so dirty you could actually lose someone in it. 
Hence the saying,  "Don't throw the baby out with the Bath water."  

  Houses had thatched roofs, thick straw-piled high with no wood 
underneath. It was the only place for animals to get warm, so, all the cats and 
other small animals (mice, bugs) lived in the roof. When it rained it became
slippery and sometimes the animals would slip and fall off the roof.
Hence the saying, "It's raining cats and dogs."  

  There was nothing to stop things from falling into the house..
This posed a real problem in the bedroom where bugs and other droppings
could mess up your nice clean bed. Hence, a bed with big posts and a sheet 
hung over the top afforded some protection. That's how canopy beds came into
existence.   

  The floor was dirt. Only the wealthy had something other than
dirt. Hence the saying, "Dirt poor." The wealthy had slate floors that would
get slippery in the winter when wet, so they spread thresh (straw) on the
floor to help keep t heir footing. As the winter wore on, they added more
thresh until, when you opened the door, it would all start slipping outside.
A piece of wood was placed in the entrance way. Hence the saying a
thresh hold.   

  In those old days, they cooked in the kitchen with a big kettle
that always hung over the fire. Every day they lit the fire and added things to
the pot. They ate mostly vegetables and did not get much meat. They would eat
the stew for dinner, leaving leftovers in the pot to get cold overnight
and then start over the next day. Sometimes stew had food in it that had
been there for quite a while.  Hence the rhyme, "Peas porridge hot, 
peas porridge cold, peas porridge in the pot nine days old."  

  Sometimes they could obtain pork, which made them feel 
quite special. When visitors came over, they would hang up their bacon to show off. 
It was a sign of wealth that a man could "bring home the bacon."  They
would cut  off  a little to share with guests and would all sit around 
and "chew the fat."   

  Those with money had plates made of pewter. Food with high acid 
content caused some of the lead to leach onto the food, causing lead poisoning
death. This happened most often with tomatoes, so for the next 400 
years or so  tomatoes were considered poisonous.
Bread was divided according to status. Workers got the burnt bottom of 
the loaf, the family got the middle, and guests got the top, or the "upper
crust."   

  Lead cups were used to drink ale or whisky. The combination  would
sometimes knock the imbibers out for a couple of days. Someone 
walking along the road would take them for dead and prepare them for burial. 
They were laid out on the kitchen table for a couple of days and the family
would gather around and eat and drink and wait and see if they would 
wake up. Hence the custom of "holding a wake."    

  England is old and small and the local folks started running  
out of places to bury people. So they would dig up coffins and would take the  
bones to a bone-house, and reuse the grave. When reopening these coffins, 
1 out of 25 coffins were found to have scratch marks on the inside and they 
realized they had been burying people alive. So they  would tie a string on the 
wrist  of the corpse, lead it through the coffin and up through  the ground 
and tie it to a bell. Someone would have to sit out in the graveyard all 
night (the graveyard shift) to listen for the bell; thus, someone could be, 
"saved by the bell" or was considered a "dead ringer." This is not to be confused 
with "Dead ringer", an idiom in English denoting a person or thing that 
closely resembles another which dates back to the 19th century. This was 
exemplified in the film by that name which starred Bette Davis (link below).     
 
Meat Loaf made a film titled Dead Ringer which was a promotion for his second 
album, Dead Ringer and featured the song, Dead Ringer For Love, The video for 
this song featured Cher (link below).     
       
          
Be grateful you live now!          
          
 
          
Viewfinder links:
           
Cher             
Bette Davis           
Meat Loaf              
          
Net links:
          
          
          
          
          
YouTube links:
          
Dead Ringer (movie trailer)          
Meat Loaf ~  
          Dead Ringer for Love          
          Dead Ringer for Love (movie) (1 hr., 29 mins.)    
          
          
          
Styrous® ~ Tuesday, July 29, 2025  
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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October 21, 2024

20,000 vinyl LPs 376: Meat Loaf ~ Paradise By The Dashboard Light

 ~  
vinyl LP front cover 
 Illustration by Richard Corben
photo of album cover by Styrous®


On October 21, 1977, Bat Out of Hell was released by Meat Loaf. I already have an article about the album on the Viewfinder but it focused only on the cover of the album so it ended up in the "Just the cover, Ma'am" section (link below). This goes into more depth about the music and musicians. 
 

