Showing posts with label Giorgio Tozzi. Show all posts
Showing posts with label Giorgio Tozzi. Show all posts
June 15, 2021
January 19, 2020
45 RPMs 40: Giuseppe Verdi ~ Il Trovatore
~
Tracklist:
Act I
1-1 All'erta, All'erta 3:00
1-2 Di Due Figli 3:57
1-3 E Il Padre? 3:07
1-4 Chi Più T'arresti 1:20
1-5 Comme D'aurato Sogno 0:43
1-6 Tacea La Notte Placida 3:10
1-7 Quanto Narrasti 0:50
1-8 Di Tale Amor 1:27
1-9 Tace La Notte! 1:44
1-10 Deserto Sulla Terra 1:35
1-11 Non M'inganno 1:59
1-12 Di Geloso Amor Sprezzato 2:20
Act II
1-13 Vedi! Le Fosche Notturne Spogli 2:55
1-14 Stride La Vampa (Part 1) 1:22
1-15 Stride La Vampa (Part 2) 2:52
1-16 Soli Or Siamo 0:54
1-17 Condotta Ell'era In Ceppi 4:16
1-18 Non Sono Tuo Figlio? 2:00
1-19 Mal Reggendo All'aspro Assalto 2:51
1-20 L'usato Messo, Ruiz Invia 1:16
21 Perigliarti Ancor Languente 1:55
22 Tutto È Deserto 1:23
23 Il Balen Del Suo Sorriso 3:11
24 Qual Suono 0:42
25 Per Me Ora Fatale 2:00
26 Ah! Se L'error T'ingombra 2:05
27 Perchè Piangete 2:06
28 E Deggio E Posso Crederlo? 3:51
Act III
2-1 Or Co'dadi, Ma Fra Poco 1:57
2-2 Squilli, Echeggi La Tromba Guerriera 2:15
2-3 In Braccio Al Rival! 2:05
2-4 Giorni Poveri Vivea 4:15
2-5 Quale D'armi Fragor Poc'anzi Intesi? 1:55
2-6 Ah, Si, Ben Mio 2:50
2-7 Manrico 0:48
2-8 Di Quella Pira 2:04
Act IV
2-9 Siam Giunti 2:41
2-10 D'amor Sull'ali Rosee 3:24
2-11 Miserere 4:48
2-12 Udiste? 1:42
2-13 Mira, Di Acerbe Lagrime 1:52
2-14 Conte! 1:10
2-15 Vivrà! Contende Il Giubilo 2:04
2-16 Madre, Non Dormi? 4:29
2-17 Sì, la Stanchezza M'opprime 1:18
2-18 Ai Nostre Monte 2:05
2-19 Che! Non M'inganno! 3:59
2-20 Ti Scosta
Companies, etc.
Recorded At – RCA Victor Studios, New York
Pressed By – RCA Records Pressing Plant, Indianapolis
Copyright (c) – Radio Corporation Of America
Credits:
Baritone Vocals [An Old Gypsy] – George Cehanovsky
Baritone Vocals [Graf Von Luna] – Leonard Warren
Bass Vocals [Ferrando] – Nicola Moscona
Chorus – The Robert Shaw Chorale
Conductor [Chorus] – Robert Shaw
Conductor [Orchestra] – Renato Cellini
Cover [Painting] – Eugene Berman
Directed By – Richard Mohr
Engineer [Chief Recording Engineer] – A. A. Pulley*
Engineer [Recording Engineer] – Louis W. Layton*
Libretto By – Salvatore Cammarano
Mezzo-soprano Vocals [Azucena] – Fedora Barbieri
Mezzo-soprano Vocals [Ines] – Margaret Roggero
Music By – Giuseppe Verdi
Orchestra – RCA Victor Orchestra*
Soprano Vocals [Leonora] – Zinka Milanov
Tenor Vocals [A Messenger] – Nathaniel Sprinzena
Tenor Vocals [Manrico] – Jussi Bjoerling*
Tenor Vocals [Ruiz] – Paul Franke
Translated By [Libretto Into English] – Edward J. Dent
Written-By [Story] – Antonio García Gutiérrez
Notes:
Includes a 7" book of 84 pages with info and notes in English and the complete libretto in English.
Complete.
A "New Orthophonic" High Fidelity Recording.
