Showing posts with label Jacques Offenbach. Show all posts
Showing posts with label Jacques Offenbach. Show all posts

June 20, 2025

20,000 vinyl LPs 387: Jacques Offenbach - Gaite Parisienne

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vinyl LP front cover 
 cover illustration by Steinweiss 
photo of album cover by Styrous®


Today is the birthday of French composer, cellist and impresarioJacques Offenbach who was born on June 20, 1819. He wrote 100 operettas of the 1850s to the 1870s, and his uncompleted opera The Tales of Hoffmann (link below). He was an influence on later composers of the operetta genre, particularly Franz von Suppé, Johann Strauss II and Sir Arthur Sullivan
 
In 1858 Offenbach produced his first full-length operetta, Orphée aux enfers (Orpheus in the Underworld), with its celebrated can-can; the work was exceptionally well received and has remained his most played. 
 
His works from the 1860's include La belle Hélène (1864), La Vie parisienne (1866), La Grande-Duchesse de Gérolstein (1867) and La Périchole (1868). The risqué humour (often about sexual intrigue) and mostly gentle satiric barbs in these pieces, together with his facility for melody, made them internationally known, and translated versions were successful in Vienna, London, elsewhere in Europe and in the US            
Gaite Parisienne is a ballet in one act choreographed by Léonide Massine with a libretto and décor by Comte Étienne de Beaumont and costumes executed by Barbara Karinska, it was first presented by the Ballet Russe de Monte-Carlo at the Théâtre de Monte Carlo on April 5, 1938.        
 
Gaite Parisienne features various dances: balletwaltz, bolero, gavotte, Barcarolle (which resembles ), etc., but the infamous Can-Can is  the gem and hilight of the work! The word  Can-Can in french originally meant "scandal," or edge, because the dancers performed on the edge of the stage. Very few people are aware that the 'X-Rated' construction of the gowns worn was what caused the furor! In the 19th century, women wore pantalettes, which had an open crotch, and the high kicks were intentionally revealing (links below).         


 
This recording features Efrem Kurtz who conducted the original performance of Gaite Parisienne in 1938.                
 




   
Tracklist:
       
Side 1:
        
    Offenbach*    Gaite Parisienne    
A1 – Overture; Tortoni    
A2 – Gallop; Valse; March    
A3 – Grand Valse; Can Can No. 1    
A4 – Can Can No. 2; Quadrille    
        Russian Music    
       
Side 2:
       
B1 Prokofiev* – March, Op. 99, Arranged By Efrem Kurtz
B2 – Rimsky-Korsakov* –    The Flight Of The Bumble Bee    
B3 – Glinka* – Life Of The Czar-Mazurka    
B4 – Shostakovich* –The Age Of Gold-Polka    
B5 – Shostakovich* – Waltz (No. 2 Of "Les Monts D'Or" Suite)    
B6 – Tchaikovsky* – Eugen Onegin-Entr'acte And Waltz    
         
Credits:
       
    Conductor – Efrem Kurtz
    Cover – Steinweiss*
    Liner Notes – Morris Hastings
    Orchestra – Columbia Symphony Orchestra (tracks: A1 to A4), Philharmonic-Symphony Orchestra Of New York (tracks: B1 to B6)        
 
Barcode and Other Identifiers
        
    Matrix / Runout (A side label): XLP 1490
    Matrix / Runout (B side label): XLP 1491
    Matrix / Runout (A side runout stamped): XLP 1490 B 2B
    Matrix / Runout (B side runout stamped): XLP 1491 2C G A

Offenbach*, Efrem Kurtz, Columbia Symphony Orchestra, The Philharmonic-Symphony Orchestra Of New York* – Gaite Parisienne Ballet & Russian Music
Label: Columbia Masterworks – ML 4233
Format: Vinyl, LP
Country: US
Released: 1949
Genre: Classical
         
Viewfinder links:        
         
Ballet Russe de Monte-Carlo              
Comte Étienne de Beaumont                  
Efrem Kurtz           
Léonide Massine            
Jacques Offenbach        
        
Net links:        
         
Comte Étienne de Beaumont         
Weebly ~ The Can Can Dance       
        
YouTube links:        
        
Jacques Offenbach -      
      Gaite Parisienne (2022) (43 mins., 21 secs.)       
      Gaite Parisienne (Ballet Russe de Monte Carlo)  
      Can-Can (dance)         
      Can-Can (instrumental)           
        
         
        
        
        
Styrous® ~ Friday, June 20, 2025        
       
 
 