Enjoy!  
   

vinyl LP back cover 
 photo by Frank Laffitte 
photo of album cover by Styrous®


Bat Out of Hell is the 1977 debut studio album by American rock singer Meat Loaf and composer Jim Steinman. The album was developed from the musical Neverland, a futuristic rock version of Peter Pan which Steinman wrote for a workshop in 1974.       
  
               


There isn't a song on the album I don't like but, as usual, I have my favorites. At the top of that list is Paradise By The Dashboard Light, which has been described as the "greatest rock duet". It is actually in four parts, the first part is a man and a woman reminiscing about days as a young high school couple on a date. They are parked by a lake and having fun, experiencing "paradise by the dashboard light", until the young man insists they're "gonna go all the way tonight." But the girl says, "Stop right there! Before we go any further, will you love me forever?" After several repetitions of the question, he replies, "Let think on it!"              
He does and reluctanly agrees. "Lord I was crazed and when the feeling came upon me like a tidal wave, started swearing to my God and on my mother's grave that I will love you to the end of time!"   

The act is symbolized by the sound of a baseball game heard over the car radio with the crowd cheering and Phil Rissuto, the sportscaster, describing the action of the game emphasizing the action of the couple, all the while the man and the woman sing, "It never felt so good, it never felt so right! And we were glowing like the metal on the edge of a knife!"    
 
 
Les Sonnetts - 1892 
painting by Édouard-Henri Avril 
         

Eventually, it devolves into the man singing, "So now I'm' praying for the end of time so I can end my time with you!" The woman joins this refrain for a duet and by the end of the song they are both singing "Well, it was long ago and it was far away and it was so much better than it is today" (complete lyrics below).   
 
 
 
I think Paradise By The Dashboard Light is the most brutally honest love song ever written! I believe that is why it has enjoyed its almost 50 year popular longevity.        
       
The four part song takes up the complete "B" side of the album which clocks in at a whopping twenty-three minutes.         
         
Ellen Foley sang the woman's part on the album but Karla DeVito is in the video version of the song with DeVito lip syncing the Foley vocal. The two of them recorded a song referencing the adventure, I'm Just Happy To Be Here (link below).          
 
 
 
A galaxy of musicians performed on Bat Out of Hell some of which were Max Weinberg and Roy Bittan from the Bruce Springsteen E Street Band, Kasim Sultan from Utopia, as well as Members of the New York Philharmonic and the Philadelphia Orchestra.           




Bat Out of Hell was produced by Todd Rundgren, and released by Cleveland International/Epic Records. It spawned two Meat Loaf sequel albums: Bat Out of Hell II: Back into Hell (1993) and Bat Out of Hell III: The Monster Is Loose (2006) and has sold over 43 million copies worldwide, making it one of the best-selling albums of all time. In 2012, Rolling Stone ranked it at number 343 on its list of the 500 Greatest Albums of All Time. This year there was a musical made of the album (link below). They make musicals out of EVERYthing!                          


 
vinyl LP, side 1
photos by Styrous®
 

 
 
 
 

vinyl LP, side 2
photos by Styrous®

  
Tracklist:
       
Side 1:
        
A1 - Bat Out Of Hell - 9:48
A2 - You Took The Words Right Out Of My Mouth (Hot Summer Night) - 5:04
A3 - Heaven Can Wait - 4:38
A4 - All Revved Up With No Place To Go - 4:19
       
Side 2:
       
B1 - Two Out Of Three Ain't Bad - 5:23
        Paradise By The Dashboard Light - (8:28)
B2-I - Paradise    
B2-II - Let Me Sleep On It    
B2-III - Praying For The End Of Time    
B3 - For Crying Out Loud - 8:45
       
Companies, etc.
       