© 1952 Radio Corporation of America
First performed at the Teatro Apollo, Rome, January 19, 1853.
Sung in Italian.
Giuseppe Verdi, Zinka Milanov, Fedora Barbieri, Jussi Björling, Leonard Warren, Margaret Roggero, Paul Franke, Nicola Moscona, The Robert Shaw Chorale, Robert Shaw, RCA Victor Symphony Orchestra, Renato Cellini – Verdi IL TROVATORE (Highlights)
Label: RCA Victor Red Seal – 49-3874
Format: Vinyl, 45, Mono
Country: US
Released: 1955
Genre: Classical
Style: Opera
Viewfinder link:
Giuseppe Verdi
YouTube links:
Jussi Björling ~ Di quella pira - (live) 1941
Zinka Milanov ~
Tacea la notte placida
D'amor sull'ali rosee
Leonard Warren ~
Il balen del suo sorriso
Björling-Milanov-Warren ~ Trio
Fedora Barbieri & Del Monaco
Giorgio Tozzi ~ Di due figli
Giuseppe Verdi ~ Il Trovatore
45 RPM box cover detail
Cover Painting by Eugene Berman
detail photo of box cover by Styrous®
45 RPM box cover detail
Cover Painting by Eugene Berman
detail photo of box cover by Styrous®
On January 19, 1853, Il Trovatore, premiered in Rome. It is an opera in four acts by Giuseppe Verdi set to an Italian libretto by Salvadore Cammarano, based on the play El trovador (1836) by Antonio García Gutiérrez.
The entire opera was recorded on this set of 45 RPM records. Due to the short amount of time each 45 RPM record could hold, there are nine 45 RPM records in the set for a total of 18 sides and they were pressed on red vinyl.
The entire opera was recorded on this set of 45 RPM records. Due to the short amount of time each 45 RPM record could hold, there are nine 45 RPM records in the set for a total of 18 sides and they were pressed on red vinyl.
The set was released in 1955 by RCA records and the cast comprises stellar opera stars of the period: Fedora Barbieri, Jussi Bjoerling, Leonard Warren, Zinka Milanov and many others all conducted by Robert Shaw.
Giuseppe Verdi ~ Il Trovatore
45 RPM box cover detail
Cover Painting by Eugene Berman
detail photo of box cover by Styrous®
45 RPM box cover detail
Cover Painting by Eugene Berman
detail photo of box cover by Styrous®
As with many record sets of the period, it is a nicely packaged project with beautiful images throughout the booklet that accompanies it.
Giuseppe Verdi ~ Il Trovatore
45 RPM box cover
Cover Painting by Eugene Berman
photo of box cover by Styrous®
45 RPM box cover
Cover Painting by Eugene Berman
photo of box cover by Styrous®
While rummageing around the Internet, YouTube in particular, I came across a segment of a film that has Fedora Barbieri singing the role of the gypsy, Azucena, with Mario Del Monico. It is engrossing to watch as you see the intense expressions that are lost when seeing it live on stage. It's ten minutes long but worth every second of it. Pretty incredible (link below).
There's also a brilliant recording of the song, Di due figli, sung by Giorgio Tozzi as the character, Farrando, in 1956 (link below).
