Édith Piaf   
photographer unknown 
Today, December 19, is the one hundredth anniversary of the birth of Édith Piaf in 1915. About a year and a half ago, I suddenly realized this event was coming. Because of the enormous impact the music of Piaf had made at an important point in my life when I was young, I began gathering information together for this article on her. There are links (below) to other articles I've written about her.     
I
 hope you find as much love and compassion from reading and briefly 
reliving the intense life of this amazing woman, as I had putting it 
together.    
 thank you
the Édith Piaf nutshell    
(green links to more info)
Édith Piaf was born Édith Giovanna Gassion at the Hôpital Tenon in Belleville, Paris, December 19, 1915. She was  a French cabaret singer, songwriter and actress who became widely regarded as France's national chanteuse, as well as being one of France's greatest international stars. She was an icon in the Pantheon of entertainment.   
Piaf's father was Louis-Alphonse Gassion (1881–1944), a street performer of 
acrobatics from Normandy. He was the son of Victor Alphonse Gassion 
(1850–1928) and Léontine Louise Descamps (1860–1937), known as Maman 
Tine, a "madam" who ran a brothel in Normandy.       
Piaf's mother 
was Annetta Giovanna Maillard (1895–1945) who was of French descent on 
her father's side and of Italian origin on her mother's, and she was a 
native of Livorno, Italy. She worked as a café singer under the name 
Line Marsa. Her parents were Auguste Eugène Maillard (1866–1912) and 
Emma (Aïcha) Saïd ben Mohammed (1876–1930), daughter of Said ben 
Mohammed (1827–1890), a Moroccan acrobat born in Mogador, Morocco, and 
Marguerite Bracco (1830–1898), born in Murazzano in Italy.    
Her mother abandoned Piaf at birth and when her father enlisted with the French Army in 1916 to fight in World War I, he took her to a women who ran a brothel in Normandy. There, prostitutes helped look after Piaf.      
In 1929, at age 14, she joined her father in his acrobatic street 
performances all over France, where she first sang in public. At the age
 of 15, Piaf met Simone "Mômone" Berteaut, who may have been her 
half-sister, who became a companion for most of her life, and together 
they toured the streets for the first time singing and earning money for
 themselves. With the additional money Piaf earned as part of an 
acrobatic trio, Piaf and Mômone were able to rent their own place. She separated from her father and took a room at 
Grand Hôtel de Clermont (18 
rue Veron, Paris 18ème), working with Mômone as a street singer in 
Pigalle, 
Ménilmontant, and the Paris suburbs (cf. the song 
Elle fréquentait la Rue Pigalle).
      
photographer unknown 
In
 1932, she met and fell in love with Louis Dupont. In February 1933, 
when Piaf was 17 years old, her daughter, Marcelle, known as Cécelle, 
was born in the Hôpital Tenon. She returned to street singing, until the
 summer of 1933, when she opened at Juan-les-Pins, Rue Pigalle. Marcelle
 died of 
meningitis at age two. It is rumoured that Piaf slept with a man to pay for Marcelle's funeral.   
In 1935, Piaf was discovered in the 
Pigalle area of 
Paris by nightclub owner 
Louis Leplée, whose club 
Le Gerny off the 
Champs-Élysées.
 He persuaded her to sing despite her extreme nervousness, which, 
combined with her height of only 142 centimetres (4 ft 8 in), inspired 
him to give her the nickname that would stay with her for the rest of 
her life and serve as her stage name, 
La Môme Piaf (Paris slang 
meaning "The Waif Sparrow" or "The Little Sparrow"). Leplée taught her 
the basics of stage presence and told her to wear a 
black dress, which became her trademark apparel. Later, she would always
 appear in black.   
Her opening night attracted many celebrities, 
including actor 
Maurice Chevalier. Her nightclub gigs led to her first two records produced that same year, with one of them penned by 
Marguerite Monnot,
 a collaborator throughout Piaf's life and one of her favourite 
composers.   
On 6 April 1936, Leplée was murdered which generated negative
 media attention and threatened her career. To rehabilitate her image, 
she recruited 
Raymond Asso,
 with whom she would become romantically involved. He changed her stage 
name to "Édith Piaf" and commissioned Monnot to write songs that reflected or alluded to 
Piaf's previous life on the streets.       
In 1940, Piaf co-starred in the successful one-act play, 
Le Bel Indifférent, by 
Jean Cocteau. She began forming friendships with prominent people, including Chevalier and poet 
Jacques Borgeat.
 She wrote the lyrics of many of her songs and collaborated with 
composers on the tunes. In the spring of 1944 she began the first collaboration (and love
 affair) with 
Yves Montand at the 
Moulin Rouge.   
 Paris Cancan (1890) 
In December of 1944, she performed on stage for the 
Allied forces together with Montand in 
Marseille, 
France.   
Piaf's 
signature song, 
La vie en rose, was written in 1945 and was voted a 
Grammy Hall of Fame Award in 1998. The song's title can be translated as 
Life in Rosy Hues or 
Life 
Through Rose-Tinted Glasses; its literal meaning is "Life in Pink". The lyrics and melody of the song were written by Piaf herself, 
but the melody was said officially to have been composed and registered 
by 
Louis Guglielmi
 (known as Louiguy) only, since at the time, due to the stringent 
registration requirements of 
SACEM, Piaf did not have the necessary 
qualifications to be able to copyright her work with 
SACEM. The song made Piaf internationally famous, with its lyrics telling 
about the joy of finding true love and appealing to those who had 
survived the difficult wartime. 

