Showing posts with label First World War. Show all posts
Showing posts with label First World War. Show all posts

November 17, 2025

Kaiser Wilhelm II & the Tango

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photo by T. H. Voigt     
 
 
On November 17, 1913, Kaiser Wilhelm II banned the armed forces from dancing the tango in Germany; perhaps he couldn't stand the sight of men dancing together or as a member of the Hohenzollern house, it was an attempt to conceal the antics of Prince Ludwig Viktor, a Habsburg-Lorraine family connection.    
 
 
tango dancers 
photographer unknown
 
 
Who knows? But there was WAY much more to Wilhelm then just that . . .
 
One of the few things the Kaiser, who ruled Germany from 1888 to 1918, had a talent for was causing outrage. A particular specialty was insulting other monarchs. He called the diminutive King Victor Emmanuel III of Italy “the dwarf” in front of the king’s own entourage. He called Prince Ferdinand, of Bulgaria, “Fernando naso,” on account of his beaky nose, and spread rumors that he was a hermaphrodite. Since Wilhelm was notably indiscreet, people always knew what he was saying behind their backs. Ferdinand had his revenge. After a visit to Germany, in 1909, during which the Kaiser slapped him on the bottom in public and then refused to apologize, Ferdinand awarded a valuable arms contract that had been promised to the Germans to a French company instead.           
 
From Wikipedia: 
In March 1890, Wilhelm dismissed longtime Chancellor Otto von Bismarck and assumed direct control over his nation's policies, embarking on a "New Course" to cement Germany's status as a leading world power. Over the course of his reign, the German colonial empire acquired new territories in China and the Pacific and became Europe's largest manufacturer. However, he often undermined such progress by making tactless and threatening statements towards other countries without first consulting his ministers. Likewise, his regime did much to alienate itself from other great powers by initiating a massive naval build-up, contesting French control of Morocco, and building a railway through Baghdad that challenged Britain's dominion in the Persian Gulf. By the second decade of the 20th century, Germany could rely only on significantly weaker nations such as Austria-Hungary and the declining Ottoman Empire as allies.                
 
Despite strengthening Germany's position as a great power by building a powerful navy as well as promoting scientific innovation within its borders, Kaiser Wilhelm's public pronouncements and erratic foreign policy greatly antagonized the international community and are considered by many to have contributed to the fall of the German Empire. In 1914, his diplomatic brinksmanship culminated in Germany's guarantee of military support to Austria-Hungary during the July Crisis which plunged all of Europe into World War I. A lax wartime leader, Wilhelm left virtually all decision-making regarding strategy and organization of the war effort to the German Supreme Army Command. By August 1916, this broad delegation of power gave rise to a de facto military dictatorship that dominated the country's policies for the rest of the conflict. Despite emerging victorious over Russia and obtaining significant territorial gains in Eastern Europe, Germany was forced to relinquish all its conquests after a decisive defeat on the Western Front in the autumn of 1918.  
Wilhelm's birth seems to have been the source of his emotional development. Modern medical assessments have concluded his hypoxic state at birth, due to a breech delivery and the heavy dosage of chloroform, left him with minimal to mild brain damage, which manifested itself in his subsequent hyperactive and erratic behavior, limited attention span and impaired social abilities.     

Historians have frequently stressed the role of Wilhelm's personality in shaping his reign. Thus, Thomas Nipperdey concludes he was:

...gifted, with a quick understanding, sometimes brilliant, with a taste for the modern,—technology, industry, science—but at the same time superficial, hasty, restless, unable to relax, without any deeper level of seriousness, without any desire for hard work or drive to see things through to the end, without any sense of sobriety, for balance and boundaries, or even for reality and real problems, uncontrollable and scarcely capable of learning from experience, desperate for applause and success,—as Bismarck said early on in his life, he wanted every day to be his birthday—romantic, sentimental and theatrical, unsure and arrogant, with an immeasurably exaggerated self-confidence and desire to show off, a juvenile cadet, who never took the tone of the officers' mess out of his voice, and brashly wanted to play the part of the supreme warlord, full of panicky fear of a monotonous life without any diversions, and yet aimless, pathological in his hatred against his English mother.          

Historian David Fromkin states that Wilhelm had a love–hate relationship with Britain. According to Fromkin, "From the outset, the half-German side of him was at war with the half-English side. He was wildly jealous of the British, desiring to be British and to be better at being British than the British were, while at the same time hating them and resenting them because he never could be fully accepted by them".        

The negative international consequences of Wilhelm's erratic personality: "He believed in force, and the 'survival of the fittest' in domestic as well as foreign politics ... William was not lacking in intelligence, but he did lack stability, disguising his deep insecurities by swagger and tough talk. He frequently fell into depressions and hysterics ... William's personal instability was reflected in vacillations of policy. His actions, at home as well as abroad, lacked guidance, and therefore often bewildered or infuriated public opinion. He was not so much concerned with gaining specific objectives, as had been the case with Bismarck, as with asserting his will. This trait in the ruler of the leading Continental power was one of the main causes of the uneasiness prevailing in Europe at the turn-of-the-century".      

British public opinion had been quite favorable towards Wilhelm in his first twelve years on the throne, but it turned sour in the late 1890s. During the First World War, he became the central target of British anti-German propaganda and the personification of a hated enemy.       

Wilhelm died of a pulmonary embolism in DoornNetherlands, on 4 June 1941, at the age of 82, just weeks before the Axis invasion of the Soviet Union. Despite his personal resentment and animosity toward the monarchy, Hitler wanted to bring the Kaiser's body back to Berlin for a state funeral, as Hitler felt that such a funeral, with himself acting in the role of heir apparent to the throne, would be useful to exploit for propaganda. However, Wilhelm's orders that his body was not to return to Germany unless the monarchy was first restored were then revealed and were grudgingly respected. The Nazi occupation authorities arranged for a small military funeral, with a few hundred people present. However, Kaiser Wilhelm's insistence that the swastika and Nazi Party regalia not be displayed at his funeral was ignored, as is seen in the photographs of the funeral taken by a Dutch photographer. 
       