    Manufactured By – Epic Records
    Manufactured By – CBS Inc.
    Phonographic Copyright ℗ – CBS Inc.
    Copyright © – CBS Inc.
    Published By – Edward B. Marks Music Corporation
    Published By – Neverland Music Co.
    Published By – Peg Music Co.
    Recorded At – Bearsville Studios
    Recorded At – Utopia Sound
    Recorded At – The Hit Factory
    Recorded At – House Of Music, West Orange, NJ
    Mastered At – Master Cutting Room
    Pressed By – Columbia Records Pressing Plant, Terre Haute
       
Credits:
       
    Arranged By – Gene Orloff, Jim Steinman, Steve Margoshes
    Arranged By [Strings] – Ken Ascher
    Backing Vocals – Ellen Foley, Kasim Sultan*, Rory Dodd, Todd Rundgren
    Bass – Kasim Sultan*
    Consultant [Special] – Charlie Conrad
    Design – Ed Lee
    Design Concept [Cover] – Jim Steinman
    Drums – John Wilcox, Max Weinberg
    Effects – Jim Steinman
    Engineer [Assistant] – Cliff Hodsdon
    Guitar – Todd Rundgren
    Guitar [Motorcycle Guitar] – Todd Rundgren
    Illustration – Richard Corben
    Keyboards – Jim Steinman, Roy Bittan, Todd Rundgren
    Mastered By – Joe Brescio
    Orchestra – Members Of New York Philharmonic*, Members Of Philadelphia Orchestra*
    Orchestrated By – Steve Margoshes
    Percussion – Jim Steinman, Marvin Lee*, Todd Rundgren
    Photography By – Frank Laffitte
    Piano – Cheryl Hardwick, Roy Bittan, Steve Margoshes
    Producer, Engineer, Mixed By, Arranged By [With] – Todd Rundgren
    Production Manager – Sam Ellis (4)
    Production Manager [Assistant] – Richard Maiori
    Recorded By – Ed Sprague, Jimmy Iovine, John Jansen, Mark Thomas (19)
    Remix – Jimmy Iovine, John Jansen
    Saxophone – Edgar Winter
    Speech – Phil "Scooter" Rizzuto*
    Synthesizer – Roger Powell
    Vocals – Ellen Foley
    Written-By – Jim Steinman
       
Notes:
       
Orange labels. Issued with custom printed inner-sleeve with credits and lyrics.

Runouts are stamped except for T1 and the final digits which are etched.
       
Barcode and Other Identifiers
 
    Rights Society: BMI
    Pressing Plant ID (In runouts): T
    Matrix / Runout (Label A): AL 34974
    Matrix / Runout (Label B): BL 34974
    Matrix / Runout (Runout A, variant 1): P AL 34974-4AF 1T E3
    Matrix / Runout (Runout B, variant 1): 1T P BL 34974-3AF G7
    Matrix / Runout (Runout A, variant 2): PAL34974-4AA D 1T
    Matrix / Runout (Runout B, variant 2): PBL34974-3J 1T D
    Matrix / Runout (Runout A, variant 3): 1T P AL 34974-4AA C
    Matrix / Runout (Runout B, variant 3): P BL 34974-3BA T1 C
    Matrix / Runout (Runout A, variant 5): AL 34974-4G 1T
    Matrix / Runout (Runout B, variant 5): P BL 34974-3J 1T
  
Meat Loaf – Bat Out Of Hell
Label: Epic – PE 34974, Cleveland International Records – 34974
Format: Vinyl, LP, Album, Stereo, Terre Haute Pressing
Country: US
Released: 1977
Genre: Rock
Style: Pop Rock, Rock Opera, Hard Rock     

         
Viewfinder links:        
         
"Just the cover, Ma'am"            
Édouard-Henri Avril              
Bat Out of Hell ~ lyrics    
Richard Corben                
Karla DeVito       
Ellen Foley         
Stanley Kubrick              
Meat Loaf        
Roger Powell         
Todd Rundgren             
Bruce Springsteen           
Kasim Sulton            
        
Net links:        
         
Bat Out of Hell ~ lyrics     
Subjective Sounds ~ Bat Out of Hell review        
Variety ~ Meat Loaf: Secrets of Bat Out of Hell         
        
YouTube links:        
         
Paradise By The Dash Board Light           
        Paradise   
        Let Me Sleep On It   
        Praying For The End Of Time   
For Crying Out Loud        
Bat Out Of Hell (full album)          
Heaven Can Wait (live)      
Carla Devito & Ellen Foley ~ I'm Just Happy To Be Here       
        
        
Jim Steinman ~ Neverland links        
        
        
        
Styrous® ~ Monday, October 21, 2024       
       
 
 

