Act I
1-1 All'erta, All'erta 3:00
1-2 Di Due Figli 3:57
1-3 E Il Padre? 3:07
1-4 Chi Più T'arresti 1:20
1-5 Comme D'aurato Sogno 0:43
1-6 Tacea La Notte Placida 3:10
1-7 Quanto Narrasti 0:50
1-8 Di Tale Amor 1:27
1-9 Tace La Notte! 1:44
1-10 Deserto Sulla Terra 1:35
1-11 Non M'inganno 1:59
1-12 Di Geloso Amor Sprezzato 2:20
Act II
1-13 Vedi! Le Fosche Notturne Spogli 2:55
1-14 Stride La Vampa (Part 1) 1:22
1-15 Stride La Vampa (Part 2) 2:52
1-16 Soli Or Siamo 0:54
1-17 Condotta Ell'era In Ceppi 4:16
1-18 Non Sono Tuo Figlio? 2:00
1-19 Mal Reggendo All'aspro Assalto 2:51
1-20 L'usato Messo, Ruiz Invia 1:16
21 Perigliarti Ancor Languente 1:55
22 Tutto È Deserto 1:23
23 Il Balen Del Suo Sorriso 3:11
24 Qual Suono 0:42
25 Per Me Ora Fatale 2:00
26 Ah! Se L'error T'ingombra 2:05
27 Perchè Piangete 2:06
28 E Deggio E Posso Crederlo? 3:51
Act III
2-1 Or Co'dadi, Ma Fra Poco 1:57
2-2 Squilli, Echeggi La Tromba Guerriera 2:15
2-3 In Braccio Al Rival! 2:05
2-4 Giorni Poveri Vivea 4:15
2-5 Quale D'armi Fragor Poc'anzi Intesi? 1:55
2-6 Ah, Si, Ben Mio 2:50
2-7 Manrico 0:48
2-8 Di Quella Pira 2:04
Act IV
2-9 Siam Giunti 2:41
2-10 D'amor Sull'ali Rosee 3:24
2-11 Miserere 4:48
2-12 Udiste? 1:42
2-13 Mira, Di Acerbe Lagrime 1:52
2-14 Conte! 1:10
2-15 Vivrà! Contende Il Giubilo 2:04
2-16 Madre, Non Dormi? 4:29
2-17 Sì, la Stanchezza M'opprime 1:18
2-18 Ai Nostre Monte 2:05
2-19 Che! Non M'inganno! 3:59
2-20 Ti Scosta
Companies, etc.
Recorded At – RCA Victor Studios, New York
Pressed By – RCA Records Pressing Plant, Indianapolis
Copyright (c) – Radio Corporation Of America
Credits:
Baritone Vocals [An Old Gypsy] – George Cehanovsky
Baritone Vocals [Graf Von Luna] – Leonard Warren
Bass Vocals [Ferrando] – Nicola Moscona
Chorus – The Robert Shaw Chorale
Conductor [Chorus] – Robert Shaw
Conductor [Orchestra] – Renato Cellini
Cover [Painting] – Eugene Berman
Directed By – Richard Mohr
Engineer [Chief Recording Engineer] – A. A. Pulley*
Engineer [Recording Engineer] – Louis W. Layton*
Libretto By – Salvatore Cammarano
Mezzo-soprano Vocals [Azucena] – Fedora Barbieri
Mezzo-soprano Vocals [Ines] – Margaret Roggero
Music By – Giuseppe Verdi
Orchestra – RCA Victor Orchestra*
Soprano Vocals [Leonora] – Zinka Milanov
Tenor Vocals [A Messenger] – Nathaniel Sprinzena
Tenor Vocals [Manrico] – Jussi Bjoerling*
Tenor Vocals [Ruiz] – Paul Franke
Translated By [Libretto Into English] – Edward J. Dent
Written-By [Story] – Antonio García Gutiérrez
Notes:
Includes a 7" book of 84 pages with info and notes in English and the complete libretto in English.
Complete.
A "New Orthophonic" High Fidelity Recording.
© 1952 Radio Corporation of America
First performed at the Teatro Apollo, Rome, January 19, 1853.
Sung in Italian.
Giuseppe Verdi, Zinka Milanov, Fedora Barbieri, Jussi Björling, Leonard Warren, Margaret Roggero, Paul Franke, Nicola Moscona, The Robert Shaw Chorale, Robert Shaw, RCA Victor Symphony Orchestra, Renato Cellini – Verdi IL TROVATORE (Highlights)
Label: RCA Victor Red Seal – 49-3874
Format: Vinyl, 45, Mono
Country: US
Released: 1955
Genre: Classical
Style: Opera
Viewfinder link:
Giuseppe Verdi
YouTube links:
Jussi Björling ~ Di quella pira - (live) 1941
Zinka Milanov ~
Tacea la notte placida
D'amor sull'ali rosee
Leonard Warren ~
Il balen del suo sorriso
Björling-Milanov-Warren ~ Trio
Fedora Barbieri & Del Monaco
Giorgio Tozzi ~ Di due figli
Gee, I miss the old vinyl days!
Styrous® ~ Sunday, January 19, 2020
February 18, 2018
20,000 vinyl LPs 127: Leontyne Price ~ the ultimate Aida
~ Leontyne Price ~ Aida highlights vinyl LP front cover
photo by Styrous®
A week ago was the birthday of Leontyne Price; she was born Mary Violet Leontyne Price and raised in Laurel, Mississippi on February 10, 1927.