     
        
Viewfinder links:        
        
Ludwig Angerer         
Otto von Bismarc         
Victor Emmanuel II             
Nazi        
Prince Ludwig Viktor          
Kaiser Wilhelm II        
         
        
Net links:        
        
         
        
         
        
        
YouTube links:        
        
Wilhelm II in Exile         
Wilhelm II of Germany (47 min., 40 secs.)
        
         
        
        
        
Styrous® ~ Monday, November 17, 2025
       
       
       
       
       
       
       
       
       
 
 
 
 
 
 
 
 
 
 
 
 
 
 

April 6, 2014

Kronos @ the Hertz ~ Happy Birthday World War I





photo by Styrous®




I inadvertently began the commemoration of the 100th anniversary of World War I this evening. Yep, it was a hundred years ago this year that the 'Great War' began with the shooting of Archduke Franz Ferdinand of Austria on June 28, 1914, in Sarajevo. The incident precipitated Austria-Hungary's declaration of war against Serbia. The result of the assassination: the Central Powers (Germany and Austria-Hungary) and the Allies of World War I (countries allied with Serbia) declared war on each other, igniting the First World War

18 December 1863 – 28 June 1914
photo published in:
The War of the Nations (New York)
December 31, 1919
Newspaper Pictorials
The war of the nations : 
portfolio in rotogravure etchings : 
compiled from the Mid-week pictorial, 
New York :
New York Times, Co., 1919


This is a hell of a way to start a music article but the performance by the Kronos Quartet at the Hertz Hall in Berkeley centered around this event with the World Premier of Beyond Zero by Serbian-born composer, Aleksandra Vrebalov, who was there in attendance.

photo by Sasha Jancic


I'd had no thought about World War One or the Kronos Quartet and had never heard of Vrebalov but the day before the concert I was at the wedding celebration of friends when Shelly Gardner said she had a ticket for a concert but couldn't go and asked, did I want it? The Kronos? Of course I did! 

It turns out the concert was everything and far more than I had expected. The media involved in the performance was right up my alley; it utilized vintage 78 recordings of the period. Scratches, pops and tinny sounding, they were fantastic. There were recordings of opera, rally and patriotic songs, and many others. The sound recordings were used between and, at one point, accompanied by the Quartet.

The program was a series of short compositions, many no more than a minute, a few a mere 10 seconds or so, performed without intermission. That's a good thing as it would have disrupted the flow of the work. There was no applause until the end of the entire program, another good thing.

Music in the program consisted of a Byzantine chant 
Three pieces for String Orchestra by Igor Stravinsky
Last Kind Words by the blues singer Geeshie Wiley, arranged by trombonist Jacob Garchik
Eviç Taksim by Tanburi Cemil Bay, arranged by Stephen Prutsman 
Trois Beaux Oiseaux du Paradis by Maurice Ravel, arranged by J. J. Hollingsworth, of soundSFound
Six Bagatelles by Anton Webern, arranged by Jacob Garchik
They Are There! Fighting for the People's New Free World by Charles Ives and
Nunc Dimittis from All-Night Vigil by Serge Rachmaninoff, arranged by Kronos

The original version of Last Kind Words by Geeshie Wiley is one of the most unique blues songs ever written. It's modulations are exquisite. It was recorded in 1929 with guitar played by Elvie Thomas. Geeshie was born in Natchez, Mississippi, and during the 20's she worked at a fairground in Jackson, Mississippi. She was married to Casey Bill Weldon who was Memphis Minnie's ex husband. The nickname "Geeshie" was commonly given to people from around coastal South Carolina and Georgia and is another name for the Gullah ethnic group in that region. Be sure to check out the music video (link below).

During the Ives work, They Are There!, the Kronos performed with the recording (actually sung by Ives who also played piano). Ives was off-key, dissonant at times and hilarious! The song was recorded at the Mary Howard Studio in New York City on 24 April 1943.

The last and longest work was Beyond Zero: 1914 - 1918 in which the Quartet played during the running of a film by Bill Morrison. The film consisted of reels of decaying nitrate film from the World War I period. They were processed to enhance the decay and at times simulated the effect of projector burn-out.

Beyond Zero: 1914-1918
video by Bill Morrison

The old footage from the period (silent film, of course, sound film had not been invented yet) varied from a huge steamship with thousands of men jamming the decks, men marching off to war, men in training exercises, men barb-wiring the battle field, tanks and guns firing on cities and villages and the aftermath of war. The whole while I kept wondering how many of the young men in the films survived the cataclysm (from the Greek, kataklysmos, to 'wash down' (kluzein "wash" + kata "down"). I use the word cataclysm because it did indeed wipe away an entire world and way of life. The world was changed forever by it.

The finale of the film was accompanied by the striking of two old Vietnamese artillery shells which, when struck, had the beautiful but sombre sound of brass bells or gongs.

It is ironic that afterwards, World War I was considered to be the war to end all wars. They had no inkling of the horrors the future held in store for mankind. Also ironic is the fact that here the politicians are again repeating the same stupid actions. When will they ever learn?  


Net links:


Bill Morrison videos on YouTube:

Light Is Calling (music by Michael Gordon)
Decasia (music by Michael Gordon)
My everlasting thanks for an incredible evening of stunning music to the Kronos Quartet, Aleksandra Vrebalov, Bill Morrison but especially to Shelly Gardner.