Édouard-Henri Avril articles/mentions

 ~    
     
     
     
     
mentions:     
Meat Loaf ~ Paradise by the Dashboard Light    
     
     
     
     
     
     
date & photographer unknown
      
   
     
     
        













Kasim Sulton articles/mentions

 ~      
 
  
      
      
mentions:      
Meat Loaf ~                  

     
     
     
     
     
     
     
Kasim Sulton - 1978     
photo by Mitchell Weinstock
     
     










Karla DeVito articles/mentions

 ~       
 
  
      
      
mentions:      
Meat Loaf ~             

     
     
     
     
     
     
     
Karla DeVito      
date & photographer unknown
     
     











Ellen Foley articles/mentions

 ~       
 
  
      
      
mentions:      
Meat Loaf ~    

     
     
     
     
     
     
     
Ellen Foley      
date & photographer unknown
     
     












Richard Corben articles/mentions

 ~         
 
  
      
      
mentions:      
Meat Loaf ~                  

     
     
     
     
     
     
     
Richard Corben      
date & photographer unknown
     
     













Roger Powell articles/mentions

 ~       
 
      
      
mentions:      
Meat Loaf ~                   
     
     
     
     
date & photographer unknown

August 18, 2024

Utopia articles/mentions


 ~       
Utopia - 1977. 
Todd Rundgren and Kasim Sulton 
photographer unknown   

 

 
  
      
      
mentions:      
Meat Loaf ~                

     
     
     
     
     
     
     
Utopia - 1978     
photo by Mitchell Weinstock
     
     










July 4, 2024

Meat Loaf ~ Paradise by the Dashboard Light lyrics

 ~

[Verse 1: Meat Loaf]
Well, I remember every little thing as if it happened only yesterday
Parking by the lake and there was not another car in sight
And I never had a girl looking any better than you did
And all the kids at school, they were wishing they were me that night

[Pre-Chorus: Meat Loaf]
And now our bodies are oh so close and tight
It never felt so good, it never felt so right
And we're glowing like the metal on the edge of a knife

Glowing like the metal on the edge of a knife
C'mon! Hold on tight!
Well, c'mon! Hold on tight!

[Chorus: Meat Loaf & Ellen Foley]
Though it's cold and lonely in the deep dark night
I can see paradise by the dashboard light

[Post-Chorus: Ellen Foley]
Ain't no doubt about it, we were doubly blessed
'Cause we were barely seventeen and we were barely dressed
Ain't no doubt about it, baby got to go and shout it
Ain't no doubt about it, we were doubly blessed
'Cause we were barely seventeen and we were barely dressed

[Verse 2: Meat Loaf]
Baby, don'tcha hear my heart? You got it drowning out the radio
I've been waiting so long for you to come along and have some fun
And I gotta let you know, no, you never gonna regret it
So open up your eyes, I got a big surprise, it'll feel all right
Well, I wanna make your motor run

[Pre-Chorus: Meat Loaf]
And now our bodies are oh so close and tight
It never felt so good, it never felt so right
And we're glowing like the metal on the edge of a knife
Glowing like the metal on the edge of a knife
C'mon! Hold on tight!
Well, c'mon! Hold on tight!

[Chorus: Meat Loaf & Ellen Foley]
Though it's cold and lonely in the deep dark night
I can see paradise by the dashboard light
Though it's cold and lonely in the deep dark night
Paradise by the dashboard light

[Post-Chorus 2: Meat Loaf & Ellen Foley]
You got to do what you can
And let Mother Nature do the rest
Ain't no doubt about it, we were doubly blessed
'Cause we were barely seventeen and we were barely-

[Bridge: Meat Loaf & Ellen Foley]
We're gonna go all the way tonight
We're gonna go all the way and tonight's the night

We're gonna go all the way tonight
We're gonna go all the way and tonight's the night
We're gonna go all the way tonight
We're gonna go all the way and tonight's the night
We're gonna go all the way tonight
We're gonna go all the way and tonight's the night

[Spoken Interlude: Phil Rizzuto]

OK, here we go, we got a real pressure cooker going here
Two down, nobody on, no score, bottom of the ninth

There's the windup, and there it is, a line shot up the middle
Look at him go. This boy can really fly!