Léonide Massine articles/mentions

   ~     
                  
mentions:         
Jacques Offenbach ~  
       Gaite Parisienne  
       Tales of Hoffmann  
Erik Satie ~ Irreverent Inspirations   
         
                  
        
        
        
Léonide Massine ~ 1914         
portrait by Léon Bakst        
 
 
 
 
 
 

Efrem Kurtz articles/mentions

 ~        
      
     
     
mentions:     
Jacques Offenbach  ~ Gaite Parisienne   
     
     
     
     
     
     
Efrem Kurtz - 1937 
photo by Gordon Anthony 
     
     
     
     
     
     
     
     
     
 
 
 
 
 
 

Etienne de Beaumont articles/mentions

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mentions:     
Jacques Offenbach ~ Gaite Parisienne    
    
    
    
    
    
    
    
    
photo by Man Ray 
        
       
        
        
       
       
        
       
       
        
       
       
 
 
 
 
 
 
 
 
 
 
 

December 1, 2023

E. T. A. Hoffmann articles/mentions


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mentions:     
The Nutcracker & Joyous Tidings          
Jacques Offenbach ~ Tales of Hoffmann     
     
     
     
     
     
self portrait

        
       
       
       
        
       

















 

February 10, 2019

20,000 Vinyl LPs 169: Jacques Offenbach ~ Tales of Hoffmann

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photos by 
      
     
      
      
     
    
      
     
The opéra fantastique by Jacques Offenbach, Tales of Hoffmann premiered on the 10th of February in 1881. Tales was based on three short stories by E. T. A. Hoffmann.          



        
There was an extraordiary interpretation of the opera in a 1951 British Technicolor film written, produced and directed by Michael Powell and Emeric Pressburger. It starred Robert Rounseville, Moira Shearer, Robert Helpmann and Léonide Massine; all film or ballet legends.    


Tales of Hoffmann movie poster 


I loved the film but it didn't get great reviews. Following its world premiere in New York City, Bosley Crowther of The New York Times wrote:      
[D]espite its opulence, coupled with a brilliant rendering of the score by the Royal Philharmonic Orchestra under Sir Thomas Beecham's bristling baton and some masterly singing of the libretto (in English) by a host of vocal cords, this film version of the opera is, in toto, a vastly wearying show. And that is because it sates the senses without striking any real dramatic fire ... The inevitable question about this picture is how close does it come to matching the beauty and excitement of the same producers [sic] The Red Shoes? Although the two films are basically different, a comparison is fair to this extent: The Red Shoes had warmth and vitality, Tales of Hoffmann is splendid and cold.    

Ya can't please everybody!   
          




Firmly seated n the Pantheon of beautiful and melodic arias of opera is Belle nuit, ô nuit d'amour (The barcarolle) from the third act of Tales. A barcarolle is a traditional folk song sung by Venetian gondoliers, or a piece of music composed in that style. The aria occurs during the second story of the opera and my favorite version of it was in the film. While in Venice Hoffmann falls for Giulietta, a courtesan, but she seduces him to steal his reflection for the magician Dapertutto. The languid tempo of the music was brilliantly matched to the movement of the gondola as it slowly glides down the Venetian lagoon with the long scarf of Giulietta trailing in the water behind the boat (link below).
       
    


One of the opera's most-famous arias is in the first act of the opera. It is sung by Olympia, an automaton created by the scientist Spalanzani. Hoffmann falls in love with her, not knowing she is a mechanical doll To warn Hoffmann, his friend, Nicklausse, possessing the truth about Olympia, sings a story of a mechanical doll with the appearance of a human, The legend of Kleinzack (Klein-Zack) (link below) but Hoffmann ignores him. Coppélius, Olympia's co-creator and this act's incarnation of Nemesis, sells Hoffmann magic glasses to make Olympia appear as a real woman.     


The Olympia act, as staged at the 1881 première
illustration by Pierre-Auguste Lamy


Olympia sings Les oiseaux dans la charmille (The birds in the arbor, nicknamed "The Doll Song"), during which she runs-down and needs to be wound-up before she can continue. Hoffmann is tricked into believing his affections are returned, to the bemusement of Nicklausse, subtly attempting to warn his friend. While dancing with Olympia, Hoffmann falls on the ground and his glasses break. At the same time, Coppélius appears, tearing Olympia apart to retaliate against Spalanzani after cheating him of his fees. With the crowd ridiculing him, Hoffmann realizes he loved an automaton.      