 
La Vie en rose was released on a 10" single in 1947 by 
Columbia Records, a division of 
EMI, with 
Un refrain courait dans la rue on the 
B-side.
 It met with a warm reception and sold a million copies in the USA. It 
was the biggest-selling single of 1948 in Italy, and the ninth 
biggest-selling single in Brazil in 1949. Piaf performed the song in the
 1948 French movie 
Neuf garçons, un coeur.  
 
In 1947, she wrote the lyrics to the song 
Mais qu'est-ce que j'ai! (music : 
Henri Betti)
 for Montand. Within a year, he became one of the most famous singers in
 France. She broke off their relationship when he had become almost as 
popular as she was.
In 1948, Piaf met and had an affair with boxing champion, 
Marcel Cerdan, who was married. The affair lasted from summer 1948 until his death in autumn 1949. They
 were devoted to each other and Piaf wrote one of her most famous 
songs, 
Hymne à l'amour,
 for Cerdan. Piaf and Cerdan's affair made international headlines, as 
Cerdan was the former middleweight world champion and a legend in France
 in his own right.  
New York, World Championship 
September 21, 1948 
family archives 
Cerdan began boxing professionally on November 4, 1934 in Meknes, Morocco,
 beating Marcel Bucchianeri by a decision in six rounds. Cerdan then ran
 a streak of 47 wins in a row between that first bout and January 4, 
1939, when he lost for the first time, to Harry Craster by a 
disqualification in five rounds in London.    
photographer unknown 
In 1951, Piaf was seriously injured in a car crash along with 
Charles Aznavour, breaking her arm and two ribs, and thereafter had serious difficulties arising from 
morphine and alcohol addictions. Two more near-fatal car crashes exacerbated the situation. Singer 
Jacques Pills took her into rehabilitation on several occasions with no success.    
Piaf married Jacques Pills (real name René Ducos), her first husband, in 1952 (her matron of honour was 
Marlene Dietrich). Piaf divorced him in 1957. In 1962, she wed 
Théo Sarapo
 (Theophanis Lamboukas), a Greek hairdresser-turned-singer and actor who
 was 20 years her junior. The couple sang together in some of her last 
engagements.     
Rotterdam performance, December 13, 1962
negative strips black / white,
number access 2.24.01.05, part number 914-6437
National Image Archive:
Photo Collection Standard Dutch Fotopersbureau
Piaf died of liver cancer on the 10th of October, 1963. She was 47. She was  buried in the Père Lachaise cemetery in Paris. The Roman Catholic
 church denied a funeral mass because of her lifestyle. However, her 
funeral procession was attended by more than 100,000 fans. It wasn’t 
until 50 years after her death, in 2013,  that the Catholic church 
granted a proper funeral mass for her.     
Having by Gallic law inherited Piaf's seven million francs worth of 
debts, Sarapo was evicted from the apartment they shared on Boulevard 
Lannes on Christmas Day 1963; he recorded La maison qui ne chante 
plus (the house which no longer sings), which became a hit. Another hit of his was Le jour viendra, which in English is, Our Day Will Come. Sarapo, was buried next to Piaf seven years later when he  
died in a car accident on August 28, 1970.   
photographers unknown
On June 12th, 2012, the United States and France postal services jointly issued stamps honoring Édith Piaf and jazz musician 
Miles Davis.
 Designed by Greg Breeding, the stamps depict the artists in their most 
iconic poses using a photo of Davis with his trumpet in 1970 by 
David Gahr and a photo of Piaf from the 
Michael Ochs Archives.     
 

 
Viewfinder links:     
                                  
Édith Piaf      
Miles Davis        
Marlene Dietrich         
David Gahr        
 The United States postal music stamps ~ the "Forevers"                
    Net links:     
                                  
films about Édith Piaf                
Édith Piaf  Discography    
songs by Édith Piaf     
      
YouTube links:     
                                  
Édith Piaf ~ Songs      
Théo Sarapo ~ Le jour viendra                
       
    
      
"Every damn fool thing you do in this life, you pay for." 
 Styrous® ~Saturday, December 19, 2015