She took her first steps onto the grand operatic stage in San Francisco on September 20, 1957, singing Madame Lidoine in the U.S. premiere of the Francis Poulenc opera, Dialogues des Carmélites.
It is one of the flukes of my life that I saw her preform at the beginning of her career a few weeks later; she sang her first Aida, by Puccini, stepping in for Italian soprano Antonietta Stella who was suffering from appendicitis. The opera was performed at the Greek Theater in Berkeley, California, in October, 1957; I saw that performance. It was my very first live opera. During the second act, scene two, there were real elephants during the Triumpal March. WOW! How can you top that?
The second scene in act one has to be one of the most sensational moments in opera. It takes place in the Temple of Vulcane. It begins quiet, dreamy, almost spooky then builds to one of the most dramatic crescendos in opera. The second scene in act two includes the Triumpal March. It is mind-blowing. There are links to both on YouTube below and it is a trip to watch them in full screen. Aida put the "Grand" in Grand Opera!
She took her first steps onto the grand operatic stage in San Francisco on September 20, 1957, singing Madame Lidoine in the U.S. premiere of the Francis Poulenc opera, Dialogues des Carmélites.
It is one of the flukes of my life that I saw her preform at the beginning of her career a few weeks later; she sang her first Aida, by Puccini, stepping in for Italian soprano Antonietta Stella who was suffering from appendicitis. The opera was performed at the Greek Theater in Berkeley, California, in October, 1957; I saw that performance. It was my very first live opera. During the second act, scene two, there were real elephants during the Triumpal March. WOW! How can you top that?
The second scene in act one has to be one of the most sensational moments in opera. It takes place in the Temple of Vulcane. It begins quiet, dreamy, almost spooky then builds to one of the most dramatic crescendos in opera. The second scene in act two includes the Triumpal March. It is mind-blowing. There are links to both on YouTube below and it is a trip to watch them in full screen. Aida put the "Grand" in Grand Opera!
vinyl LP back cover
photo by Styrous®
As well as Price, bass Giorgio Tozzi and spinto tenor Jon Vickers, performers in the 1959 production I saw, are also on the vinyl LP I have; it's the reason I bought it.
Leontyne Price was around 30 years old at the time of the concert, in the bloom of her physical beauty with a voice that was stunning. She was the ideal Aida and there has never been one more perfect nor more dazzling.
Leontyne Price was around 30 years old at the time of the concert, in the bloom of her physical beauty with a voice that was stunning. She was the ideal Aida and there has never been one more perfect nor more dazzling.
Aida - program cover
Sunday, October 11, 1959
photo by Styrous®
Leontyne Price was the first African American to become a leading artist at the Metropolitan Opera. In the late 1960s, she cut back her operatic performances in favor
of recitals and concerts. She became a
popular artist in the orchestral and performing arts series in the major
American cities and large universities. In the early 1970s, she also
returned to Europe, for opera performances in Hamburg and
Covent Garden in London, England, and gave her first recitals in Hamburg, Vienna, Paris,
and the Salzburg Festival. At the latter she became a favorite
recitalist, appearing in 1975, 1977, 1978, 1980, 1981, and 1984.
She continued to sing limited performances at the Metropolitan and San Francisco, but undertook only three new roles after 1970. They were the Puccini operas:
Giorgetta in Il tabarro (San Francisco only); Manon Lescaut (San Francisco and New York); and Ariadne in Ariadne auf Naxos (San Francisco and New York) by Richard Strauss.
In 1953 Price sang the role of Bess in the English-language opera by the American composer George Gershwin, Porgy and Bess, with a libretto written by author DuBose Heyward and lyricist Ira Gershwin. It was adapted from the Dorothy and DuBose Heyward play Porgy, itself an adaptation of the DuBose Heyward 1925 novel of the same name.
London production of Porgy and Bess
Shiel/Getty Images
recordings
Most of Leontyne Price's commercial recordings were issued by RCA Victor Red Seal and include three complete recordings of Il trovatore by Verdi, two of La forza del destino also by Verdi, two of Aida, two of the Verdi Requiem, two of Tosca by Puccini, and one each of the Verdi operas: Ernani and Un ballo in maschera, the Mozart operas Cosí fan tutte and Don Giovanni (as Donna Elvira), the Puccini operas Il tabarro and Madama Butterfly, Carmen by Bizet and (her final complete opera recording) Ariadne auf Naxos by Strauss. She also recorded a disc of highlights from Porgy and Bess, by Gershwin, singing the music of all three female leads. It was conducted by Skitch Henderson and featured William Warfield as Porgy.