 


Then there is the delightful aria, Klein-Zack, sung by Robert Rounseville; a sort of tavern drinking song with many stanzas. There is a great version sung by Hanns Nocker on YouTube (link below).

 


The soundtrack was recorded at Shepperton Studios, located in Shepperton, Surrey, England, between May and September 1950, with the orchestra conducted by Sir Thomas Beecham. Decca obtained permission from London Films to release the soundtrack on LP. In response, Beecham sued: he had not approved the release, because the soundtrack did not truly represent his interpretation of the opera, due to the changes made for the film. On 20 March 1951 he failed to obtain a High Court injunction to prevent the release, but received assurances that it would be clearly labelled as taken from the soundtrack.




The three-record boxed album set included a beautiful 5.5" x 5.5" Libretto (link below) illustrated with stills from the film; the film is in color but the images are black and white.      











Tracklist:

Side 1:

A1 - Prologue - 20:30
A2 - First Tale (Beginning   

Side 2:

B1 - First Tale (Continued) - 22:05

Side 3:

C1 - First Tale (Conclusion) - 21:10
C2 - Second Tale (Beginning   

Side 4:

D1 - Second Tale (Conclusion) - 19:25

Side 5:

E1 - Third Tale (Beginning - 23:16

Side 6:

F1 - Third Tale (Conclusion) - 20:22
F2 - Epilogue   

Credits:

    Baritone Vocals – Bruce Dargavel
    Bass Vocals – Fisher Morgan, Owen Brannigan
    Chorus – The Sadler's Wells Chorus*
    Composed By – Jacques Offenbach
    Conductor – Sir Thomas Beecham
    Contralto Vocals – Monica Sinclair
    Orchestra – The Royal Philharmonic Orchestra
    Soprano Vocals – Ann Ayars, Dorothy Bond, Margherita Grandi
    Tenor Vocals – Grahame Clifford, Murray Dickie, René Soames, Robert Rounseville

Notes:

London maroon labels with silver text
Long playing microgroove full frequency range recording
The original sound track of the London Films production
Made in England
Box printed in U.S.A.
Includes a 5.5 x 5.5 in. booklet and a London Records opera recordings catalog

Barcode and Other Identifiers

    Matrix / Runout (Side A Label): ARL.735R
    Matrix / Runout (Side B Label): ARL.736
    Matrix / Runout (Side C Label): ARL.737R
    Matrix / Runout (Side D Label): ARL.738R
    Matrix / Runout (Side E Label): ARL.739
    Matrix / Runout (Side F Label): ARL.740R
    Matrix / Runout (Side 1 runout stamped): CA ARL-735-2D R H RT 21
    Matrix / Runout (Side 2 runout, stamped): ARL-736-2DR M RT 1
    Matrix / Runout (Side 3 runout stamped): CA ARL-737-1DR M RT 21
    Matrix / Runout (Side 4 runout stamped): ARL-738-2DR BU RT 1
    Matrix / Runout (Side 5 runout stamped): CA ARL-739-2DR BB RT 21
    Matrix / Runout (Side 6 runout stamped): CA ARL-740-2DR A RT 21

Offenbach*, Sir Thomas Beecham, The Sadler's Wells Chorus* And The Royal Philharmonic Orchestra ‎– The Tales Of Hoffmann
Label: London Records ‎– LLPA-4, London Records ‎– XLL.346, XLL.347, XLL.348
Format: 3 × Vinyl, LP Box Set
Country: US
Released:  1951
Genre: Classical, Stage & Screen
Style: Modern, Romantic, Opera

       
             
Viewfinder links:          
         
Jacques Offenbach                
Tales of Hoffmann libretto        
       
Net links:          
Jacques Offenbach                
Tales of Hoffmann film cast       
Tales of Hoffmann libretto        
       
YouTube links:          
        
Jacques Offenbach                
Tales of Hoffmann (movie trailer)
Les contes d'Hoffmann (complete) (2 hr., 26 min., 27 sec.)      
Barcarolle     
The Doll's Song           
Klein-Zack   (1971 film)    
  
    
     



       
Styrous® ~ Sunday, February 10, 2019  
        












Jacques Offenbach ~ The Tales of Hoffmann libretto

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This is the libretto which came with the 1951 London Records soundtrack from the film, The Tales of Hoffmann by Jacques Offenbach (link below).     















 



 

 














































   
Viewfinder links:     
     
Jacques Offenbach     
Tales of Hoffmann vinyl LP        
      
     
      
       
Styrous® ~ Sunday, February 10, 2019