He's rounding first and really turning it on now
He's not letting up at all, he's gonna try for Second

The ball is bobbled out in center, and here comes the throw
And what a throw! He's gonna slide in head first
Here he comes, he's out! No, wait, safe - safe at second base

This kid really makes things happen out there
Batter steps up to the plate, here's the pitch-he's going
And what a jump he's got. He's trying for third, here's the throw
It's in the dirt-safe at third! Holy cow, stolen base!

He's taking a pretty big lead out there
Almost daring him to try and pick him off

The pitcher glances over, winds up, and it's bunted
Bunted down the third base line, the suicide squeeze is on!
Here he comes, squeeze play, it's gonna be close, here's the throw, here's the play at the plate

Holy cow, I think he's gonna make it!

[Verse 3: Ellen Foley]
Stop right there! I gotta know right now
Before we go any further, do you love me?
Will you love me forever? Do you need me?
Will you never leave me?

Will you make me so happy for the rest of my life?
Will you take me away and will you make me your wife?
Do you love me?
Will you love me forever? Do you need me?
Will you never leave me!?
Will you make me so happy for the rest of my life?
Will you take me away and will you make me your wife?
I gotta know right now, before we go any further
Do you love me? Will you love me forever?

[Verse 4: Meat Loaf]
Let me sleep on it

Baby, baby, let me sleep on it
Let me sleep on it
I'll give you an answer in the morning
Let me sleep on it

Baby, baby, let me sleep on it
Let me sleep on it
I'll give you an answer in the morning
Let me sleep on

it
Baby, baby, let me sleep on it
Let me sleep on it
I'll give you an answer in the morning

[Verse 5: Ellen Foley]
I gotta know right now, do you love me?
Will you love me forever? Do you need me? Will you never leave me?
Will you make me so happy for the rest of my life?
Will you take me away and will you make me your wife?
I gotta know right now, before we go any further
Do you love me? (Let me sleep on it) Will you love me forever?

[Breakdown: Ellen Foley]
What's it gonna be, boy?
Come on, I can wait all night
What's it gonna be, boy? Yes or no?
What's it gonna be, boy? Yes or no?

[Verse 6: Meat Loaf & (Ellen Foley)]
Let me sleep on

it
Baby, baby, let me sleep on it, let me sleep on it
I'll give you an answer in the morning (I gotta know right now!)
Let me sleep on it (Do you love me? Will you love me forever?)
Baby, baby let me sleep on it (Do you need me? Will you never leave me?)
Well, let me sleep on it (Will you make me so happy for the rest of my life?)
I'll give you an answer in the morning, morning, I'll tell you in the morning
(Will you take me away and will you make me your wife?
I gotta know right now, before we go any further
Do you love me? Will you love me forever?)

[Call & Response: Meat Loaf & (Ellen Foley)]
Let me sleep on it (Will you love me forever?)
Let me sleep on it (Will you love me forever?)

[Verse 7: Meat Loaf]
I couldn't take it any longer, Lord I was crazed
And when the feeling came upon me like a tidal wave


Started swearing to my God and on my mother's grave
That I would love you to the end of time
I swore that I would love you to the end of time!


[Verse 8: Meat Loaf]
So now I'm praying for the end of time
To hurry up and arrive
'Cause if I gotta spend another minute with you
I don't think that I can really survive
I'll never break my promise or forget my vow
But God only knows what I can do right now
I'm praying for the end of time, it's all that I can do

Praying for the end of time so I can end my time with you!

[Outro: Meat Loaf & (Ellen Foley)]
Well, it was long ago and it was far away
And it was so much better than it is today
Well, it was long ago and it was far away
(It never felt so good)

And it was so much better than it is today (It never felt so right)
It was long ago and it was far away (And we were glowing like)
And it was so much better than it is today (The metal on the edge of a knife)
It was long ago and it was far away (It never felt so good)
And it was so much better than it is today (It never felt so right)
It was long ago and it was far away (And we were glowing like)
And it was so much better than it is today (The metal on the edge of a knife)
It was long ago and it was far away (It never felt so good)
And it was so much better than it is today (It never felt so right)
It was long ago and it was far away (And we were glowing like)
And it was so much better than it is today (The metal on the edge of a knife)



Viewfinder link: