Can You Hear Me? Music from the Deaf Club
vinyl LP record sleeve detail
art work by Diana Miami
detail photo of sleeve by Styrous®
In the late 70's one of the perks of living in the
Mission was going to the
Deaf Club on Valencia Street near 16th. It was about four blocks from my studio and we'd go to hear the punk groups of the period;
The Units,
Flipper,
Crime and many other groups performed there as well as at the
Valencia Tool & Die, a few blocks up Valencia Street from the
Deaf Club and just around the corner from my studio.
Can You Hear Me? Music from the Deaf Club
Before
it went punk, well even afer, the space was actually a second floor
meeting hall over a laundrymat, on Valencia Street, originally begun as a deaf
people's
clubhouse
in the 1930s. The members of the club weren't bothered by the ferocious
volume of the music and the punk bands could blast out to their heart's content.
Although the regular deaf members of the club couldn't hear the music, they would stand in front of the stage and feel the throbbing of the music in their guts and soul as it
thudded through the floor and into their bodies: it was exciting and inspiring to watch them jump up and down with total abandon in time to it.
I'm convinced it's where the
mosh started.
photographer unknown
But maybe not. . . .
In any event, the raucous nights at the
Deaf Club on the second floor on Valencia were a hell of a lot of fun and a good
time was had by
all.
photographer unknown

Can You Hear Me? Music from the Deaf Club
Joel Selvin,
music critic for the
SF Chronicle, gave it a bad review as "one of the stranger scenes on the punk rock scene." Maybe not such a bad review after all.
Tono Rondone, a member of the Frank Hymng Band, which featured Fritz Fox of
The Mutants, tells a humorous sideline to the history of the
Deaf Club:
"At one
point, there was a headline in the San Francisco Chronicle which told of
the temporary closing of The Deaf Club whose headline read 'Deaf Club
Closed Due to Excessive Noise Levels.'"
In his daily
San Francisco Chronicle column dated Monday
August 13, 1979, "Have a Weird Day",
Herb Caen said:
"I don't know about you, but I
find it slightly bizarre that The Deaf Club at 530 Valencia – indeed a
social hangout for deaf people – features punk rock groups, such as Zen,
Off, The Pink Section, Blow Driers and Mutants. "The louder the
better!" beams Edward Juaregui, executive director of Deaf Self Help.
"We all like to dance, and we can feel the vibrations." How about the
neighbors? "Oh," continued Edward, "they're going crazy. They keep
calling the cops, complaining the noise is deafening. Isn't that rich?"



Can You Hear Me? Music from the Deaf Club
vinyl LP back cover details
art work by Diana Miami
album photos by Sue Brisk
detail photos of back cover by Styrous®
Robert Hanrahan, manager of
The Offs
discovered the
San Francisco Club for the Deaf, and was able to rent it
on a nightly basis. The first show at the Deaf Club was on December 9,
1978, and featured
The Offs,
The Mutants and On The Rag. Unfortunately, I missed the opening.
There were over 100 bands from
Northern California:
The Units,
The Zeros,
Crime,
The Dils,
Flipper and from
Southern California:
Bags,
The Alley Cats,
Germs,
X and
Dinettes that would play this wonderful and amazing underground club.
Can You Hear Me? Music from the Deaf Club
vinyl LP record sleeve, side 1
sleeve photo by Sue Brisk
photo of sleeve by Styrous®
Can You Hear Me? Music from the Deaf Club
I have favorites from this album, of course. The live version of the
Tribute To Russ Meyer by the Mutants is punk at the height of perfection!
Next is
Police Truck
by the Dead Kennedys. The single is terrific but the live version is:
WOW! A run-a-way train on speed! It rips along at a ferocious pace with
guitar work out of this world or perhaps on acid!
Then there's the whacked out cover of the
Jagger-Richards song,
19th Nervous Breakdown, by
Tuxedomoon only to be followed up with their version of the song,
Heaven, from the the
surrealist horror film
Eraserhead (1977) by
David Lynch. Oh, my lord!
Heaven is a beautiful, dreamy and
ethereal slow ride to bliss
occasionally interrupted by a sublime vocal harmony by the group (
links to YouTube below).
Can You Hear Me? Music from the Deaf Club
vinyl LP record sleeve detail
art work by Diana Miami
detail photos of sleeve by Styrous®
The
compilation album, released by
Optional Music distribution of
Berkeley, CA
on the Walking Dead label was recorded on a mobile 8 track by Jim Keylor (of Army Street
Studios), DJ'ed by Johnnie Walker,
produced by Robert Hanrahan who managed and booked groups into the
Deaf Club, and
coordinated by Peter Worrall.