She recorded five Prima Donna albums of operatic arias
generally of roles that she never performed on stage. She also recorded
two albums of Richard Strauss arias, recitals of French and German art songs, two albums of Spirituals, and a crossover disc, Right as the Rain, with André Previn. Her recordings of Hermit Songs, scenes from Antony and Cleopatra and Knoxville: Summer of 1915, all by Samuel Barber, were reissued on CD as Leontyne Price Sings Barber. Her most popular operatic aria collection is her first, the self-titled Leontyne Price,
sometimes referred to as the "Blue Album" because of its light blue
cover. It has been reissued on CD, and also on SACD. In 1971, RCA
released a spiritual album I Wish I Knew How It Would Feel to Be Free, Price singing with the Rust College Choir
(Mississippi). In 1996, for her 70th birthday, RCA Victor issued a
limited-edition 11-CD boxed collection of her recordings, with an
accompanying book, entitled The Essential Leontyne Price.
Archival recordings of live performances have also appeared. Deutsche Grammophon released CDs of live Salzburg performances of the Beethoven Missa Solemnis (1959) and Il trovatore
(1962), both conducted by Herbert von Karajan. In 2002, RCA discovered a tape of
her 1965 Carnegie Hall recital debut and released it in its
"Rediscovered" series. In 2005, Bridge Records released the complete
1953 Library of Congress recital with Barber, including the Hermit Songs, La Voyante by Henri Sauguet, and songs by Poulenc. In August 2008, a
tape of a September 1952 Berlin performance of the Breen-Davis Porgy and Bess
was found in the Berlin radio archives and released on CD—offering the
earliest recorded glimpse of Price's voice and style. In 2011, Sony Classics brought out on disc her first two Met broadcasts, Il trovatore (1961) and Tosca (1962), both with Franco Corelli, followed in 2012 by a third broadcast, Ernani (1962) with Carlo Bergonzi.
In October 2001, at the age of 74, Price was asked to come out of
retirement to sing in a memorial concert at Carnegie Hall for the
victims of the September 11 attacks. With James Levine at the piano, she sang a favorite spiritual, This Little Light of Mine, followed by an unaccompanied God Bless America, ending it with a bright, easy B below high C.
photographer unknown
Before retiring, Price gave several master classes at Juilliard and
other schools. In 1997, at the suggestion of RCA Victor, she wrote a
children's book version of Aida, which became the basis for the hit Broadway musical by Elton John and Tim Rice in 2000.
British critic J.B. Steane
writes that "one might conclude from recordings that [Price] is the
best interpreter of Verdi of the century." In an interview, Price once
recalled that Maria Callas had told her,
during a meeting with the older diva in Paris, "I hear a lot of love in
your voice." The sopranos Renée Fleming, Kiri Te Kanawa, Jessye Norman. Leona Mitchell, Barbara Bonney, Sondra Radvanovsky, the mezzo-soprano Denyce Graves, bass-baritone José van Dam, and the countertenor David Daniels, have talked about Price as an early inspiration.
Leontyne Price - Porgy and Bess - May 19, 1953
photo by Carl Van Vechten
Miles Davis, in Miles: The Autobiography, wrote: "Man, I love her as an artist. I love the way she sings Tosca. I wore out her recording of that, wore out two sets. Now, I might not do Tosca,
but I loved the way Leontyne did it. I used to wonder how she would
have sounded if she had sung jazz. She should be an inspiration for
every musician, black or white. I know she is to me."
In March 2007, on BBC Music Magazine's
list of the "20 All-time Best Sopranos" based on a poll of 21 British
music critics and BBC presenters, Leontyne Price was ranked fourth,
after, in order, Maria Callas, Joan Sutherland, and Victoria de los Ángeles.
vinyl LP record, side1
photo by Styrous®
vinyl LP record, side2
photo by Styrous®
Tracklist:
Side 1:
Act I
A1 - Si: Corre Voce; Celeste Aida
A2 - Ritorna Vincitor!
