~
Annette Beach Party soundtrack
vinyl LP front cover
photo of album cover by Styrous®
On
Bastille Day, July 14, 1963, the movie
Beach Party
was premiered in the U.S. One doesn't have anything to do with the
other; they just both happened on the same day but it got your attention. The film opened later
across the U.S. on August 7 of the same year.
Annette Beach Party soundtrack
vinyl LP back cover
photo of album cover by Styrous®
The original 1963 issue was on
Buena Vista Records, BV 3316. This recording is actually a 1984
reissue
on
Rhino Records, RNDF 204, with the front and back cover of the original issue reversed and a pink border.
Other than the obvious "
eye candy",
Beach Party was a pretty obnoxious film. Its saving grace was the fun
surf music in the soundtrack that accompanied it. It was the first of seven
beach party films from
American International Pictures (AIP) aimed at a
teen audience with silly story lines that avoided any serious
social redemption. It was part of AIP's policy of "mass entertainment on an escapist level."
I was in my twenties so that might also have colored my view of the movie.
It was probably the only beach party film I ever saw; if I saw others, I
have no recollection of them.
Beach Party is often credited with creating the
beach party film genre.

Samuel Arkoff and Jim Nicholson commissioned
Lou Rusoff to write a film set at the beach. Rusoff's script was in line with AIP's traditional fare
of children getting in trouble with their parents. It was shown to
William Asher
who agreed to make the movie if it became more of a musical comedy
about teenagers having a good time and not getting in trouble. Arkoff and Nicholson agreed so Asher rewrote the script with
Robert Dillon. He was asked not to take credit by
Samuel Arkoff who told them that
Lou Rusoff was dying of brain cancer. Asher agreed and Rusoff has sole credit; he died in June 1963.
The film starred
Annette Funicello who was one of the most popular Mouseketeers on the original
Mickey Mouse Club. She was always first choice for the female lead . . .
publicity photo
. . . and actor/singer
Frankie Avalon who had 31 charted U.S.
Billboard singles from 1958 to 1962 by the time he made the film. Arkoff says that AIP tried to get
Fabian Forte to play opposite Funicello but he was under contract to
20th Century Fox so Avalon was cast instead.

publicity photo
"We were constantly filming," says Avalon. "We were doing 28 setups a
day. I would say to
Bill Asher ... 'I don't think my character Frankie
would say this.' And he'd say, 'What are you talking about? Just say the
line. Let's have fun with it.' "
John Ashley later recalled: "We all had to wear body make up because nobody had a tan.
One day Frankie and I had some dialogue to do on our way to the water
with our surfboards. It was colder than hell that day and the water was
freezing. We had our backs to the camera and Frankie said, 'Man, can you
believe us? Two thirty year old guys in body make up playing
teenagers.'
The music
The music in
Beach Party was written specifically for the film
and directed by Kaylen Mandry and featured a score that picked up
several cues from the songs used – a common move for most musicals, but a
rarity for a B-grade studio teen film filled with pop songs.
Les Baxter composed the score for the film while
Gary Usher and
Roger Christian wrote three songs performed by Avalon and Funicello.
Bob Marcucci and
Russ Faith wrote
Don't Stop Now, performed by Avalon.
Guy Hemric and
Jerry Styner
wrote two songs for Funicello:
Treat Him Nicely,
which she performs while harmonizing with herself; and
Promise
Me Anything (But Give Me Love) performed off-screen and presented as
source music.
Dick Dale and the Del Tones performed
Swingin' and a-Surfin' and
Secret Surfing Spot (
links below).
Dick Dale and the Del Tones set the scene for surf music in
Orange County,
California. The surf sound extended even into the 80's and 90's. Elements of surf wash up regularly in many different genres—
garage,
lo-fi,
indie pop,
punk, and
shoegaze to name a few—which is a testament to the staying power of a decidedly American, and specifically Californian, form of music.
Bands representative of the sound are Bombón,
La Luz,
Tijuana Panthers, The Halibuts, Babewatch,
SadGirl,
The Frights and on and on (
links below).

Tracklist:
Side 1:
A1 - Beach Party
A2 - Treat Him Nicely, written by Hemrick*, Styner*
A3 - Don't Stop Now
A4 - Promise Me Anything, written by Hemrick*, Styner*
A5 - Secret Surfin' Spot
A6 - Song Of The Islands, written by C. E. King*
Side 2:
B1 - California Sun, written by H. Glover*
B2 - The Battle Of San Onofre, written by Zino-Crawford
B3 - Swingin' And Surfin'
B4 - (Every Night Is) Date Night In Hawaii
B5 - Surfin' Luau
B6 - Pineapple Princess
Credits:
Producer – Camarata*
Written-By – Gary Usher (tracks: A1, A5, B3), Richard M. Sherman (tracks: B4 to B6), Robert B. Sherman, Roger Christian
Annette (7) – Beach Party
Label: Rhino Records (2) – RNDF 204
Format: Vinyl, LP, Album, Reissue
Country: US
Released: 1984
Genre: Rock, Pop, Stage & Screen
Style: Soundtrack, Surf, Pop Rock
Viewfinder links:
The Halibuts
Net links:
Cast
Plot
Bandcamp Daily ~ The New Wave of Indie Surf
IMDb ~ Annette's Beach Party
Japanese Times ~ Bombon fuses equal rights themes and a surf sound
Mental Floss ~ Party with Frankie & Annette
NY Times ~ Oh, Kahuna, What Became of That Endless Summer?
YouTube links:
Avalon & Funicello ~
Beach Party Tonight
Frankie Avalon ~ Don't Stop Now
Annette Funicello ~
Treat Him Nicely
Promise Me Anything (But Give Me Love)
Dick Dale ~
Swingin' and A-Surfin'
Secret Surfing Spot
Beach Party ~ [Full Album] 1963
Styrous® ~ Sunday, July 14, 2019