Showing posts with label Adidas. Show all posts
Showing posts with label Adidas. Show all posts

September 1, 2012

Sneaker Hot Potatoes

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After doing the article on the Barry McGee exhibition at the Berkeley Art Museum, in which I mentioned the Adidas/McGee controversy, I started checking around and discovered this was not the only controversy Adidas has been involved in and, in fact, is not the only sneaker manufacturer to have had controversies.

In 2006, the Y1 HUF, a shoe for which McGee provided the artwork, generated quite a buzz all over the internet and a protest campaign by Asian-Americans who claimed the picture on the shoe's tongue depicted a racist stereotype. As a result, Adidas pulled the sneaker from the market. In a press release in March of 2006, McGee stated that the drawing was a portrait of himself as an eight-year-old child; he is half Chinese. A performance piece by Philip Huang during the opening reception on August 23, 2012, at the Berkeley Art Museum referenced that controversy.

(click on any image to see larger size)
photo of Y1 HUF tongue image by Wooster Collective

This year Adidas again generated controversy and once more created a buzz over the Internet with its shackle trainers. These had been especially created by fashion designer Jeremy Scott with an extra special detail on them: a bright orange plastic cuff, designed to look like a shackle, with a chain connecting the trainer and the cuff, on each ankle. It's slavery connotation was not appreciated by many. The shoe was pulled from the market in June of 2012.

photo of Shackle trainers by Adidas/Facebook 


Adidas has also had issues over labor problems regarding "sweat labor" and worker's rights abuses in the Honduras and Indonesia.


However, Adidas is not alone in the sneaker controversy. Nike's Black and Tan controversy earlier this year kicked up quite a stir on the Internet. For St. Patrick's Day, the Oregon sports apparel giant released a seasonal sneaker named after the Black and Tan drink made by mixing stout and lager. However, it's also the name of a brutal British paramilitary force sent to suppress Irish revolutionaries in the early 1920s. 

Nike, the London Olympics' official supplier, also had a problem earlier this year when in August, they released what has been called the “Gold Digger” Olympic T-shirt designed for women with the words, “Gold Digging”, printed across the chest as reported by ABC News. It sparked outrage for selling a t-shirt, that  retails for $24.99, and is only sold to women; some people argued that it's unfair to associate successful female athletes with the stereotype of money-hungry "gold diggers." Read more.

 Nike "Gold Digging" T-shirt photo from Nike store

In addition, there was a controversy with much Internet buzz that same month over Nike's LeBron X sneaker as they were considered too pricey. The Wall Street Journal reported in its Tuesday editions that the LeBron X shoe, scheduled to hit stores this fall, would retail for $315.

 LeBron X sneaker photo by Christian Petersen/Getty Images

 It would seem August was not a good month for Nike.


Styrous ~ September 1, 2012



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August 27, 2012

Barry McGee @ the BAM/Introduction

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A retrospective of San Francisco graffiti artist Barry McGee opened at The Berkeley Art Museum on August 24. The exhibition is so massive and complex, it took two months to install it. I had a great time doing the shoot for the opening reception on August 23 and it was more than worth the wait.

The exhibition is huge and I got so many photos, I divided them into two sections:

The Barry McGee Exhibition

The Barry McGee Reception

Although there is very limited notation on those pages; I let the photos, which can be viewed as a slideshow, tell the story. All narration has been kept to this page.

In addition, there is a Barry McGee/BAM review by Artforum.

Enjoy, Styrous®
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During the reception, entertainment was provided by DJ Damon and Filth Mongers (a term for someone who is involved in the dealing or trading of filthy or obscene material according to Urban Dictionary). Filth Mongers can be heard and seen on Vimeo and images of them are on their Flickr page.

There was a performance piece by Philip Huang that referenced the McGee/Adidas controversy (see below).

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 The exhibition . . .

When you walk into the museum one of the first things you see is a van standing upright on its front end with a pyramid of men standing on the back end of it. The man at the top is tagging the wall of the museum, his arm is in motion. It is a sculpture so real I honestly thought it was real men doing the act right then and there. I thought to myself, "Gocha!!!!!!!". So far, so good.

On the ground floor is a full-scale mom-and-pop shop titled “Fong’s 99¢ Store” (Fong is one of the monikers McGee uses, as well as Lydia Fong, Ray Fong, Bernon Vernon, P.Kin, Ray Virgil, Twist, Twister, Twisty and Twisto).

Next to Fong's is a tower of TV monitors which made me think, appropriately, of the biblical Tower of Babel.

On an upper level of the museum, is one of his art pieces, a wooden sculpture of a man’s head. The head mechanically and repetitiously beats its forehead against the wall of the gallery. No explanation needed for that one.

Everything is decay and disorder, a hodge-podge (or so it seems) of everything representing modern urban life.

 . . . and a little background.

Born in San Francisco in 1966, McGee graduated from El Camino High School in South San Francisco. He graduated from the San Francisco Art Institute in 1991.

He came out of the Mission School art movement and graffiti boom in the San Francisco Bay Area during the early nineties.

McGee was involved in a controversy regarding the Adidas Y1 HUF, a shoe for which he provided the artwork. The
artwork generated a protest campaign by Asian-Americans who claimed the picture on the shoe's tongue depicted a racist stereotype; as a result, Adidas pulled the sneaker from the market. In a press release in March of 2006, McGee stated that the drawing was a portrait of himself as an eight-year-old child; he is half Chinese. The performance piece by Philip Huang during the opening reception on August 23 referenced that controversy.

The Barry McGee exhibition was reviewed by Artforum. The exhibition at the Berkeley Art Museum runs through December 9, 2012.


photos by Styrous® can be seen at:
Barry McGee @ the BAM/The Exhibition
Barry McGee @ the BAM/The Reception


Styrous® ~ August 27, 2012
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Barry McGee @ the BAM/The Reception

                           
                                               photo by Styrous®
photo by Styrous®

photo by Styrous®

The tower of TV monitors which made me think, 
appropriately, of the biblical Tower of Babel.
photo by Styrous®
 
photo by Styrous®

photo by Styrous®

 DJ Damon spun new wave & punk music
photo by Styrous®
 

photo by Styrous®

photo by Styrous®

photo by Styrous®

photo by Styrous®

photo by Styrous®

photo by Styrous®

photo by Styrous®

photo by Styrous®

 photo by Styrous®
photo by Styrous®

photo by Styrous®




photo by Styrous®

photo by Styrous®

photo by Styrous®

photo by Styrous®

photo by Styrous®

photo by Styrous®

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Filth Mongers, a term for someone who is involved in the dealing or trading of filthy or obscene material (Urban Dictionary), provided additional entertainment.

 Filth Mongers in the mosh pit
photo by Styrous®

Filth Mongers
photo by Styrous®

Filth Mongers
photo by Styrous®

Filth Mongers  can be heard and seen on Vimeo 
and images of them are on their Flickr page.


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Filth Mongers were followed by a performance piece by
Philip Huang which referenced the Adidas controversy.
 
photo by Styrous®

photo by Styrous®

photo by Styrous®

photo by Styrous®

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photo by Styrous®

photo by Styrous®

photo by Styrous®

photo by Styrous®

photo by Styrous®

photo by Styrous®

photo by Styrous®

photo by Styrous®


for information on the Barry McGee exhibition see:
Barry McGee @ the BAM/Intro

also see:
Barry McGee @ the BAM/The Exhibition

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