Act III
A3 - Qui Radamès Verrà!; O Patria Mia Ciel!; Mio Padre; Pur Ti Riveggo
Side 2:
B1 - Nel Fiero Anelito
Act IV
B2 - Già I Sacerdoti Adunansi
B3 - La Fatal Pietra
Credits:
Baritone Vocals – Robert Merrill
Bass Vocals – Giorgio Tozzi
Chorus – Rome Opera House Chorus*
Chorus Master – Giuseppe Conca
Composed By – Verdi*
Conductor – Georg Solti
Mezzo-soprano Vocals – Rita Gorr
Orchestra – Rome Opera House Orchestra*
Soprano Vocals – Leontyne Price
Tenor Vocals – Jon Vickers
Notes:
——Cover info——
Includes a 12" book with info and notes in English and the complete libretto in Italian and English.
Selected by the Metropolitan Opera
© by Radio Corporation of America, 1962
Recorded in the Opera House, Rome, Italy
First performed at Cairo, Egypt, December 24, 1871
Italian-English Libretto: Translation © The Decca Record Company, Ltd., London
Performed in Italian
On jacket: LM-2616 is seen on front back and spine.
On labels: LM 2616 (notice: no "-" in code)
Track listings and credits taken from center labels.
Side 1:
Act I
A1 - Si: Corre Voce; Celeste Aida
A2 - Ritorna Vincitor!
Act III
A3 - Qui Radamès Verrà!; O Patria Mia Ciel!; Mio Padre; Pur Ti Riveggo
Side 2:
B1 - Nel Fiero Anelito
Act IV
B2 - Già I Sacerdoti Adunansi
B3 - La Fatal Pietra
Credits:
Baritone Vocals – Robert Merrill
Bass Vocals – Giorgio Tozzi
Chorus – Rome Opera House Chorus*
Chorus Master – Giuseppe Conca
Composed By – Verdi*
Conductor – Georg Solti
Mezzo-soprano Vocals – Rita Gorr
Orchestra – Rome Opera House Orchestra*
Soprano Vocals – Leontyne Price
Tenor Vocals – Jon Vickers
Notes:
——Cover info——
Includes a 12" book with info and notes in English and the complete libretto in Italian and English.
Selected by the Metropolitan Opera
© by Radio Corporation of America, 1962
Recorded in the Opera House, Rome, Italy
First performed at Cairo, Egypt, December 24, 1871
Italian-English Libretto: Translation © The Decca Record Company, Ltd., London
Performed in Italian
On jacket: LM-2616 is seen on front back and spine.
On labels: LM 2616 (notice: no "-" in code)
Track listings and credits taken from center labels.
Verdi*, Price*, Vickers*, Gorr*, Merrill*, Tozzi*, Rome Opera House Orchestra* And Chorus*, Solti* – Aïda Highlights
Label: RCA Victor Red Seal – LM-2616, RCA Victor Red Seal – LM 2616
Format: Vinyl, LP, Mono
Country: US
Released: 1962
Genre: Classical, Stage & Screen
Style: Opera
Label: RCA Victor Red Seal – LM-2616, RCA Victor Red Seal – LM 2616
Format: Vinyl, LP, Mono
Country: US
Released: 1962
Genre: Classical, Stage & Screen
Style: Opera
Viewfinder link:
Leontyne Price articles/mentions
Net links:
NY Times ~ Legendary Diva, Is a Movie Star at 90
Classical MPR ~ Iconic soprano Leontyne Price turns 90
Found San Francisco ~ San Francisco Opera; Unfinished History
Found San Francisco ~ San Francisco Opera; Unfinished History
YouTube links:
Aida ~
Leontyne Price - O Patria Mia (1958)
Leontyne Price - Ritorna Vincitor (1966)
Act one, scene two: The Temple of Vulcane
Act two, scene two
Leontyne Price - Dialogues des Carmélites
Leontyne Price - Porgy & Bess -
Summertime (1968)
My Man's Gone Now (1968)
Leontyne Price selections
Aida ~
Leontyne Price - O Patria Mia (1958)
Leontyne Price - Ritorna Vincitor (1966)
Act one, scene two: The Temple of Vulcane
Act two, scene two
Leontyne Price - Dialogues des Carmélites
Leontyne Price - Porgy & Bess -
Summertime (1968)
My Man's Gone Now (1968)
Leontyne Price selections
Happy Birthday, Diva Divina
Styrous® ~ Sunday, February 18, 2018
~
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