The photos selected for the album were
taken by Sue Brisk, the
album art was by Diana Miami (aka Diana Stumbo) and the
liner notes were written by V. Vale of
RE/Search/Search
& Destroy. It was recorded live at the club during early 1979 and
is a vivid record of the authentic underground punk and "
new wave" scene during that period in San Francisco's music history. The album featured
The Mutants'
Tribute to Russ Meyer and
Monster of Love and performances from
other first and second generation San Francisco Punk bands
Can You Hear Me? Music from the Deaf Club
vinyl LP record sleeve detail
art work by Diana Miami
detail photos of sleeve by Styrous®
In researching for this blog entry I was amazed to discover the number of deaf or heard of hearing musicians there were (link below).
Can You Hear Me? Music from the Deaf Club
Can You Hear Me? Music from the Deaf Club
vinyl LP record sleeve, side 2 details
sleeve photos by Sue Brisk
detail photos of sleeve by Styrous®
The
Deaf Club closed with a party hosted by artist and filmmaker,
Bruce Conner. It had a history of being closed for various reasons, such as by
the fire marshal for the lack of sprinklers.
Can You Hear Me? Music from the Deaf Club
Can You Hear Me? Music from the Deaf Club
Tracklist:
Side 1: A1 – Dead Kennedys - Police Truck, written by Jello Biafra - 2:30
A2 – Dead Kennedys - Short Songs, written by 6025 - 0:20
A3 – Dead Kennedys - Straight A's, written by 6025, Jello Biafra - 2:05
A4 – K.G.B. (4) - Dying In The U.S.A., written by K.G.B. (4) - 2:55
A5 – K.G.B. (4) - Picture Frame Seduction, written by K.G.B. (4) - 2:40
A6 – Offs* - Hundred Dollar Limo, written by Billy Hawk - 1:12
A7 – Offs* - Die Babylon, written by Billy Hawk, Don Vinyl* - 2:42
A8 – Offs* - I've Got The Handle, Arranged By Billy Hawk, written by L. Sibbles* - 2:15
Side 1: B1 – Mutants (2) - Tribute To Russ Meyer, written by Brendan Earley, Fritz Fox - 5:20
B2 – Mutants (2) - Monster Of Love, written by Brendan Earley, Fritz Fox, Sally W* - 1:50
B3 – Pink Section - Jane Blank, written by Pink Section - 2:28
B4 – Pink Section - Francine's List, written by– Pink Section - 2:42
B5 – Pink Section - Been In The Basement 30 Years, written by Pink Section - 2:27
B6
– Tuxedomoon - 19th Nervous Breakdown, Arranged By – Tuxedomoon, Lyrics
By [Additional] – Blaine Reininger*, written by Jagger-Richards - 4:05
B7 – Tuxedomoon - Heaven [From The Film Eraserhead] - 3:40
Companies, etc.
Phonographic Copyright (p) – Gammon Records (2)
Copyright (c) – Gammon Records (2)
Recorded At – Deaf Club
Recorded By – BSU Productions
Mastered At – Sterling Sound
Pressed By – Hub-Servall Record Mfg. Corp.
Manufactured By – Jem Records, Inc.
Marketed By – Jem Records, Inc.
Distributed By – Jem Records, Inc.
Credits:
Cover – Diana Miami
Design [Label & Logo] – M. McCall*
Engineer – Jim Alcivar, Jim Keylor
Executive Producer – Robert Hanrahan
Liner Notes, Sleeve, Coordinator [Final Coordination] – Vale*
Photography By – Susan Brisk
Notes:
Comes
with a double-sided printed insert with photos, quotes, a list of bands
that played at the Deaf Club, and liner notes by V. Vale of RE/Search
Recorded at the San Francisco Club Of The Deaf
Location Recording: BSU Productions
Tracks A1 to A3 published by Decay Music - BMI
Tracks A4, A5, B1 to B5 published by Can You Hear Me Music - BMI
Track A6 & A7 published by Bug Music - BMI
Track A8 published by Island Music - BMI
Track B6 published by Essex Music
Track B7 published Copyright Control David Lynch
Barcode and Other Identifiers
Matrix / Runout (Side A, Etched/Stamped): PVC 7920-A HUB STERLING
Matrix / Runout (Side B, Etched/Stamped): PVC 7920-B HUB STERLING
Rights Society: BMI
Various – Can You Hear Me? Music From The Deaf Club
Label: PVC Records – PVC 7920, Gammon Records (2) – PVC 7920
Format: Vinyl, LP, Compilation, Reissue
Country: US
Released: 1981
Genre: Electronic, Rock
Style: New Wave, Punk
Viewfinder link:
Dead Kennedys
Net links:
KALW ~ Forty Years of San Francisco Punk Rock
Deaf and hard of hearing musicians
How to Have a Blast Diving Head-First Into the Mosh Pit of Life
Are Mosh Pits A Thing Of The Past?
YouTube links:
Mutants ~ Monster of Love
Mutants - Tribute To Russ Meyer (Live)
Dead Kennedys - Police Truck (Live)
Tuxedomoon - Heaven (Live)
Tuxedomoon - 19th Nervous Breakdown [Live]
“your death in life is your government”
~ Deaf Club men’s room graffiti